Jennifer Harrington

Jennifer Harrington

Perfil

Jennifer Harrington

Filmes

Stalker: O Jogo da Morte
Story
Mia tem um emprego chato, mas seu trabalho paralelo como influenciadora digital está ganhando seguidores e chamando atração. Ela está se tornando uma estrela, apesar de suas postagens serem encenadas e fakes. Quando Mia se torna alvo de um seguidor sádico, ela tem de resolver uma série de jogos on-line para evitar que as pessoas com as quais ela se preocupa sejam mortas.
Stalker: O Jogo da Morte
Writer
Mia tem um emprego chato, mas seu trabalho paralelo como influenciadora digital está ganhando seguidores e chamando atração. Ela está se tornando uma estrela, apesar de suas postagens serem encenadas e fakes. Quando Mia se torna alvo de um seguidor sádico, ela tem de resolver uma série de jogos on-line para evitar que as pessoas com as quais ela se preocupa sejam mortas.
Stalker: O Jogo da Morte
Director
Mia tem um emprego chato, mas seu trabalho paralelo como influenciadora digital está ganhando seguidores e chamando atração. Ela está se tornando uma estrela, apesar de suas postagens serem encenadas e fakes. Quando Mia se torna alvo de um seguidor sádico, ela tem de resolver uma série de jogos on-line para evitar que as pessoas com as quais ela se preocupa sejam mortas.
Bogalusa Charm
Editor
A contemporary portrait of a small Louisiana town created at the site of the world’s largest lumber mill. Captured here in its last days after thirty years, Miss Dixie Gallaspy conducts a charm school for girls in order to teach the young women of Bogalusa the social graces and skills that would guide them into “Ladyhood”. Dixie’s week long school, in a town confronted with many challenges (including a legacy of racial conflict and financial dissipation) preserves fragments of a world that may already be lost.
Bogalusa Charm
Writer
A contemporary portrait of a small Louisiana town created at the site of the world’s largest lumber mill. Captured here in its last days after thirty years, Miss Dixie Gallaspy conducts a charm school for girls in order to teach the young women of Bogalusa the social graces and skills that would guide them into “Ladyhood”. Dixie’s week long school, in a town confronted with many challenges (including a legacy of racial conflict and financial dissipation) preserves fragments of a world that may already be lost.
Housekeeping
Producer
Lucy Castillo, a young med student, has just given up a prized summer internship to bail out her troubled younger brother, Sal... again. He needs cash fast, and after being unable to find a job, Lucy reluctantly accepts the too-good-to-be-true position as a housekeeper offered to her through a friend of a friend. For only three weeks work, she will be paid enough to get Sal out of trouble. Things start to take a disturbing turn, however, as the job reveals itself to be anything but normal. Her never-seen employer seems to have a dark side, and Lucy's own haunted past begins to reappear, tormenting her. As the job spirals out of control and Sal's life hangs in the balance, Lucy's grip on reality disappears.
Housekeeping
Writer
Lucy Castillo, a young med student, has just given up a prized summer internship to bail out her troubled younger brother, Sal... again. He needs cash fast, and after being unable to find a job, Lucy reluctantly accepts the too-good-to-be-true position as a housekeeper offered to her through a friend of a friend. For only three weeks work, she will be paid enough to get Sal out of trouble. Things start to take a disturbing turn, however, as the job reveals itself to be anything but normal. Her never-seen employer seems to have a dark side, and Lucy's own haunted past begins to reappear, tormenting her. As the job spirals out of control and Sal's life hangs in the balance, Lucy's grip on reality disappears.
Housekeeping
Director
Lucy Castillo, a young med student, has just given up a prized summer internship to bail out her troubled younger brother, Sal... again. He needs cash fast, and after being unable to find a job, Lucy reluctantly accepts the too-good-to-be-true position as a housekeeper offered to her through a friend of a friend. For only three weeks work, she will be paid enough to get Sal out of trouble. Things start to take a disturbing turn, however, as the job reveals itself to be anything but normal. Her never-seen employer seems to have a dark side, and Lucy's own haunted past begins to reappear, tormenting her. As the job spirals out of control and Sal's life hangs in the balance, Lucy's grip on reality disappears.
Banksy Does New York
Editor
Bansky, um artista de rua conhecido por suas obras infames, revela seu endereço em Nova York, fazendo fãs, aspirantes a colecionadores de arte e a polícia começarem uma caçada querendo um pedaço de sua obra antes que fossem destruídas. Diante disso, o documentário acompanha o curso das obras secretas de Banksy em Nova York e explora a velocidade sem precedentes da reação do público.
Dark Mountain
Editor
In March of 2011, three filmmakers disappeared in the Superstition Mountains of Arizona while documenting their search for the Lost Dutchman mine. Their bodies were never found... but their camera was.
Dark Mountain
Producer
In March of 2011, three filmmakers disappeared in the Superstition Mountains of Arizona while documenting their search for the Lost Dutchman mine. Their bodies were never found... but their camera was.
The Source Family
Editor
A feature documentary film set in Hollywood, examining a radical experiment in '70s utopian living. The Source Family were the darlings of the Sunset Strip until their communal living, outsider ideals and spiritual leader Father Yod's 13 wives became an issue with local authorities. They fled to Hawaii, leading to their dramatic demise.
Hirokin O Último Samurai
Editor
Hirokin é um samurai que vive em um planeta devastado dominado pelo ditador Griffin. Após ter sua mulher e filho mortos pelo exército de Griffin, Hirokin deve escolher entre vingar sua família e libertar seu povo.
Inspired by Bret Easton Ellis
Editor
Commissioned by Random House and Bret Easton Ellis.