Aris Athanasopoulos

Um antigo campeão grego de mergulho e um excêntrico estudante alemão embarcam em uma viagem aventureira de redescoberta de Bari à Baviera. Victor é um ex-campeão de mergulho de vinte e poucos anos que agora trabalha em uma fábrica de móveis e mora com sua avó doente em uma cidade litorânea na Grécia. Perturbado após a morte dela, ele decide tirar o pó de seu carro velho e viajar para a Alemanha para visitar sua mãe distante. Na balsa para a Itália, ele conhece Matthias, um jovem alemão falante e curioso que está voltando para casa. Matthias convence Victor a levá-lo junto e enquanto eles dirigem para o norte, a personalidade repressiva e tensa de Victor entra em conflito com a libertinagem de Matthias. Mas eles logo encontram um terreno.

Rojda, nativa do Curdistão iraquiano e soldado do exército alemão, viaja para um campo de refugiados na Grécia onde consegue encontrar sua mãe, que tem más notícias sobre sua irmã Dilan.

Lacerate blends elements of realism with a dreamlike, symbolic dimension, portraying the extreme decision of a woman who turns from victim into executioner. In a series of mises-en-scène shot only in natural light, we see a domestic setting overrun by a pack of dogs that roam around restlessly, attacking objects and furniture. The interior of this home is a mental space, violated and lacerated like a body that has undergone violence. Fruit, game, and remnants of food are arranged like still lifes, with allegorical elements evoking the precariousness of life and the loss of innocence.

Lacerate blends elements of realism with a dreamlike, symbolic dimension, portraying the extreme decision of a woman who turns from victim into executioner. In a series of mises-en-scène shot only in natural light, we see a domestic setting overrun by a pack of dogs that roam around restlessly, attacking objects and furniture. The interior of this home is a mental space, violated and lacerated like a body that has undergone violence. Fruit, game, and remnants of food are arranged like still lifes, with allegorical elements evoking the precariousness of life and the loss of innocence.

Survival, motherhood and movies all collide in a backyard pool.

Andi Ngjela, who was baptised as Nikos Gelia when he came to Greece, is very different today from the days of his childhood in Albania. He is considered one of the most talented actors of his generation, who starred in the film "Xenia" by Panos Koutras, one of the most important films of modern Greek cinema. Nikos Gelia was born in Albania in the early 1990s in a turbulent period for the neighboring country. At a young age he migrated with his parents to Greece. How was it for a child to look for his "identity" in a country that was not particularly welcoming at that time for immigrants from Albania? The story of Nikos, the boy once called Andi, is identical to the stories of all those people who, due to their circumstances, were forced to grow up without a sense of "national identity."

Four men meet in a coffee bar, where they discuss their views on life, love, and the opposite sex. As their conversation progresses, they realise they have far more in common with each other than they anticipated.

An unfinished love story between glimpses on wheels.

A remote Greek village must raise its population in order to avoid being cut off from the local government.

A remote Greek village must raise its population in order to avoid being cut off from the local government.

Pavlos and Leon are two inseparable friends who dream of opening one bar once the war is over. The SS, searching the house, arrest his parents Pavlos not being able to find Leon. The two friends embark on a journey through the forests to reach Thessaloniki. Away from civilization, Paul struggles with his dark side which is slowly awakening.

Pavlos and Leon are two inseparable friends who dream of opening one bar once the war is over. The SS, searching the house, arrest his parents Pavlos not being able to find Leon. The two friends embark on a journey through the forests to reach Thessaloniki. Away from civilization, Paul struggles with his dark side which is slowly awakening.

Between 1947 and 1951, more than 80 000 Greek men, women and children were deported to the isle of Makronissos (Greece) in reeducation camps created to ‘fight the spread of Communism’. Among those exiles were a number of writers and poets, including Yannis Ritsos and Tassos Livaditis. Despite the deprivation and torture, they managed to write poems which describe the struggle for survival in this world of internment. These texts, some of them buried in the camps, were later found. «Like Lions of stone at the gateway of night» blends these poetic writings with the reeducation propaganda speeches constantly piped through the camps’ loudspeakers. Long tracking shots take us on a trance-like journey through the camp ruins, interrupted along the way by segments from photographic archives. A cinematic essay, which revives the memory of forgotten ruins and a battle lost.

When Helen is bored, horrible things happen around her.

Sally and Jason Danville's life are turned upside down when a tragic accident suddenly names them the caretakers of four young children.

Summer in an Athenian neighborhood, the alarm of a car does not leave their neighbors in peace. But every one has its own problems. Infidelity, robbery, jealousy, flirtation, and family reconciliation on corpses, all pour forth into five intertwined stories

In the confined space of a typical school bus, two contrasting characters share an ordinary day on the road just before Christmas.