Marie Melesh

Filmes

A Volta ao Mundo em Oitenta Dias
Extra (uncredited)
Em 1872, o nobre inglês Phileas Fogg (David Niven) aposta vinte mil libras com seus colegas do Clube Reformatório de Londres de que ele consegue dar a volta no planeta em exatamente oitenta dias. Ao lado do engenhoso Valet Passepartout (Mario Moreno), ele busca cumprir o seu objetivo com aventuras em todos os continentes, acaba conhecendo e se encantando pela bela viúva Aouda (Shirley MacLaine), ao mesmo tempo que, em uma conspiração, é acusado de ter roubado o dinheiro que investiu na aposta.
À Margem da Vida
Inmate (uncredited)
A single mistake puts a 19-year old girl behind bars, where she experiences the terrors and torments of women in prison.
Missão em Moscou
Young Woman (uncredited)
Ambassador Joseph Davies is sent by FDR to Russia to learn about the Soviet system and returns to America as an advocate of Stalinism.
You Can't Have Everything
Woman in Cafe
Starving playwright Judith Wells meets playboy writer of musicals, George Macrae, over a plate of stolen spaghetti. He persuades producer Sam Gordon to buy her ridiculous play "North Winds" just to improve his romantic chances, and even persuades her to sing in the sort of show she pretends to despise. But just when their romance is going well, Gordon's former flame Lulu reveals the ace up her sleeve...
It Can't Last Forever
Italian Woman
Russ Matthews, a theatrical agent who is not above pulling off a hoax or two or more to further the career of his clients (and himself), and a newspaper gossip-columnist, Carol Wilson, get involved with gangsters when one of Larry's radio-program future-predicting cons gets out of hand.
Fatal Lady
Brazilian Opera Troupe (uncredited)
On her debut as an opera star, Marion Stuart is interrogated and possibly implicated in the death of a male acquaintance. Released, although thoroughly shaken-up, Marion attempts to perform but loses her voice onstage. Humiliated, but driven to sing, she travels to South America under the assumed name of Maria Delasano, and works in an opera company under the tutelage of Feodor Glinka, who wants her to shun men and save herself for her art. Mary resists the persistent attentions of wealthy young Phil Roberts, who follows the company in hopes of marrying her. ...