James June Schneider

James June Schneider

História

James June Schneider is an American filmmaker and video artist.

Perfil

James June Schneider

Filmes

Punk the Capital: Building a Sound Movement
Editor
A cena punk de Washington DC como nunca se viu. Imagens inéditas, depoimentos exclusivos, posicionamento político e muita atitude.
Punk the Capital: Building a Sound Movement
Producer
A cena punk de Washington DC como nunca se viu. Imagens inéditas, depoimentos exclusivos, posicionamento político e muita atitude.
Punk the Capital: Building a Sound Movement
Director
A cena punk de Washington DC como nunca se viu. Imagens inéditas, depoimentos exclusivos, posicionamento político e muita atitude.
The Band That Met the Sound Beneath
Director
In February, 2010, the renowned Chilean band Panico traveled through the desert of northern Chile to record an album in the Atacama desert. After two decades of punk and post-punk rock, these offspring of political exiles are themselves rocked by not only the strange sounds and voices of the north but by a major earthquake...
Jean Epstein, Young Oceans of Cinema
Director
This portrait of the French film theorist and avant-garde director Jean Epstein (1897-1953) concentrates on the period when he filmed in Brittany, the spot where he became inspired by the sea. Using rare archive footage, Jean Epstein, Young Oceans of Cinema also looks at Epstein’s views on the specificity of the film medium.
Jean Epstein, Young Oceans of Cinema
Director of Photography
This portrait of the French film theorist and avant-garde director Jean Epstein (1897-1953) concentrates on the period when he filmed in Brittany, the spot where he became inspired by the sea. Using rare archive footage, Jean Epstein, Young Oceans of Cinema also looks at Epstein’s views on the specificity of the film medium.
DEGRADATION N°1, X-RAY : PART2. GOVERNMENT RADIATION
Director
1, 2, 3, Whiteout
Writer
In a future present, a rebellious Veronique finds herself working for an inventor who has dedicated himself to the cause of a positive darkness; he is working to counter the tide of a bright, diffuse, and technologically oriented time as represented in the film by man-made light. Veronique's brother Alix works for an agency that is attempting to thwart the process.
1, 2, 3, Whiteout
Director
In a future present, a rebellious Veronique finds herself working for an inventor who has dedicated himself to the cause of a positive darkness; he is working to counter the tide of a bright, diffuse, and technologically oriented time as represented in the film by man-made light. Veronique's brother Alix works for an agency that is attempting to thwart the process.