O filme conta a história de Suresh Sinha, um famoso diretor de cinema. Apesar de ter sucesso profissional, sua vida afetiva está abalada: o casamento está por um fio e sua mulher o proíbe de ver a filha. Fragilizado, Suresh se aproxima de Shanti, atriz estreante e protagonista de seu novo filme, servindo de assunto para os tablóides sensacionalistas que acabam de vez com seu casamento. A partir daí, observa-se a triste decadência de um grande diretor.
Nilambhar Chakravorty belongs to a poor family, and lives in a joint family with his married brother, Pitambar, unmarried sister, Punnu, and wife, Biraj. Since his sister is of marriageable age, he arranges her marriage, and borrows some money. When Pitambar comes to know about this, he refuses to share any expense in his sister's marriage, and decides to separate, resulting in a fence being put up between their homes. Nilambher, unable to find employment, is unable to pay back the loan, and soon both he and his wife barely have enough to live on. To complicate matters further, Deodhar, a wealthy young contractor has his eye on Biraj's beauty and would like to be intimate with her, in return for money and a better life.
In Calcutta at the turn of the century, two families (one wealthier than the other but both belonging to the same caste) live in adjoining properties. Their respective patriarchs fall out over the repayment of a loan and the intervention of a member of a lower caste in the families' financial arrangements. The rift causes much heartache to the younger members of the families, two of whom have secretly plighted their troth to each other.
Chanderbabu (Nazir Hussain), a retired postmaster, lives in the village with his wife and two sons, Rajan (Paul Mahendra) and Bhanu (Bharat Bhushan). He continues to live there and work for the Zamindar, while his children are getting their education. Rajan is studying for his law exam. He is married to a girl (Padma) from a wealthy family whose haughty ways alarm and frightens him. Bhanu, the younger brother is fun-loving but studious. He gets influenced by the Nationalist Movement in the campus and stops his education in the last year of college. His father is disappointed and feels that Rajan is the one they can depend upon in their old age. Bhanu meets Meena (Shyama), and the two fall in love. Meera's father, Ramnarayan, is the school Principal and is impressed by Bhanu. He decides to get Meera married to Bhanu.
After a plane crash, Dr. Motilal (Dilip Kumar), is left stranded in a small village, where he is given shelter by a blind old man called Surdas and his playful, young daughter Tarana (Madhubala). During the course of their stay, the Motilal falls for the charms of the innocent Tarana.
Jail Yatra is an Indian Hindi-language drama film released in 1947. It was directed by Gajanan Jagirdar.
Film starring Ruma Guha Thakurta, Aga Jaan and Vikram Kapoor
Dr. Kapoor
Kakababu
Badi Bahen aka President is a 1937 Hindi social romantic drama film (the Bengali version was called Didi and starred several different actors). The story according to the credit roll of the film is "A tale of love and greater love" developed on an idea by M. M. Begg. It was a love triangle with a social content that highlighted the conditions of the mill workers. It was also the first film to show a liberated educated woman managing her own factory
Cart driver
Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage. Devdas is sent off to Calcutta, while Paro is married off to an aged rich widower. In Calcutta, as remorse drives him to alcohol, Devdas meets Chandramukhi, a prostitute.
Hiralal
A remake of the Bengali film Bhagya Chakra, it was the first Hindi film to use playback singing. It was director Nitin Bose who came up with the idea of playback singing.
The wealthy, self-obsessed, and possibly crazed Manoj (Barua) is sent by his concerned family to the rural estate of his future father-in-law. Along the way, however, he gets lost and soon finds himself taking shelter in the abode of railroad stationmaster whose beautiful, down-to-earth daughter, Meena (Kenan Devi), Manoj finds irresistible. When his haughty, progressive-minded fiancee gets wind of this, she freaks out and soon there is a showdown between the two women. In the aftermath, Manoj finds reason to go with his heart and marry Meena.
The story of an unemployed graduate who falls in love with a woman who ran away from her cruel husband.
