Félix Rodríguez

Lucía, uma dançarina de discoteca em fuga, refugiou-se em um edifício sinistro na periferia de Madri, onde sua irmã Rocío vive com sua filha Alba.

Argentina, período da ditadura militar da década de 70. Kóblic, um ex-capitão das Forças Armadas, é responsável por coordenar as operações aéreas conhecidas como os "voos da morte", onde elementos considerados subversivos eram arremessados de dentro dos aviões diretamente ao encontro do mar.

Um casal muda-se com seu bebê recém-nascido para uma nova casa. É uma linda casa antiga que foi totalmente reformada. Antes de dormir, o casal checa a babá-eletrônica que foi instalada no quarto do bebê. Mas eles logo vão descobrir que há mais alguém vivendo naquela casa, alguém cuja presença é sentida toda noite, sempre no quarto do bebê.

A docudrama covering the New York drag ball scene in the early 1990s from an insider perspective.

German, a young theater director, tries to organize a theater play about Lulu, a prostitute that was killed in London by Jack the ripper. While looking for the protagonist, Rufo appears, an introvert jazz musician. He could play Jack the ripper.

German, a young theater director, tries to organize a theater play about Lulu, a prostitute that was killed in London by Jack the ripper. While looking for the protagonist, Rufo appears, an introvert jazz musician. He could play Jack the ripper.

Hypocrisy and betrayal are the two dramatic pivots in this effective, emotionally gripping tragedy about the life and death of Paco (Antonio Banderas), a Spanish peasant who had been fighting against the feudal landowning system that kept farmers impoverished. Paco's life is told in flashbacks by a priest (Antonio Ferrandis) who is seen officiating at an anniversary mass attended by three wealthy landowners and no one else. The priest recalls Paco's baptism, his communion, his marriage ceremony and then his work for the peasants as he advocated and led them in a land-reform movement. The rest of the story will rest heavy on the priest's conscience, as he looks out at his empty church.

Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

Rodrigo Díaz de Vivar, “Mio Cid”, is in love with Jimena, but the Count of Oviedo, his father, challenges him to a duel and is killed. He before him curses Rodrigo, that if he marries Jimena, he will lose his manly faculties. And, in fact, when he gets married, Rodrigo becomes effeminate.

Madrid, anos 80. Uma cidade incômoda, selvagem e divertida. Nela acontece uma história de amor incomum entre uma jovem ninfomaníaca e o filho de um imperador árabe. Ela, membro de um violento grupo musical, e ele, preocupado em se manter escondido de terroristas de seu país de origem, são o fio condutor de uma série de relações entre os personagens mais díspares que se pode encontrar. Música, violência verbal, perseguições, paixão, sexo... e acima de tudo, o amor e suas dificuldades.

Madrid, anos 80. Uma cidade incômoda, selvagem e divertida. Nela acontece uma história de amor incomum entre uma jovem ninfomaníaca e o filho de um imperador árabe. Ela, membro de um violento grupo musical, e ele, preocupado em se manter escondido de terroristas de seu país de origem, são o fio condutor de uma série de relações entre os personagens mais díspares que se pode encontrar. Música, violência verbal, perseguições, paixão, sexo... e acima de tudo, o amor e suas dificuldades.

A story of a family whose father tries by all means to maintain the strictest ethics and morality ... or at least appear so. His beautiful young daughter tries to emancipate hereself and looks for a job, but the chance is that the first thing that comes out is underwear seller. She starts to work and problems start for all.

Wealthy Olga Arbant, with the help of her submissive husband Paul, enjoys kinky scenarios to help with the writing of her novels, as well as controlling everything and everyone. Impoverished Patrizia, who is a virgin, has agreed to do whatever Olga demands for one month. After being subjected to various humiliations, Patrizia frustrates Olga by developing a mind of her own.

A city is horrified at the appearance of several cadavers of women who have been savagely raped prior to being killed.

A middle-aged, closeted homosexual banker from a wealthy family, falls in love with a much younger heterosexual man.