New teacher
Angi Vera, as a promising young woman, gets invited to a Communist training center to undergo the next level of indoctrination into Party life. She begins to realize how people get ahead in the Party: by saying things they don't mean but think are politically correct; by becoming friends with Party dignitaries, even if you don't like them; by being seen as a dedicated worker (as opposed to actually being a dedicated worker).
The head of the nunnery is dying, and the members are divided in two groups as the election of the new head approaches. Led by Virginia, the younger nuns stand up for changing the strict religious dogmas and would like a modern school with genuine science, a bathroom to be built, and a freer spirit. Their candidate is sister Magdolna, who went to secular universities, too. The seminarists, led by Király Erzsi, also rebel against the older nuns' strict discipline and the depressed atmosphere of the institution. However, Magdolna does not want to stay involved in the fight because she is deterred by Virginia's sinful attraction towards her and the tools Virginia is using to gain victory at any price.
Pista
This ironic comedy is set in the god-forsaken Kiskúnbékás, at the end of the fifties. There are no jobs, the town's "golden team", who once were third class national soccer players have scattered
Kerekes (Antal Pager) acredita que é procurado pela polícia quando seus amigos fazem uma brincadeira com esse drama incomum de comédia. Ele retorna à sua cidade natal onde foi acusado de delatar um farmacêutico judeu e a esposa do farmacêutico aos nazistas. Com seus amigos seguindo-o, Kerekes tenta descobrir o que aconteceu com o casal depois que eles foram deportados. Depois de ser submetido a um julgamento simulado por seus amigos - e considerado culpado - Kerekes fica desesperado e tenta se matar. Flashbacks e alucinações são empregados para contar esta história que ocorre durante o julgamento de Eichmann. Tanto o filme quanto Antal Pager ganharam alguma publicidade indesejada quando um artigo da Variety de 23 de abril de 1967 acusou Pager de ser um colaborador nazista por seu papel em um filme antissemita durante a Segunda Guerra Mundial.
