Manuel de Andrés

A father and son, isolated in a dilapidated country house, try to survive a hellish summer. Between hunting days and campfire nights, the son begins to perceive a strange connection between his father and the nature that surrounds them. An ancestral secret is about to be revealed.

F begins to follow two young anarchists who sporty usurp abandoned commercial storefronts and apartments. These three strangers will become closer after subtle acts of trespassing and sporadic forays into civil disobedience. The longing for exile and the fantasy that a promising future is somewhere else contaminates F. The city is immersed in an eternal holding pattern, becoming into a singular artifact, as melancholy as uncanny.

Vienna, 2019 – the end of an era. The smoking ban in public places means that a part of Kaffeehaus culture has disappeared. Of all moments, this is the one that Angeliki chooses to buy an apartment with help from her interior designer friend, Carmen. Angeliki seems to have something against all of them: either the parquet floors creak, the tiles are the wrong colour or she is bothered by the proximity to a restaurant. How will she ever find a new home in this environment? Carmen feels like she’s talking to a brick wall. Moreover, she simply cannot understand why Angeliki is refusing to part with her money. A Journey from Vienna to Malaga, via salt flats overcast by mysterious shadows. A homage to the Austrian capital and the bygone splendour in ordinary things.

Marcos is an experienced nurse. He works in the night shift of a provincial private clinic. He is applied and professional but has a secret: in some extreme cases he applies euthanasia. He'll soon meet someone that knows what he's doing.

A banda de rock mais duradoura da Argentina, Ratones Paranoicos, aparece em shows históricos e cenas de bastidores neste documentário que conta a história do grupo.

In the almost two-minute film AI, which Lucrecia Martel created at the Viennale’s invitation, a single shifty eye looks out from a heavily pixelated image; a mouth is vaguely visible and declares: “I am not completely like other people.” Is AI coming to life here, entering a world that’s still foreign to it and that crackles, scratches and echoes? And how does our view of this eerie image change, knowing that the pixels are superimposed on a historical recording from 1961 that documents the anamnesis of a catatonic schizophrenic?

In the almost two-minute film AI, which Lucrecia Martel created at the Viennale’s invitation, a single shifty eye looks out from a heavily pixelated image; a mouth is vaguely visible and declares: “I am not completely like other people.” Is AI coming to life here, entering a world that’s still foreign to it and that crackles, scratches and echoes? And how does our view of this eerie image change, knowing that the pixels are superimposed on a historical recording from 1961 that documents the anamnesis of a catatonic schizophrenic?

Don Diego de Zama é um magistrado espanhol do século XVIII esperando ser transferido do posto avançado para o qual foi rebaixado. Quando sua última esperança de partida não dá em nada, Zama se junta a uma expedição para localizar Vicuña Porto, um lendário fora-da-lei que pode ou não existir.

Mater is a film about the struggle between love and law; about social differences and distances that these generate. And about love, that crosses all, allows all: both good and evil.

The sad story of Andersen's little match girl; the fate of Balthazar, Bresson's donkey; the impossible love affair between a militant of the Red Army Faction and an Argentinean pianist; the adventures in Buenos Aires of Helmut Lachenmann, who is trying to stage an insane opera; the problems of Marie, Walter and their daughter, who are trying to survive on very little money…

Since their parents split up, Sara and her younger sister live with their mother, whose new partner is a woman. Everyday life for the four of them is hardly any different than it is for other families. But not everyone sees it that way – Sara's father in particular has his doubts. As Sara’s 13th birthday approaches, she feels rather overwhelmed: her first crush, a body in the midst of changes and to top it off, conflicts over loyalty with her parents.

During a terrifying night in Buenos Aires, five urban legends unfold in the most surprising way possible. While a politician is accused of being responsible for an urban tragedy in which fifteen people died, in Buenos Aires various stories based on urban legends intersect.

Noticing that a storm is coming, Roque and Macarena return from an afternoon of fishing. In the darkness of the road, they discover a bonfire lit among the trees.

It tells the odyssey of Atilio and his granddaughter traveling to Buenos Aires, from Paraguay, his native country. The landscapes that run, the characters they encounter along the way, each with their own way of seeing the world.

Ulises wakes up one day and finds that his girlfriend, Alma, is missing. He embarks on an intense search that reveals hidden aspects of her life which connect to the time they spent together to lead Ulises to investigate a professor of hers and her obsession with a book by Borges. When Bianca, Alma's twin, shows up, circumstances escalate quickly to make Ulises commit a crime just so he can find Alma again.

Shelly (Nash Laila) é uma jovem dançarina que tem o grande sonho de se tornar cantora de Brega (estilo musical popular do nordeste brasileiro). Ela entra para o show business em busca de fama e fortuna mas, inserida em um mundo onde tudo é descartável, incluindo o amor e as relações humanas, ela vai encontrar grandes dificuldades para atingir a fama. Seguindo os passos de Jaqueline (Maeve Jinkings), sua companheira de banda e musa inspiradora, ela pretende virar uma grande cantora de música Brega.

Shelly (Nash Laila) é uma jovem dançarina que tem o grande sonho de se tornar cantora de Brega (estilo musical popular do nordeste brasileiro). Ela entra para o show business em busca de fama e fortuna mas, inserida em um mundo onde tudo é descartável, incluindo o amor e as relações humanas, ela vai encontrar grandes dificuldades para atingir a fama. Seguindo os passos de Jaqueline (Maeve Jinkings), sua companheira de banda e musa inspiradora, ela pretende virar uma grande cantora de música Brega.

A German family unravels as they are forced to abandon their farm in Entre Ríos, Argentina.