Nina Popelíková

Sarcastic comedy about the Czechoslovakia of the seventies. A young gynaecologist can't figure out whether to get serious with a young nurse or to stay casual with his married lover. Things get complicated when both women don't want to play his game anymore.

Um divorciado médico de meia-idade (Rudolf Hrusinsky) estabelece prática em uma pequena cidade. Aos poucos, ele é atraído para a vida de seus pacientes - um casal sem filhos, uma menina grávida com uma mãe severa e o filho de um agricultor - e cada relacionamento revela um pouco mais sobre ele e sobre a comunidade em que vive... OU... No saguão do terminal do aeroporto, marido e mulher, estão se separando calmamente mas, aparentemente, para sempre. Ao contrário da mulher Ema, o médico Meluzin ( Rudolf Hrusínský ) regressa ao seu país. Ele se tornou médico distrital em uma área que o lembra de sua infância. Ele ganha um quarto, no centro de saúde, ao lado do apartamento de um casal de Kodet, sem filhos. O presidente do Comitê Nacional Local, Vlach (Josef Somr), não consegue parar de se perguntar por que Meluzin deixou sua posição de prestígio em sua antiga clínica mas com o tempo, o médico atencioso ganha sua confiança e a de seus pacientes.

Black comedy about a genius inventor and two young, smart and beautiful women. Both of them putting all their effort into getting the one man. This will inevitable lead to all sorts of mischief, crime and even a murder. This murder-comedy, shot at the dawn of normalization has intentionally broke off from any connection to the reality of its time. The director Zdeněk Podskalský has focused on creating intriguing story lines, revolving around the two endeavouring female characters who are fighting for the same man. Two competing parties are not only ready to kill the other, but also (if necessary) the potential groom. This film has enabled the members of the cast, composed mainly of the brightest stars of the Czech acting scene of that time, to show an incredible acting range, from the lightest comedy to the darkest cynical morbidity.

Eleven-year old Mísa has the temperament of a proper boy and endless problems with the grown-ups. It is no wonder that he longs to become an adult without further delay. Mísa keeps house together with his father and has various duties. After a failed attempt at dish-washing he goes off to the research institute where his father is working on an important invention. He is trying to produce a substance that would make poultry and other animals bigger and thus help the struggle against famine in the world, but so far he has only managed to produce a shrinking substance. After his father leaves the laboratory, Mísa mixes up different ingredients and makes the growth substance. He drinks it and instantly becomes an adult. His father, conversely, turns into a toddler after drinking the shrinking substance with his beer by mistake.

The young Prince Charles (Jaromír Hanzlík), the future King of his country Charles IV, is being educated at the French court in the company of his fiancée Blanche (Daniela Kolárová). One day he receives a summons from his father John of Luxembourg (Milos Kopecký) in Italy. He leaves for Italy accompanied by a deputation from Bohemia. On the way the prince's company fights a battle with armed Milanese against heavy odds. Thanks to Charles's perspicacity, the prince's almost naked soldiers win through. In Lucca in Italy Charles joins his father, and here he experiences an amorous adventure and escapes from the traps laid by the Italian rebels.

Ordinary man making his dirty actions in the small town and his coming to the right side.

Shortish forty-year old Ludvík Podzimek, lute and flute player in a Prague orchestra, is far from being an attractive man. He is nevertheless generally considered a great 'Don Juan'. Women take up with him out of a certain motherly compassion and Ludvík's tender heart does not allow him to split with any of them. His lovers thus accumulate and cause him numerous troubles.

It is the 1930s. Physician Bartos devotedly attends poor patients in the city suburbs, at the same time researching the possibilities of regeneration of human tissues after transplantation. His former colleague Rosen, now working as an assistant at the private clinic of surgeon Kirchenbruch, considers the research a mere utopia. The disappointed Bartos, trying to verify his theories, therefore accepts the outrageous proposal of Marion, owner of a brothel - to surgically replace the face of her lover, the wanted thief Cutter, with the face of murdered Father Hopsasa. Bartos is well paid but his successful operation remains a secret.

A story of a young boy called Bobesh and his funny adventures.

Kam Cert Nemuze by director Zdenek Podskalsky is a routine farce that slowly builds up steam to some rib-tickling slapstick episodes. (Miroslav Hornicek) is a deluded young man who is convinced he is Faust incarnate. This turn of mind leads to some ludicrous situations, such as when he believes a woman is really a cat. Before he can be rounded up and interned wherever they keep people with this type of a problem, love enters his life and the clouds that obscured his vision begin to dissipate.