Fernando Salas

Filmes

Suffer, You Prick
David, Javier, Dani and Pepe are four friends expelled from a religious school who must join the discipline of a mixed center. His passion for music leads them to create the group Los Residuos, facing Rocky Lacoste, the idol of the new school. In addition to singing in the rival group Yellow Fever, Lacoste also conquers Patty, David's girlfriend. At the end of his irregular career, Manuel Summers directed this musical taking advantage of the enormous success among the youthful public of the group of pop Men G, led by his son David.
Lulú de noche
German, a young theater director, tries to organize a theater play about Lulu, a prostitute that was killed in London by Jack the ripper. While looking for the protagonist, Rufo appears, an introvert jazz musician. He could play Jack the ripper.
Coarse Salt
Afinador
A famous composer creative in crisis and must compose a new album, but is going through a painful separation that prevents him from concentrating. In this situation, your manager will provide a time extension
Bésame, tonta
Miope
A young bank clerk is transferred, in view of his special way of being, to a branch for misfits, where he will meet a whole series of very strange characters.
Los líos de Estefanía
La casada divertida
Una isla con tomate
Los económicamente débiles
La morocha
A prostitute persecuted by the police, receives the interested protection of a greedy merchant. He takes refuge in his house one night and meets his nephew, a sensitive boy who wants to be a musician.
El grito sagrado
El Grito Sagrado (The Silent Call) is a fictionalized retelling of Argentina's fight for independence from Spain. The story is "personalized" by being related through the eyes of Mariquita Sanchez de Thompson y Mendeville, played by popular Latin American leading lady Fanny Navarro. Rebelling against the cozy traditionalism of her family, Mariquita weds tireless patriot Martin Thompson (Carlos Cores). She remains by her husband's side as he helps to fend off a British invasion and to achieve freedom for the Argentine slave population. Oddly, the principal villains in the film are the British, a reflection perhaps of Argentine dictator Juan Peron's ongoing efforts to curry favor with Spain.