Vanessa McDonnell

Patte and Randa Starr are fun specialists. After growing up in an abusive household set above their father's candy store, they spent their lives fighting to find joy and freedom. Now in their 70s, these sisters do exactly as they please: they live together near the beach, they always have a movie on, and the candy drawer is fully stocked.

Tux and Fanny are two friends living together in the forest and these are their adventures!

It's about the internet, and it's quite strange.

Featuring a dozen segments of spine-tingling surrealist horror, The Eyeslicer Halloween Special takes viewers on the cinematic equivalent of an acid trip down the Halloween aisle at Party City! From an X-rated Halloween party hookup to a coming of age story set on the eve of Ted Bundy’s execution; from a documentary about pumpkin carving and misogyny to a supercut about the gendered dangers of the bathtub; from a cursed stand-up comedy set to a woman ( Carrie Coon) trapped inside a Red Lobster commercial; from a John Carpenter homage (featuring a cameo by Carpenter himself) to a sequel to The Eyeslicer’s now infamous Gwilliam, The Eyeslicer Halloween Special is an experience like no other – a deranged, proudly transgressive anthology carving out a bold new space in the Midnight movie genre.

A beautiful actress struggles to connect with her disfigured co-star on the set of a European auteur's English-language debut.

A man and his grandmother hide out from an ominous broadcast. The Grim Reaper hosts a TV show. The formerly incarcerated recount and reinterpret their first days of freedom. A suburban mom's life is upturned by the beast growing inside of her. And a high school gym teacher runs drills from inside a volcano. What happens when five of independent film's most adventurous filmmakers join together to literally adapt each other’s dreams for the screen?

JOHN’S OF 12TH STREET is a portrait of a century-old Italian-American restaurant in New York City, one of the last of its kind in a rapidly changing East Village. This observational documentary loosely follows the rhythm of the restaurant’s day, which swings between boredom and frenzy as the old rooms empty and fill. No one who works at John’s is actually Italian, but some have been here for 40 years, including two pairs of brothers and a father and son. JOHN’S OF 12TH STREET catalogues the overlooked details of working life and a vanishing facet of New York City.

JOHN’S OF 12TH STREET is a portrait of a century-old Italian-American restaurant in New York City, one of the last of its kind in a rapidly changing East Village. This observational documentary loosely follows the rhythm of the restaurant’s day, which swings between boredom and frenzy as the old rooms empty and fill. No one who works at John’s is actually Italian, but some have been here for 40 years, including two pairs of brothers and a father and son. JOHN’S OF 12TH STREET catalogues the overlooked details of working life and a vanishing facet of New York City.

JOHN’S OF 12TH STREET is a portrait of a century-old Italian-American restaurant in New York City, one of the last of its kind in a rapidly changing East Village. This observational documentary loosely follows the rhythm of the restaurant’s day, which swings between boredom and frenzy as the old rooms empty and fill. No one who works at John’s is actually Italian, but some have been here for 40 years, including two pairs of brothers and a father and son. JOHN’S OF 12TH STREET catalogues the overlooked details of working life and a vanishing facet of New York City.

A cross-episodic melange of macabre folktales supposedly penned by folklorist Jonathan Mallory Sinus.

A cross-episodic melange of macabre folktales supposedly penned by folklorist Jonathan Mallory Sinus.

Man is destroyed by nature, saved by nature. His nature, her nature, birds, trees, lakes.

“I Love to Wait,” directed by Harrison Atkins, is an imaginative, free-roaming vision of an on-and-off relationship in Los Angeles, a rare melding of the mundane and the mystical.