Aleksandr Gintsburg

Filmes

The Hyperboloid of Engineer Garin
Writer
A Russian engineer Petr Garin possesses a unique beam-shooting weapon that can destroy any target. His goal is to achieve world domination with the help of this weapon. Vasily Shelga is out to stop him and also to prevent others getting possession of this weapon.
The Hyperboloid of Engineer Garin
Director
A Russian engineer Petr Garin possesses a unique beam-shooting weapon that can destroy any target. His goal is to achieve world domination with the help of this weapon. Vasily Shelga is out to stop him and also to prevent others getting possession of this weapon.
Konstantin Zaslonov
Camera Operator
Young railroad worker, seemingly accommodating to Nazi overlords at a captured rural depot, secretly spearheads acts of sabotage against the evil occupying forces.
Private Aleksandr Matrosov
Camera Operator
The film is about the exploit of a nineteen-year-old soldier of the Great Patriotic War - Alexander Matrosov, who covered the embrasure of the enemy's bunker with his body.
His Name Is Sukhe-Bator
Director of Photography
The film tells about the founder of the Mongolian People's Revolutionary Party, the leader of the Mongolian People's Revolution - Damdin Sukhe-Bator.
Wings of Victory
Cinematography
The film is based on the biography of Valeri Chkalov (1904 - 1938), a Russian pilot, who set several long distance flight records. Chkalov and his co-pilots Baidukov and Belyakov together had accomplished several non-stop long-distance flights. In June of 1937 Chkalov set the world record, covering 12000 kilometers in 63 hours of non-stop flight from Moscow to Vancouver, Washington, flying over the North Pole.
Member of the Government
Director of Photography
Peasants
Director of Photography
The peaceful life of an exemplary collective farm is being rent asunder by shortages and dissent, and a commissar is sent to uncover the source of the problems, unaware that their is actual sabotage involved.
Shame
Director of Photography
Shame or Counterplan is a 1932 Soviet drama film directed by Sergei Yutkevich and Fridrikh Ermler. The film’s title-song called "The Song of the Counterplan", composed by Dmitri Shostakovich, became world famous and was adapted into "Au-devant de la vie", a notable song of the French socialist movement of the 1930s. This film could be considered as a Stalin propaganda film. The plot involves an effort to catch "wreckers" at work in a Soviet factory. From Wikipedia, the free encyclopedia