Jared Sanford

"Who Is Lun*na Menoh" follows the life and work of the extraordinary Japanese artist. From her early career in Japan to the underground music scene in Los Angeles, from fashion show runways featuring her sculptural designs to art galleries showing her fantastical work, Lun*na's edgy, witty and beautiful creations are explored. Director Jeff Mizushima follows Lun*na's artistic career, showcasing her uniquely individual expressionism and interviewing her family, gallery owners, models, fans, and fellow visual artists & musicians to find out who and what Lun*na Menoh is and why her art, in all of its forms, fits in our world.

Elaine (Samantha Robinson) é uma jovem bruxa que está determinada a encontrar o homem de sua vida. Ela leva homens para seu apartamento e faz magias e poções a fim de seduzi-los. Tudo funciona bem, mas ela acaba com uma série de vítimas infelizes. Quando ela finalmente encontra o homem de seus sonhos, seu desespero para ser amada a torna insana.

Elaine (Samantha Robinson) é uma jovem bruxa que está determinada a encontrar o homem de sua vida. Ela leva homens para seu apartamento e faz magias e poções a fim de seduzi-los. Tudo funciona bem, mas ela acaba com uma série de vítimas infelizes. Quando ela finalmente encontra o homem de seus sonhos, seu desespero para ser amada a torna insana.

Abandoned by her husband, Barbi is dragged into trouble by her girlfriend, who spouts women's lib as she gets Barbi to discard her bra and go out on the town. Barbi becomes a Red Riding Hood in a sea of wolves, and quickly learns a lot more than she wanted to about nudist camps, the hippie scene, orgies, bisexuality, sadism, drugs, and bohemia.

Abandoned by her husband, Barbi is dragged into trouble by her girlfriend, who spouts women's lib as she gets Barbi to discard her bra and go out on the town. Barbi becomes a Red Riding Hood in a sea of wolves, and quickly learns a lot more than she wanted to about nudist camps, the hippie scene, orgies, bisexuality, sadism, drugs, and bohemia.

Lucy, a young Victorian woman in the Old West, is being tormented by nightly visits from an incubus. Her friend Madeleine tries to console her, but is unable to help. A fallen woman, Lucy gets a job singing at the local saloon. However, the Incubus has followed her there; and things take an unexpected turn as Lucy and the Incubus, amidst the rowdy cowboys and saucy can-can girls, have their final showdown.

A weird German doctor uses hypnotism, seduction, and criminality to get the better of a trio of spoiled wealthy siblings, in a tribute to old Hollywood Technicolor melodramas.

A weird German doctor uses hypnotism, seduction, and criminality to get the better of a trio of spoiled wealthy siblings, in a tribute to old Hollywood Technicolor melodramas.

A weird German doctor uses hypnotism, seduction, and criminality to get the better of a trio of spoiled wealthy siblings, in a tribute to old Hollywood Technicolor melodramas.

This short film is adapted from Madame d'Aulnoy's clasic fairy tale, The White Cat. The White Cat was originally planned as a feature film musical which Anna Biller worked on over a period of a couple of years, creating an original soundtrack, over a hundred costumes, many props, and a children's book. Eventually, realizing it was a bit unconventional and expensive to raise the proper funding for, she instead adapted it for the stage with a cast of eight performers, and called the new version The Lady Cat. The film and play were trying to capture the complex nature of the character of the White Cat, an enchanted princess who has been transformed into a cat, with all of the perversions and fancies that such a transformation implies. This particular scene is about the sexual feelings that are awakened in the two lovers when they witness the awakening of spring.

A rainha melancólica de um reino arábico, uma rainha abelha e uma adolescente que transformada em rainha protagonizam os devaneios desse musical inspirado em clássicos antigos de Hollywood.