Pesquisar

Krishna Chandra Dey

Krishna Chandra Dey

Nascimento : 1893-01-01, Calcutta, Bengal Presidency, British India [now India]

Morte : 1962-11-28

História

Krishna Chandra Dey (Bengali: কৃষ্ণ চন্দ্র দে)), better known as K.C. Dey, was a Bengali music director, music composer, musician, singer, actor and music teacher born in Calcutta (now Kolkata). In 1906, at the age of thirteen, he lost his eyesight and became completely blind. He worked for various theatre groups and finally went on to work for New Theatres in Kolkata until 1940. He is best remembered for his Kirtan songs.He was patronized by many elite families of Calcutta at that time. He often sings in jalsa of Rajbari of Sovabazar, Mitra House of Beadon Street and many others. K.C. Dey recorded around 600 songs, mostly in Bengali, Hindi, Urdu, Gujurati and 8 Naats (Muslim religious songs). Dey sang and composed music for movies from 1932 till 1946. He also acted in movies in the same period. Dey used to travel from Calcutta to Bombay (Mumbai) to take part in movies. In 1942 he moved to Bombay. Dey quit movies in 1946 after the quality of both his music and singing started going down.

Perfil

Krishna Chandra Dey

Filmes

Chaitanya : devotee of Krishna

Chaitanya : devotee of Krishna

The story of Shri Chaitanya Mahaprabhu .

Madhusudan

Classic celebration of Mithila's King Shiva Singha's (Bannerjee/Kapoor) love for his wife while chronicling the influence of the pacifist court poet Bidyapati (Sanyal). Invited to the royal court by the king, Bidyapati arrives with his faithful follower Anuradha (Kanan Devi). Queen Laxmi (Chhaya Devi) falls in love with the poet, much to the distress of the king. The king falls ill and starts neglecting his royal duties until Anuradha persuades him that true love does not need reciprocation. The queen, equally distressed by her divided loyalties, contemplates suicide, encouraged by the prime minister who is worried by the nefarious impact of Bidyapati's poetry on the king.

The poor but educated Mahim and his childhood friend, the rich but conservative Suresh, both fall in love with the same woman, the liberated Achala. Mahim marries her and they move to a village but she cannot forget Suresh. Her smouldering unhappiness takes the form of a resentment towards the orphaned Mrinal, raised by Mahim's father, and receives a dramatically visual embodiment when their house burns down. Mahim falls ill, is rescued by Suresh and nursed back to health by Achala. On a train (a metaphor for the irreversibly linear course of life) to a health-resort where Mahim is supposed to convalesce, Suresh on a rainswept night gives in to temptation and elopes with Achala. At the end of the film, there is a dubious reconciliation as Achala is shown following Mahim's 'good' traditionalism with Saratchandra's barely concealed hostility towards Achala's liberated Brhamo Samaj upbringing.

Maya (Jamuna) is the poor cousin of rich socialite Shanta (Azoorie). Shanta is supposed to marry the equally rich Pratap (P. Sanyal), but he falls in love with Maya and fathers her child before going abroad. Shanta causes a seperation by intercepting Pratap's letters to Maya. When he returns, a successful lawyer, he us unable to trace her, while her efforts to meet him are foiled.

Bairagi

Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage. Devdas is sent off to Calcutta, while Paro is married off to an aged rich widower. In Calcutta, as remorse drives him to alcohol, Devdas meets Chandramukhi, a prostitute.

Playback Singer

Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage. Devdas is sent off to Calcutta, while Paro is married off to an aged rich widower. In Calcutta, as remorse drives him to alcohol, Devdas meets Chandramukhi, a prostitute. All Indian prints of this Bengali version were destroyed in a fire that ravaged New Theatre’s studios. Today, only one copy of the film survives which belongs to the Bangladesh Film Archives. Of that copy almost forty percent is destroyed.

Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage. Devdas is sent off to Calcutta, while Paro is married off to an aged rich widower. In Calcutta, as remorse drives him to alcohol, Devdas meets Chandramukhi, a prostitute. All Indian prints of this Bengali version were destroyed in a fire that ravaged New Theatre’s studios. Today, only one copy of the film survives which belongs to the Bangladesh Film Archives. Of that copy almost forty percent is destroyed.

Musafir

A drama set amid an earthquake in Bihar. Miss Renee (Khote) looks after the victims while her lover, the businessman Sardar (Mohanned), wants to make money from the disaster.

Surdas

A remake of the Bengali film Bhagya Chakra, it was the first Hindi film to use playback singing. It was director Nitin Bose who came up with the idea of playback singing.

Sridam

This film is about Chandidas, a legendary 15th-C. Bengali Vaishnavite poet whose biography remains obscure but was an influence on the better documented Chaitanya (1486-1533), a school teacher who promoted the Vaishnavite ideology in Bengal, mostly through hymns about the Radha-Krishna legend.