Nancy Schiesari

Filmes

Canine Soldiers: The Militarization of Love
Producer
A documentary exploring the experience of going to war with a Military Working Dog, trained to find bombs before they can kill or maim soldiers, often at the expense of the dog's sanity.
Canine Soldiers: The Militarization of Love
Director
A documentary exploring the experience of going to war with a Military Working Dog, trained to find bombs before they can kill or maim soldiers, often at the expense of the dog's sanity.
Regret to Inform
Cinematography
In this film made over ten years, filmmaker Barbara Sonneborn goes on a pilgrimage to the Vietnamese countryside where her husband was killed. She and translator (and fellow war widow) Xuan Ngoc Nguyen explore the meaning of war and loss on a human level. The film weaves interviews with Vietnamese and American widows into a vivid testament to the legacy of war.
Who Needs a Heart
Cinematography
The tumultuous life of the controversial 1960s black revolutionary (and convicted murderer) Michael X is illustrated by a kaleidoscopic melding of sound and images. The radically discordant free jazz soundtrack provides a surreal counterpoint to the mix of newsreel and staged footage in this exhilarating experiment in documentary storytelling.
The Year of the Beaver
Camera Operator
The Year of the Beaver focuses on the industrial dispute at the Grunwicks photographic processing plant in Willesden, London in the summer of 1977. The workforce, predominately consisting of British Asian women, most of whom had only recently arrived in the UK, decided to go on strike over the issue of trade union recognition. The strike lasted for two years.
Green Flutes
Director
About Green Flutes, a republican flute band in Govan, Glasgow. Unemployed members of the band outline the creative and political reasons for joining the band and women in Govan talk about the changing attitudes towards their traditional roles. A journey by the band to Northern Ireland places their music within a longstanding cultural tradition in republican history and also highlights parallels between the conditions of life for the working class in Belfast and Glasgow. Made with the collabaration of the James Connolly Flute Band, Joi Leatherbarrow and Keith Lucas.