Daniel Melingo

Uma viagem pela vida e obra do músico argentino Andrés Calamaro, que revela acontecimentos até então desconhecidos do público. Da mão da cantora Nathy Peluso e com acesso a material de arquivo inédito e entrevistas exclusivas com Andrés, seu círculo íntimo, ex-colegas e colaboradores, é construído um retrato intimista que ilumina os detalhes menos conhecidos de sua vida.

A mirror game between reality and fiction about the creative blocking of a troubled artist. Ricardo Mosner exists, but his character transcends the documentary world. We also see musician Daniel Melingo, the film’s director and co-star, transformed into a ghostly vagabond in the city. The camera captures these specters’ roaming like images of a digital canvas. There is wine, loneliness, parties and sunrises of bourgeois bohemians. The film encrypts its indomitable value in exposing how you can paint an audiovisual picture under the influence of this century’s events and variations. In the end, the film is an act of combining brushes and colors with precision in order to depict a happy reunion in exile.

A mirror game between reality and fiction about the creative blocking of a troubled artist. Ricardo Mosner exists, but his character transcends the documentary world. We also see musician Daniel Melingo, the film’s director and co-star, transformed into a ghostly vagabond in the city. The camera captures these specters’ roaming like images of a digital canvas. There is wine, loneliness, parties and sunrises of bourgeois bohemians. The film encrypts its indomitable value in exposing how you can paint an audiovisual picture under the influence of this century’s events and variations. In the end, the film is an act of combining brushes and colors with precision in order to depict a happy reunion in exile.

A mirror game between reality and fiction about the creative blocking of a troubled artist. Ricardo Mosner exists, but his character transcends the documentary world. We also see musician Daniel Melingo, the film’s director and co-star, transformed into a ghostly vagabond in the city. The camera captures these specters’ roaming like images of a digital canvas. There is wine, loneliness, parties and sunrises of bourgeois bohemians. The film encrypts its indomitable value in exposing how you can paint an audiovisual picture under the influence of this century’s events and variations. In the end, the film is an act of combining brushes and colors with precision in order to depict a happy reunion in exile.

A mirror game between reality and fiction about the creative blocking of a troubled artist. Ricardo Mosner exists, but his character transcends the documentary world. We also see musician Daniel Melingo, the film’s director and co-star, transformed into a ghostly vagabond in the city. The camera captures these specters’ roaming like images of a digital canvas. There is wine, loneliness, parties and sunrises of bourgeois bohemians. The film encrypts its indomitable value in exposing how you can paint an audiovisual picture under the influence of this century’s events and variations. In the end, the film is an act of combining brushes and colors with precision in order to depict a happy reunion in exile.

Um famoso cantor e ator recebe uma casa de herança onde ele encontra elementos ocultos sobre uma conspiração contra a Argentina desde o nascimento da nação. Portanto, ele decide continuar com o seu legado familiar e produz um documentário chamado Campanha Anti-Argentina.

A vida íntima e pouco conhecida de Miriam Alejandra Bianchi, que se tornou uma referência da música popular argentina sob o nome artístico de Gilda, em um filme que resgata sua autenticidade, seu carisma e a reivindicação dos direitos das mulheres em suas canções durante duas etapas de sua vida: uma, que mostra Gilda quando era uma menina e adolescente com o pai, inspiração artística da cantora; e o outra em sua maturidade, quando ela decide se comprometer com seu próprio sonho e torná-lo realidade.

Two young urchins turn the streets of Buenos Aires into their own magical playground, in this vibrant portrait of young love.

A divorced taxi driver shows up with a black eye at the home of his ex-wife’s new family; he’s been invited to dinner and he desperately wants to reconnect with his young daughter. A professional magician’s car breaks down and he ends up spending an emotionally intense night with a young, widowed toll booth worker. A singer songwriter serving a lengthy prison sentence is released for one night to perform at a local community centre. These three deeply engaging stories about yearning for connection unfold in parallel, one New Year’s Eve in a small town in central Uruguay, balancing the universality of human suffering with a powerful sense of hope.

Malena is an attractive woman, psychoanalyst of profession and tango dancer by devotion. One night she kills accidentally a man and decides to hide her crime. Days after, she sees in the news the man’s wife and little daughter: he was a policeman. In her plan, Malena meets Carlos, work companion of the dead policeman who is investigating his disappearance. He is of Vasc origin and they call him “the Sabina,” because sometimes he answers using phrases of the songs of the artist. A strange fascination captures Malena with “the Sabina,” the man who has to discover the crime she committed and take her to prison. Since the beginning, the relationship between them is passionate and transgressor, without moral limits.

Two old crime partners meet again. One of them just got out of jail and is looking for a new gig, while the other one now has a legitimate business. They go to catch up at a bar while Peñarol plays the final of the 1987 Copa Libertadores de América.