John van den Broek

A series of stories reflecting the changing position of women in the world, including the familiar tales of Adam and Eve, Messalina and Claudius, Abelard and Heloise, Cyrene and the Fisherman, as well as that of a young girl and an officer in the American Civil War.

Differing considerably from Henrik Ibsen's classic play, the basic story of a woman who forges her father's name and comes to grief therefore is retained.

Two peasant children, Mytyl and Tyltyl, are led by Berylune, a fairy, to search for the Blue Bird of Happiness. Berylune gives Tyltyl a cap with a diamond setting, and when Tyltyl turns the diamond, the children become aware of and conversant with the souls of a Dog and Cat, as well as of Fire, Water, Bread, Light, and other presumably inanimate things. The troupe thus sets off to find the elusive Blue Bird of Happiness.

When Tourneur adapted the allegorical plays The Blue Bird by Belgian symbolist Maurice Maeterlinck and Prunella by British playwrights Harley Granville Barker and Lawrence Housman in 1918, they had been successfully staged for many years, opening in Moscow and on Broadway and everywhere. Today, the saccharine charm of these anti-modern fairy tales doesn’t work any more. But undistracted by the meaning or action of the film, we can enjoy the surface of Prunella all the better, the dazzling sets and costumes, silhouettes and painted backdrops created by the great art director Ben Carré in a fashionable Art Déco Neo-Rococo style.

Gwen's family is rich, but her parents ignore her and most of the servants push her around, so she is lonely and unhappy. Her father is concerned only with making money, and her mother cares only about her social position. But one day a servant's irresponsibility creates a crisis that causes everyone to rethink what is important to them.

A restless young girl yearns to leave her rural environment and "get away from it all". One day she stumbles upon a film crew shooting a western near her home. She makes friends with the film's leading man, who encourages her to try her luck as an actress. So she leaves her small town and goes to the big city to break into the picture business. However, things don't turn out quite the way she planned.

Donald MacTavish, the last chieftain of his clan on an island off the coast of Scotland, dies at sea. This leaves his only daughter, Marget, to assume the responsibilities of leadership. Marget's burden is partially eased by her blossoming romance with Jamie Campbell. But there is a secret from Jamie's past that neither of them know about.

The Rail Rider is a 1916 American silent drama film directed by Maurice Tourneur and starring House Peters, Bertram Marburgh, and Henry West.

Giles Bateson gets expelled from college for misconduct. His angry father, the Earl, sends him a message: "Never let me see you again until you have earned a half crown and proven yourself worthy of confidence."