Julián D'Angiolillo
Nascimento : 1976-08-16, Buenos Aires, Argentina
Producer
In his previous films, Hacerme feriante (2010) and Embodied Letters (2015), Julián D’Angiolillo managed to go deep inside two universes that, even though they take place in front of everyone, remained invisible and inscrutable, as though they were subterranean—that of La Salada fair and of the authors of political graffiti in walls. For Ongoing Cave, his third work, the director goes back underground, this time in a literal manner, in order to reveal the mysteries of speleology, the science that studies caves and caverns. Italy, Slovenia, Cuba; antiwar bunkers; an exploring, revolutionary ballerina; an electronic party in which the stalactites and stalagmites dance under the flashlights. Everything is part of the ecosystem of tunnels and people that D’Angiolillo connects on screen, through images in which what lies still comes to life.
Director of Photography
In his previous films, Hacerme feriante (2010) and Embodied Letters (2015), Julián D’Angiolillo managed to go deep inside two universes that, even though they take place in front of everyone, remained invisible and inscrutable, as though they were subterranean—that of La Salada fair and of the authors of political graffiti in walls. For Ongoing Cave, his third work, the director goes back underground, this time in a literal manner, in order to reveal the mysteries of speleology, the science that studies caves and caverns. Italy, Slovenia, Cuba; antiwar bunkers; an exploring, revolutionary ballerina; an electronic party in which the stalactites and stalagmites dance under the flashlights. Everything is part of the ecosystem of tunnels and people that D’Angiolillo connects on screen, through images in which what lies still comes to life.
Editor
In his previous films, Hacerme feriante (2010) and Embodied Letters (2015), Julián D’Angiolillo managed to go deep inside two universes that, even though they take place in front of everyone, remained invisible and inscrutable, as though they were subterranean—that of La Salada fair and of the authors of political graffiti in walls. For Ongoing Cave, his third work, the director goes back underground, this time in a literal manner, in order to reveal the mysteries of speleology, the science that studies caves and caverns. Italy, Slovenia, Cuba; antiwar bunkers; an exploring, revolutionary ballerina; an electronic party in which the stalactites and stalagmites dance under the flashlights. Everything is part of the ecosystem of tunnels and people that D’Angiolillo connects on screen, through images in which what lies still comes to life.
Writer
In his previous films, Hacerme feriante (2010) and Embodied Letters (2015), Julián D’Angiolillo managed to go deep inside two universes that, even though they take place in front of everyone, remained invisible and inscrutable, as though they were subterranean—that of La Salada fair and of the authors of political graffiti in walls. For Ongoing Cave, his third work, the director goes back underground, this time in a literal manner, in order to reveal the mysteries of speleology, the science that studies caves and caverns. Italy, Slovenia, Cuba; antiwar bunkers; an exploring, revolutionary ballerina; an electronic party in which the stalactites and stalagmites dance under the flashlights. Everything is part of the ecosystem of tunnels and people that D’Angiolillo connects on screen, through images in which what lies still comes to life.
Director
In his previous films, Hacerme feriante (2010) and Embodied Letters (2015), Julián D’Angiolillo managed to go deep inside two universes that, even though they take place in front of everyone, remained invisible and inscrutable, as though they were subterranean—that of La Salada fair and of the authors of political graffiti in walls. For Ongoing Cave, his third work, the director goes back underground, this time in a literal manner, in order to reveal the mysteries of speleology, the science that studies caves and caverns. Italy, Slovenia, Cuba; antiwar bunkers; an exploring, revolutionary ballerina; an electronic party in which the stalactites and stalagmites dance under the flashlights. Everything is part of the ecosystem of tunnels and people that D’Angiolillo connects on screen, through images in which what lies still comes to life.
Editor
Set in Santa Victoria, Argentina, this 2SLGBTQ+ supernatural docu-drama tells the story of a Wichí community facing displacement, along with their efforts of retaliation, at the hands of a negligent government’s plan for urbanization.
Director
"Julián D’Angiolillo’s Transplante accompanies the return of Rodin’s monumental sculpture The Thinker to its place in the Plaza del Congreso in Buenos Aires after its restoration. A large deployment of personnel and heavy machinery places two dozen trees and the sculpture on the new pedestal from which it will contemplate with privilege the massive demonstrations in the Argentine capital." —Azucena Losana
Director
Director
The omnibus feature SUCESOS INTERVENIDOS consists of shorts by a who’s who of Argentine documentary and experimental-film giants, including Edgardo Cozarinsky and Gustavo Fontán but also Claudio Caldini, Andrés Di Tella and Gabriela Golder. Each one of them created a piece of a few minutes in length using archival footage from SUCESOS ARGENTINOS (“Argentine Events”), a popular newsreel series from 1938 to 1972 whose episodes have recently begun to be digitized by Buenos Aires’s “Pablo C. Ducrós Hicken” Film Museum.
Director
Storyboard Artist
O filme conta a história de Belén, uma encantadora jovem que através da intervenção do pequeno duende Tok e de um sábio erudito da biblioteca, tem a opção de viver em qualquer conto de fadas que deseje. No lugar disso, ela decide abandonar seu inocente mundo para enfrentar o desafio de escolher a história de sua própria vida. Magicamante é transportada à Villa Ciervo Dorado. Chegando lá, consegue emprego como cozinheira de um decadente orfanato dirigido pelo Coronel Francisco e sua perversa e inescrupulosa assistente Marga.
Storyboard Artist
Na época da ditadura militar, na Argentina, um agente secreto da polícia (Félix) leva uma vida dupla: torturador de prisioneiros e um dedicado cidadão. Um dia, sua namorada (Maria), uma jovem professora e militante de esquerda, é presa e torturada num centro clandestino de detenção conhecido como Garage Olimpo. Mesmo estando apaixonado, ele não consegue salvá-la de seu destino fatal.