Louis Hone

A família Krank comemora o Natal em grande estilo. Mas como sua filha Blair está longe de casa, desta vez Luther e Nora preferiram não festejar. Só que Blair aparece na última hora. E agora eles têm de trazer o Natal de volta à casa de qualquer maneira.

Após sobreviver a um acidente de carro, Simone repensa toda a sua vida. Ela deixa o emprego e pede ao seu melhor amigo para ser pai do seu filho. Ele aceita, desde que a concepção aconteça no deserto.

Just as he does every morning, a man is preparing to jump into his car and head off to work when the remote control gizmo refuses to cooperate.

Although his influence on the history of photography has been nothing short of profound, Paul Strand (1890-1976) remains a curiously shrouded and paradoxical figure. While passionately devoted to humanity, he was happiest in the isolation of the dark room. A pioneer filmmaker (Manhatta, Native Land, Heart of Spain, The Wave), he found the process of collaboration painful. Strand established himself in New York in the 1920's as a master of light and structure, with his now famous photo of Wall Street inspired by the forms and movement of European modernist painters such as Matisse and Picasso. His closeup portraits and landscapes were equally profound. John Walker's Strand.

A day in the life of a Quebec magazine writer - his fortieth birthday - from his dream before waking to his last act before sleeping. He looks back over his life, his thoughts, and his loves.

This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen to the insistent beat of drums. The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This animation film, without words, is designed to expose the power of the cinematic medium, and to illustrate the abstract nature of time.