Jules Dassin

Jules Dassin

Nascimento : 1911-12-18, Middletown, Connecticut, USA

Morte : 2008-03-31

História

From Wikipedia, the free encyclopedia Julius "Jules" Dassin (December 18, 1911 – March 31, 2008) was an American film director, producer, writer and actor. He was a subject of the Hollywood blacklist in the McCarthy era, and subsequently moved to France, where he revived his career. Dassin quickly became better known for his noir films Brute Force (1947), The Naked City (1948), and Thieves' Highway (1949), which helped him to become "one of the leading American filmmakers of the postwar era." Dassin's most influential film was Rififi (1955), an early work in the "heist film" genre. It inspired later heist films, such as Ocean's Eleven (1960). Another piece it inspired was Dassin's own heist film Topkapi, filmed in France and Istanbul, Turkey with Melina Mercouri and Oscar winner Peter Ustinov. Dassin said Darryl F. Zanuck in 1948 called him into his office to inform him he would be blacklisted, but he still had enough time to make a movie for Fox. Dassin was blacklisted in Hollywood during the production of Night and the City (1950). He was not allowed on the studio property to edit or oversee the musical score for the film. He also had trouble finding work abroad, as U.S. distribution companies blacklisted the U.S. distribution of any European film associated with artists blacklisted in Hollywood. In 1952, after Dassin had been out of work for two years, actress Bette Davis hired him to direct her in the Broadway revue Two's Company. The show closed early, however, and Dassin left for Europe. Dassin did not work as a film director again until Rififi in 1954 (a French production). Most of Dassin's films in the decades following the blacklist are European productions. His prolific later career in Europe and the affiliation with Greece through his second wife, combined with a common pronunciation of his surname as "Da-SAN" in Europe, as opposed to "DASS-in" in the United States leads to a common misconception that he was a European director.

Perfil

Jules Dassin

Filmes

Urok Francuzskogo
Himself
A documentary about a relationships between USSR and France.
Filmmakers in Action
Self
What is the state of cinema and what being a filmmaker means? What are the measures taken to protect authors' copyright? What is their legal status in different countries? (Sequel to “Filmmakers vs. Tycoons.”)
Buzz
A journey to places, where the overseen Hollywood screenwriter Albert Isaac "Buzz" Bezzerides lived and worked, revealing the operation of Hollywood's production system in the 40ies, 50ies, 60ies and more ...
The Long Haul of A.I. Bezzerides
Narrator
Filled with humor and defining experiences in both his own life and in the lives of some of his closest friends, William Faulkner and Robert Aldrich, as well as on his late wife, screenwriter Silvia Richards, Mr. Bezzerides offers colorful reflections as to why he and his typewriter unabashedly need to keep creating honest characters, worlds, and stories. Through recently discovered boxes of photographs, film clips, the haunting music by Fugazi, interviews (including Jules Dassin, Mickey Spillane and Barry Gifford) and testaments to his progressive creativity from other writers, Fay Lellios' straight-ahead documentary gives us a start in discovering this 97-year-old proletariat storyteller, and the meaning of his favorite phrase by Carl Jung, "There can be no birth of consciousness without pain."
Balkan Landscapes: The Gaze of Theo Angelopoulos
Himself
Theo Angelopoulos recalls the defining moment in 1964 that led to him to live his entire life in Greece, and explores the concept of borders in his work - as the limits of existence, of life and death, of language and communication. “Narrowing down the borders narrows the communication, stretches the differences, magnifies oppositions, magnifies reasons for war, magnifies the refugees, magnifies the internal exile... In reality a civil war leaves behind wounds which cannot easily be healed and they revive, like ghosts, or like recurrent nightmares, during the long nights which have dogged Greek society for years.”
Círculo de Dois Amantes
Director
A 60-year-old artist shares a secret, platonic romance with a 16-year-old girl.
A Dream of Passion
Producer
Melina Mercouri plays Maya, a jet-setting Greek actress who returns to her homeland to undertake the role of Medea. Searching for inspiration and clues as to how a mother could kill the children she loves, Maya discovers Brenda (Ellen Burstyn), a bible-spouting American woman serving time in an Athens prison for that very crime.
A Dream of Passion
Screenplay
Melina Mercouri plays Maya, a jet-setting Greek actress who returns to her homeland to undertake the role of Medea. Searching for inspiration and clues as to how a mother could kill the children she loves, Maya discovers Brenda (Ellen Burstyn), a bible-spouting American woman serving time in an Athens prison for that very crime.
A Dream of Passion
Director
Melina Mercouri plays Maya, a jet-setting Greek actress who returns to her homeland to undertake the role of Medea. Searching for inspiration and clues as to how a mother could kill the children she loves, Maya discovers Brenda (Ellen Burstyn), a bible-spouting American woman serving time in an Athens prison for that very crime.
The Rehearsal
Writer
An indictment of the Greek military junta of 1967–1974. The film tries to give a reconstruction of the events during the students' uprising in the Athens Polytechnic (November 1973) by documents, rehearsals, interviews, songs and poems.
The Rehearsal
Director
An indictment of the Greek military junta of 1967–1974. The film tries to give a reconstruction of the events during the students' uprising in the Athens Polytechnic (November 1973) by documents, rehearsals, interviews, songs and poems.
Promise at Dawn
Ivan Mosjukine (as Perlo Vita)
A single mother raises her son in impossible circumstances first in Leningrad, then Krakow, and then France, and is over-ambitious about him but never gives in.
Promise at Dawn
Writer
A single mother raises her son in impossible circumstances first in Leningrad, then Krakow, and then France, and is over-ambitious about him but never gives in.
Promise at Dawn
Producer
A single mother raises her son in impossible circumstances first in Leningrad, then Krakow, and then France, and is over-ambitious about him but never gives in.
Promise at Dawn
Director
A single mother raises her son in impossible circumstances first in Leningrad, then Krakow, and then France, and is over-ambitious about him but never gives in.
Uptight
Producer
Black militants building up an arsenal of weapons in preparation for a race war are betrayed by one of their own.
Uptight
Writer
Black militants building up an arsenal of weapons in preparation for a race war are betrayed by one of their own.
Uptight
Director
Black militants building up an arsenal of weapons in preparation for a race war are betrayed by one of their own.
Survival 1967
Director
This film documentary uses the 1967 Six-Day War and its immediate aftermath as its basis. The material primarily presents Israeli sources and perspectives.
10:30 P.M. Summer
Screenplay
A female traveling companion seduces a married man and his alcoholic wife.
10:30 P.M. Summer
Producer
A female traveling companion seduces a married man and his alcoholic wife.
10:30 P.M. Summer
Director
A female traveling companion seduces a married man and his alcoholic wife.
Topkapi
Producer
Um vigarista se junta com um grupo de ladrões que planejam entrar num museu de Istambul para roubar uma adaga adornada com pedras preciosas. Um vigarista de pequeno porte com problemas de passaporte se junta com uma gangue de ladrões de jóias de classe mundial que planejam roubar o museu de Topkapi, em Istambul. A inteligência turca, suspeitando de contrabando de armas, se envolve e, sob pressão, o vigarista vai até onde nunca sonhara.
Topkapi
Director
Um vigarista se junta com um grupo de ladrões que planejam entrar num museu de Istambul para roubar uma adaga adornada com pedras preciosas. Um vigarista de pequeno porte com problemas de passaporte se junta com uma gangue de ladrões de jóias de classe mundial que planejam roubar o museu de Topkapi, em Istambul. A inteligência turca, suspeitando de contrabando de armas, se envolve e, sob pressão, o vigarista vai até onde nunca sonhara.
Phaedra
Christos (uncredited)
A retelling of the Greek myth of Phaedra. In modern Greece, Alexis's father, an extremely wealthy shipping magnate, marries the younger, fiery Phaedra. When Alexis meets his stepmother, sparks fly and the two begin an affair. What will the Fates bring this family? Alexis's roadster and the music of Bach figure in the conclusion.
Phaedra
Producer
A retelling of the Greek myth of Phaedra. In modern Greece, Alexis's father, an extremely wealthy shipping magnate, marries the younger, fiery Phaedra. When Alexis meets his stepmother, sparks fly and the two begin an affair. What will the Fates bring this family? Alexis's roadster and the music of Bach figure in the conclusion.
Phaedra
Writer
A retelling of the Greek myth of Phaedra. In modern Greece, Alexis's father, an extremely wealthy shipping magnate, marries the younger, fiery Phaedra. When Alexis meets his stepmother, sparks fly and the two begin an affair. What will the Fates bring this family? Alexis's roadster and the music of Bach figure in the conclusion.
Phaedra
Director
A retelling of the Greek myth of Phaedra. In modern Greece, Alexis's father, an extremely wealthy shipping magnate, marries the younger, fiery Phaedra. When Alexis meets his stepmother, sparks fly and the two begin an affair. What will the Fates bring this family? Alexis's roadster and the music of Bach figure in the conclusion.
Nunca aos Domingos
Producer
Ilya é uma alegre prostituta que, aos domingos, abre sua casa para amigos. Já Homer Thrace é um filósofo americano recém-chegado, que se decepciona com a Grécia de hoje. Logo, ele toma Ilya como símbolo dessa era e faz projetos para salvá-la.
Nunca aos Domingos
Writer
Ilya é uma alegre prostituta que, aos domingos, abre sua casa para amigos. Já Homer Thrace é um filósofo americano recém-chegado, que se decepciona com a Grécia de hoje. Logo, ele toma Ilya como símbolo dessa era e faz projetos para salvá-la.
Nunca aos Domingos
Director
Ilya é uma alegre prostituta que, aos domingos, abre sua casa para amigos. Já Homer Thrace é um filósofo americano recém-chegado, que se decepciona com a Grécia de hoje. Logo, ele toma Ilya como símbolo dessa era e faz projetos para salvá-la.
Nunca aos Domingos
Homer Thrace
Ilya é uma alegre prostituta que, aos domingos, abre sua casa para amigos. Já Homer Thrace é um filósofo americano recém-chegado, que se decepciona com a Grécia de hoje. Logo, ele toma Ilya como símbolo dessa era e faz projetos para salvá-la.
The Law
Screenplay
A gorgeous housekeeper turns the tables on the men in a small Mediterranean coastal town by using their own vicious drinking game.
The Law
Director
A gorgeous housekeeper turns the tables on the men in a small Mediterranean coastal town by using their own vicious drinking game.
He Who Must Die
Writer
Greece, in the 1920s, is occupied by the Turks. The country is in turmoil with entire villages uprooted. The site of the movie is a Greek village that conducts a passion play each year. The leading citizens of the town, under the auspices of the Patriarch, choose those that will play the parts in the Passion. A stuttering shepherd is chosen to play Jesus. The town butcher (who wanted to be Jesus) is chosen as Judas. The town prostitute is chosen as Mary Magdalene. The rest of the disciples are also chosen. As the movie unfolds, the Passion Play becomes a reality. A group of villagers, uprooted by the war and impoverished, arrive at the village led by their priest. The wealthier citizens of the town want nothing with these people and manipulate a massacre. In the context of the 1920s, each of the characters plays out their biblical role in actuality.
He Who Must Die
Director
Greece, in the 1920s, is occupied by the Turks. The country is in turmoil with entire villages uprooted. The site of the movie is a Greek village that conducts a passion play each year. The leading citizens of the town, under the auspices of the Patriarch, choose those that will play the parts in the Passion. A stuttering shepherd is chosen to play Jesus. The town butcher (who wanted to be Jesus) is chosen as Judas. The town prostitute is chosen as Mary Magdalene. The rest of the disciples are also chosen. As the movie unfolds, the Passion Play becomes a reality. A group of villagers, uprooted by the war and impoverished, arrive at the village led by their priest. The wealthier citizens of the town want nothing with these people and manipulate a massacre. In the context of the 1920s, each of the characters plays out their biblical role in actuality.
Rififi
Adaptation
Líder de uma gangue do submundo de Paris rouba uma joalheria, mas entra em conflito com seus parceiros na hora de dividir os lucros. Com roteiro baseado no romance de Auguste le Breton, o filme traz uma das sequências de roubo mais famosas da história do cinema - cerca de trinta minutos de muita tensão, sem música ou diálogos.
Rififi
Cesar le Milanais
Líder de uma gangue do submundo de Paris rouba uma joalheria, mas entra em conflito com seus parceiros na hora de dividir os lucros. Com roteiro baseado no romance de Auguste le Breton, o filme traz uma das sequências de roubo mais famosas da história do cinema - cerca de trinta minutos de muita tensão, sem música ou diálogos.
Rififi
Director
Líder de uma gangue do submundo de Paris rouba uma joalheria, mas entra em conflito com seus parceiros na hora de dividir os lucros. Com roteiro baseado no romance de Auguste le Breton, o filme traz uma das sequências de roubo mais famosas da história do cinema - cerca de trinta minutos de muita tensão, sem música ou diálogos.
Foragidos da Noite
Director
Londoner Harry Fabian is a second-rate con man looking for an angle. After years of putting up with Harry's schemes, his girlfriend, Mary, becomes fed up when he taps her for yet another loan.
Mercado de Ladrões
Man in Freight Elevator (uncredited)
Nick Garcos comes back from his tour of duty in World War II planning to settle down with his girlfriend, Polly Faber. He learns, however, that his father was recently beaten and burglarized by mob-connected trucker Mike Figlia, and Nick resolves to get even. He partners with prostitute Rica, and together they go after Mike, all the while getting pulled further into the local crime underworld.
Mercado de Ladrões
Director
Nick Garcos comes back from his tour of duty in World War II planning to settle down with his girlfriend, Polly Faber. He learns, however, that his father was recently beaten and burglarized by mob-connected trucker Mike Figlia, and Nick resolves to get even. He partners with prostitute Rica, and together they go after Mike, all the while getting pulled further into the local crime underworld.
Cidade Nua
Director
Dois detetives da cidade de Nova York, Don Muldoon (Barry Fitzgerald) e Jimmy Halloran (Don Taylor) são designados pra investigar um misterioso assassinato de uma mulher. Seguindo os rastros de joias roubadas ligadas ao crime, os detetives localizam Ruth e seu noivo. Os dois, juntamente com o assassino da mulher, controlam um ladrão de joias que vem importunando a sociedade de Nova York. Um dos mais excitantes filmes do gênero "noir" da década.
Brutalidade
Director
Numa violenta penitenciária, o prisioneiro Joe Collins planeja se rebelar contra o capitão Munsey, o chefe dos guardas louco pelo poder. Na Penitenciária de Westgate, superlotada, onde a violência e o medo são a regra e o diretor tem menos poder que os guardas e os principais prisioneiros, o prisioneiro menos satisfeito é o duro Joe Collins. Acima de tudo, Joe odeia o capitão Munsey, um pequeno ditador que se vangloria de seu poder absoluto. Após mais uma infração, Joe e seus companheiros de cela como castigo são colocados dentro dos temidos tubos de drenagem; e isso acende o estopim de um esquema de fuga com todas as chances de se transformar em um banho de sangue. (e 16 - Estimado 16 Anos)
Algemas Para Dois
Director
Con woman Ricki Woodner and detective Bob Simms follow a prison-bound swindler Ace Connors on his five-day gourmet binge.
A Letter for Evie
Director
Evie's co-workers at the uniform shirt factory, and her almost-fiancée's inability to kiss, inspire her to slip a letter into a size sixteen-and-a-half shirt for some anonymous soldier. It's received by "Wolf" Larson, who immediately throws it away, but his sensitive, dreaming--and short--buddy John McPherson snags it, and begins a correspondence with Evie, pretending to be Wolf. But things get complicated when Evie wants to meet her tall, handsome soldier. And even more complicated when Wolf sees Evie and likes what he sees.
The Canterville Ghost
Director
The descendent of a ghost imprisoned for cowardice hopes to free the spirit by displaying courage when under duress.
Cuidado com Mamãe!
Director
A widow's grown children try to break up her romance with a college professor.
Uma Aventura em Paris
Director
Frenchwoman Michele de la Becque, an opponent of the Nazis in German-occupied Paris, hides a downed American flyer, Pat Talbot, and attempts to get him safely out of the country.
Sua Criada Obrigada
Director
Os membros de uma pequena comunidade abastada ficam preocupados quando é revelado que uma de suas empregadas domésticas está escrevendo uma exposição reveladora.
Nazi Agent
Director
Humble stamp dealer Otto Becker has little to do with international politics, so when he receives a surprise visit from his estranged twin brother and Nazi spy, Baron Hugo von Detner, his world is thrown into turmoil. Threatening Becker with deportation, Hugo forces him to use his shop as a front for espionage.
The Tell-Tale Heart
Director
In this classic Edgar Allan Poe story, a man commits a murder, but afterward the victim's beating heart torments the murderer's mind.
Theo Angelopoulos: A Lifework in Film
Theo Angelopoulos: A Lifework in Film