Michael Noer

Nanna has invited her daughter Cille and her best friend to celebrate Cille's 18th birthday on a cruise ship bound for the Caribbean. But the first evening of the dream vacation itself turns into a nightmare.

Nanna has invited her daughter Cille and her best friend to celebrate Cille's 18th birthday on a cruise ship bound for the Caribbean. But the first evening of the dream vacation itself turns into a nightmare.

Em algum lugar no interior da Dinamarca, em meados do século XIX. Uma pequena família camponesa duras circunstâncias reinam. Com a perspectiva de mais um inverno rigoroso, o agricultor Jens enfrenta uma escolha insuportável. Se a família sobreviver no inverno ele deve estabelecer um acordo com o rico fazendeiro as proximidads e abandonar sua própria moral, bem como seu bem mais precioso, em um esforço para garantir a todos uma vida melhor.

Em algum lugar no interior da Dinamarca, em meados do século XIX. Uma pequena família camponesa duras circunstâncias reinam. Com a perspectiva de mais um inverno rigoroso, o agricultor Jens enfrenta uma escolha insuportável. Se a família sobreviver no inverno ele deve estabelecer um acordo com o rico fazendeiro as proximidads e abandonar sua própria moral, bem como seu bem mais precioso, em um esforço para garantir a todos uma vida melhor.

Henri Charrière (Charlie Hunnam), chamado de Papillon, pequeno bandido das baixadas de Paris da década de 30, é condenado à prisão perpétua por um crime que não cometeu. Enviado para a Ilha do Diabo, Guiana Francesa, ele conhece Louis Dega, um homem que Papillon promete ajudar em troca de auxílio para escapar da prisão.

Lily e Max estão casados há 50 anos. Agora, vivem em um asilo, onde Max conta com ajuda profissional desde que sofreu um derrame. Lily deixou suas próprias necessidades de lado e sente falta de alegria e intimidade em sua vida. Quando um homem conhecido como “o piloto” muda para o quarto ao lado, Lily imediatamente se encanta por ele e por sua paixão pela vida. Mas nem sua família, nem os outros moradores do local gostam de seu novo colega. Incompreendida pelos familiares e presa à sua vida com Max, Lily decide lutar para escapar das barras invisíveis de sua prisão e reivindicar sua liberdade.

Caspar, um jovem de 18 anos, quer chegar ao topo, não importa como. Ele realiza pequenos roubos para Jamal, até mudar de rumo e trabalhar para Björn. Tudo dá certo, até que a gangue de Jamal decide se vingar. O que começa com empurrões, logo sucede para guerra armada. Tudo isso se torna um grande desafio para Caspar. Será que ele é durão o suficiente para comprar essa briga? E será que conseguirá arrastar seu irmão para o mesmo caminho?

Caspar, um jovem de 18 anos, quer chegar ao topo, não importa como. Ele realiza pequenos roubos para Jamal, até mudar de rumo e trabalhar para Björn. Tudo dá certo, até que a gangue de Jamal decide se vingar. O que começa com empurrões, logo sucede para guerra armada. Tudo isso se torna um grande desafio para Caspar. Será que ele é durão o suficiente para comprar essa briga? E será que conseguirá arrastar seu irmão para o mesmo caminho?

The R of the title stands for the young protagonist, Rune, fearlessly played by Pilou Asbæk. Imprisoned for violent assault, he's a cocky, good-looking young man placed in the hardcore ward, where his survival depends on quickly learning the prison's parallel world of rules, honor, and obligations. R also stands for Rachid, a young Muslim prisoner who becomes Rune's friend and accomplice, defying the rigid racial stratifications among the inmates.

The R of the title stands for the young protagonist, Rune, fearlessly played by Pilou Asbæk. Imprisoned for violent assault, he's a cocky, good-looking young man placed in the hardcore ward, where his survival depends on quickly learning the prison's parallel world of rules, honor, and obligations. R also stands for Rachid, a young Muslim prisoner who becomes Rune's friend and accomplice, defying the rigid racial stratifications among the inmates.

The directors want to shoot a film about a man known as the son of god. But what starts out as a practical joke, extends to become a curious portrait of what could either be a petty fraud or the world’s most secret miracle. A film crew tracks his bizarre pilgrimage as magic and religion, faith and doubt, real and unreal blur and melt to the point that one of the director becomes one of the characters. The film traverses all descriptions, before ending as both an affirmation of faith for the faithless and a criticism of faith for the overly faithful.

The directors want to shoot a film about a man known as the son of god. But what starts out as a practical joke, extends to become a curious portrait of what could either be a petty fraud or the world’s most secret miracle. A film crew tracks his bizarre pilgrimage as magic and religion, faith and doubt, real and unreal blur and melt to the point that one of the director becomes one of the characters. The film traverses all descriptions, before ending as both an affirmation of faith for the faithless and a criticism of faith for the overly faithful.

The directors want to shoot a film about a man known as the son of god. But what starts out as a practical joke, extends to become a curious portrait of what could either be a petty fraud or the world’s most secret miracle. A film crew tracks his bizarre pilgrimage as magic and religion, faith and doubt, real and unreal blur and melt to the point that one of the director becomes one of the characters. The film traverses all descriptions, before ending as both an affirmation of faith for the faithless and a criticism of faith for the overly faithful.

The directors want to shoot a film about a man known as the son of god. But what starts out as a practical joke, extends to become a curious portrait of what could either be a petty fraud or the world’s most secret miracle. A film crew tracks his bizarre pilgrimage as magic and religion, faith and doubt, real and unreal blur and melt to the point that one of the director becomes one of the characters. The film traverses all descriptions, before ending as both an affirmation of faith for the faithless and a criticism of faith for the overly faithful.

The directors want to shoot a film about a man known as the son of god. But what starts out as a practical joke, extends to become a curious portrait of what could either be a petty fraud or the world’s most secret miracle. A film crew tracks his bizarre pilgrimage as magic and religion, faith and doubt, real and unreal blur and melt to the point that one of the director becomes one of the characters. The film traverses all descriptions, before ending as both an affirmation of faith for the faithless and a criticism of faith for the overly faithful.

The Wild Hearts is a road movie about a young man's search for identity, recognition and love. The film's title refers to a Danish moped club called The Wild Hearts - a group of youths in their early twenties who want to find personal freedom through fellowship. The boys' fellowship and individual dreams for the future are put to the test as they embark on their mopeds in Denmark on a journey through Europe to Pomerania in Poland. Maybe they will never return. The Wild Hearts is more than a club; it's a state of mind that leads you through back roads into the depths of your soul. Freedom has its price!