Roland Dressel

Nascimento : 1932-04-26, Meerane, Germany

Filmes

My Heart Is Mine Alone
Director of Photography
Helma Sanders-Brahms directs this inventive film that uses the verse of Jewish poet Else Lasker-Schüler and Nazi poet Gottfried Benn to dramatize the passionate, real-life affair between the two unlikely lovers. Forced out of Germany, Lasker-Schüler makes her way to Jerusalem even as Benn discovers the true nature of the Nazi ideology he had once championed. Lena Stolze and Cornelius Obonya star.
DEFA – Es werden ein paar Filme bleiben
Die Spur des Bernsteinzimmers
Director of Photography
The Land beyond the Rainbow
Cinematography
A surrealist tale set in the East German village of Stalina.
Der Fall Ö.
Cinematography
During the Greek summer in the war year of 1944, a German military unit sets up camp on the plateau of Thebes. Armed with a 16 mm camera, the captain of the unit, a former professor for classical Greek philology, comes up with the idea to film the myth of Oedipus.
The Ascent of Chimborazo
Cinematography
The life of Alexander von Humboldt up to his attempt to climb the Chimborazo in 1802.
Jadup and Boel
Cinematography
In a small town, everyone has tried to forget what happened shortly after WWII. That is, until a stranger finds a book that Jadup (Kurt Böwe) gave to the young refugee Boel (Katrin Knappe), who resettled in the town over 30 years ago. Painful memories about Boel and the post-war period begin to surface and shake up the whole town. Boel vanished back then and nobody knew why. Word spread about a rape and some tried to blame a Russian soldier. Jadup, the town's respected and popular mayor, remembers, though, how he mistrusted Boel and did not help her through this difficult time; HE didn't even notice THAT Boel loved him. Jadup's confrontation with the past gives him a new, critical view of his current situation and surroundings.
Fallada - letztes Kapitel
Cinematography
This biographical film is set in 1937, with Fallada suffering the effects of living under a microscope. The film details his decline, as he is intermittently imprisoned and threatened in order to motivate him to write for the Fatherland. Even the attention of his kind, patient wife and loving children begin to feel oppressive to him. This is one of the few films to take a serious, in-depth look at the tribulations of a creative artist pulled in all different directions by the real world.
Wengler & Sons
Cinematography
A story spanning three generations, from 1871 to 1945. When Gustav Wengler, a farmer’s son, returns from the Franco-German war in 1871, he goes to work for a precision mechanics and optical company, where he soon becomes a master craftsman. Wengler loyally promises the owner on his deathbed that his sons and grandsons will also stand by the company.
Das Haus am Fluss
Cinematography
1942. The members of the Voß family, mother, two daughters, a daughter-in-law, and a son-in-law, are living in a house at the river. A fellow soldier of son Paul, who fights at the eastern front, delivers his greetings and an embroidered Russian blouse for Emmi, Paul′s wife. Daughter Agnes, whose husband is also fighting in the war, receives a fur vest from the junior partner who is stalking her. Obviously, the vest is also loot from the eastern front. When the family receives news that Emmi′s husband has been killed in action, the war finally enters the house at the river. Emmi commits suicide while Agnes′s husband returns as a cripple from the war front. At home, he has to learn what a price his wife had to pay for the "Russian fur".
The Woman and the Stranger
Cinematography
Based on a switched identity, in circumstances that are found in real life as well as fiction, this drama tells the story of two soldiers fighting together in World War I. Karl (Joachim Latsch) and Richard (Hans-Use Bauer) become close friends while serving time in a German POW camp. One day Karl manages a successful escape and goes to Richard's home where he seeks refuge posing as Richard. But Richard's wife Anna (Kathrin Waligura) has never given up hope that her husband is still alive -- a possibility that would shatter Karl's proposed new life. In fact, Richard did not die in the POW camp. This film shared the Grand Prix award at the 1985 Berlin Film Festival.
Kaskade rückwärts
Cinematography
Maja Wegner is in her late thirties and a single mother of a teenage daughter. To give her stale life a new direction, she decides to start all over again in the big city. She sells her house in the countryside, quits her job, and moves with her daughter to Berlin. There, she finds a job as a conductor for the railroad company. Although Maja soon finds new friends in her apartment building, the search for a new life partner does not come off so easily.
Olle Henry
Cinematography
1945. Peace still bears the traces of war everywhere. There meet the animated girl Xenia and the former boxer Henry. Being together gives them a sense of opportunity. She wants to break away from the semi-world milieu, he try a comeback in the boxing ring.
The Airship
Cinematography
Franz Xavier Stannebein, a young boy at the turn of the 20th century, wants to do nothing more than fly. He carries this dream through his years at an orphanage and into adulthood as a merchant in Spain. He eventually invests everything he has into building his own version of an airship. He later meets some industrialists in Germany who want to support his idea, and they ask him to build an airfield in Spain. When he sees the Nazis use the field during the Spanish Civil War, however, he feels betrayed and goes to Germany to protest. There he is thrown into an insane asylum in Leipzig. After WWII, his grandson and other survivors of the family searches for him, only to find the empty asylum... Based on the novel Das Luft-Schiff. Biografische Nachlasse zu den Fantasien meines Grossvaters (1974) by Fritz Rudolf Fries. The non-camera animation in the film was created by internationally known director Lutz Dammbeck.
The Bicycle
Cinematography
Susanne is a young single mother who lives a somewhat "carefree" lifestyle. After quitting her job, she finds herself in trouble financially and attempts a minor insurance fraud to make ends meet. Despite its rare view of everyday socialism from a woman's perspective, East German officials were critical of this frank portrayal of a less-than-ideal socialist citizen and turned down all invitations for the film to be screened abroad.
Aber Doktor
Director of Photography
Zünd an, es kommt die Feuerwehr
Cinematography
Jede Woche Hochzeitstag
Director of Photography
Heute ist Freitag
Director of Photography
Zement
Director of Photography
A ruínas do Holocausto que povoam uma aldeia
Das zweite Leben des Friedrich Wilhelm Georg Platow
Cinematography
Friedrich Wilhelm Georg Platow worked for the railways his entire working life. He took up service at the small station of Luege 34 years ago. Now, the line is to be electrified and Platow, who cannot cope with the new technology, has to work on a secondary local line. Georg, his son, a railway worker as well, is to attend a training course, but Georg refuses to go. Then his father comes to a surprising and highly unusual decision. He pretends to be Georg Platow, making himself twenty years younger than he really is and registers for the course.
Anlauf
Cinematography
Zwei Briefe an Pospischiel
Cinematography
East German television film.
Botschafter morden nicht
Director of Photography
Hot Summer
Director of Photography
In this East German teen musical, a group of girls are planning to take their summer vacation together on the Baltic coast. When a loud and obnoxious group of boys intrudes on their holiday, the girls are horrified to learn that the boys have the same vacations plans as them. The two groups quarrel with each other and compete over a number of things, but gradually an attraction starts to form.
The Banner of Krivoi Rog
Cinematography
In an act of friendship and solidarity between two mining towns in 1929, the locals of Kriwoj Rog, Russia, give their flag as a gift to the locals of Bergstedt, Germany. This quickly takes on a symbolic meaning for the miners in Bergstedt as the Nazi party demands that this Soviet gesture be erased and the flag be replaced with their own. The miner and communist party functionary Otto Brosowski (Erwin Geschonneck) publicly declares it his duty to defend this flag against every danger, and he keeps his promise despite his family being threatened by torment and torture.