Malga Kubiak

The radical Polish director Małga Kubiak is regularly represented with her films at the Pornfilmfestival Berlin. In 2016 we showed “Andy Warhol to se vrati: boyz” and in 2019 followed “Federico Garcia Lorca Noir Despair”. Last year she was in the festival program with “Xreens”. In her latest film “D’Vinci”, the filmmaker again reflects on a famous artist. As expected, it did not turn out to be a typical biopic, and Kubiak dives deep into the meaning that her films and her way of working have and had for herself and for others – as always in her incomparable no-budget style. In today’s conservative Poland, her way of making films is no easy feat.

The radical Polish director Małga Kubiak is regularly represented with her films at the Pornfilmfestival Berlin. In 2016 we showed “Andy Warhol to se vrati: boyz” and in 2019 followed “Federico Garcia Lorca Noir Despair”. Last year she was in the festival program with “Xreens”. In her latest film “D’Vinci”, the filmmaker again reflects on a famous artist. As expected, it did not turn out to be a typical biopic, and Kubiak dives deep into the meaning that her films and her way of working have and had for herself and for others – as always in her incomparable no-budget style. In today’s conservative Poland, her way of making films is no easy feat.

The radical Polish director Małga Kubiak is regularly represented with her films at the Pornfilmfestival Berlin. In 2016 we showed “Andy Warhol to se vrati: boyz” and in 2019 followed “Federico Garcia Lorca Noir Despair”. Last year she was in the festival program with “Xreens”. In her latest film “D’Vinci”, the filmmaker again reflects on a famous artist. As expected, it did not turn out to be a typical biopic, and Kubiak dives deep into the meaning that her films and her way of working have and had for herself and for others – as always in her incomparable no-budget style. In today’s conservative Poland, her way of making films is no easy feat.

The radical Polish director Małga Kubiak is regularly represented with her films at the Pornfilmfestival Berlin. In 2016 we showed “Andy Warhol to se vrati: boyz” and in 2019 followed “Federico Garcia Lorca Noir Despair”. Last year she was in the festival program with “Xreens”. In her latest film “D’Vinci”, the filmmaker again reflects on a famous artist. As expected, it did not turn out to be a typical biopic, and Kubiak dives deep into the meaning that her films and her way of working have and had for herself and for others – as always in her incomparable no-budget style. In today’s conservative Poland, her way of making films is no easy feat.

The radical Polish director Małga Kubiak is regularly represented with her films at the Pornfilmfestival Berlin. In 2016 we showed “Andy Warhol to se vrati: boyz” and in 2019 followed “Federico Garcia Lorca Noir Despair”. Last year she was in the festival program with “Xreens”. In her latest film “D’Vinci”, the filmmaker again reflects on a famous artist. As expected, it did not turn out to be a typical biopic, and Kubiak dives deep into the meaning that her films and her way of working have and had for herself and for others – as always in her incomparable no-budget style. In today’s conservative Poland, her way of making films is no easy feat.

Lizzy Siddal 1829-1862, Pre Rapahelites model, addicted to Laudanum, marry Gabriel Rosetti.

Lizzy Siddal 1829-1862, Pre Rapahelites model, addicted to Laudanum, marry Gabriel Rosetti.

Lizzy Siddal 1829-1862, Pre Rapahelites model, addicted to Laudanum, marry Gabriel Rosetti.

A documentary about Malga Kubiak and her team. It's not only a movie about her, but also about the situation of independent, lesbian and queer cinema in Poland, Europe and all over the world. Malga is a director, activist, mother, daughter and grandmother. Her family is constantly engaged in her work. She made over 40 movies about such queer icons as Pasolini, Annemarie Schwarzenbach, F.G. Lorca, Andy Warhol or Lizzie Siddal, the muse of Pre-Raphaelites.

A documentary about Malga Kubiak and her team. It's not only a movie about her, but also about the situation of independent, lesbian and queer cinema in Poland, Europe and all over the world. Malga is a director, activist, mother, daughter and grandmother. Her family is constantly engaged in her work. She made over 40 movies about such queer icons as Pasolini, Annemarie Schwarzenbach, F.G. Lorca, Andy Warhol or Lizzie Siddal, the muse of Pre-Raphaelites.

A documentary about Malga Kubiak and her team. It's not only a movie about her, but also about the situation of independent, lesbian and queer cinema in Poland, Europe and all over the world. Malga is a director, activist, mother, daughter and grandmother. Her family is constantly engaged in her work. She made over 40 movies about such queer icons as Pasolini, Annemarie Schwarzenbach, F.G. Lorca, Andy Warhol or Lizzie Siddal, the muse of Pre-Raphaelites.

A documentary about Malga Kubiak and her team. It's not only a movie about her, but also about the situation of independent, lesbian and queer cinema in Poland, Europe and all over the world. Malga is a director, activist, mother, daughter and grandmother. Her family is constantly engaged in her work. She made over 40 movies about such queer icons as Pasolini, Annemarie Schwarzenbach, F.G. Lorca, Andy Warhol or Lizzie Siddal, the muse of Pre-Raphaelites.

A documentary about Malga Kubiak and her team. It's not only a movie about her, but also about the situation of independent, lesbian and queer cinema in Poland, Europe and all over the world. Malga is a director, activist, mother, daughter and grandmother. Her family is constantly engaged in her work. She made over 40 movies about such queer icons as Pasolini, Annemarie Schwarzenbach, F.G. Lorca, Andy Warhol or Lizzie Siddal, the muse of Pre-Raphaelites.

EPOKALIPSA uses narrations from Vlado Butler books, and very short of Malga Kubiak’s own book OMS.

EPOKALIPSA uses narrations from Vlado Butler books, and very short of Malga Kubiak’s own book OMS.

EPOKALIPSA uses narrations from Vlado Butler books, and very short of Malga Kubiak’s own book OMS.

EPOKALIPSA uses narrations from Vlado Butler books, and very short of Malga Kubiak’s own book OMS.

During his half year in Budapest Raoul devoted everything to his true self. He has lost borders, he has gained courage and created devoted team; together they achieved the impossible. They became few of the few to error the final solution.

During his half year in Budapest Raoul devoted everything to his true self. He has lost borders, he has gained courage and created devoted team; together they achieved the impossible. They became few of the few to error the final solution.

Raoul Wallenberg born 1912 Stockholm is send to Budapest 1944 July. His job is to save Jewish from Holocaust, his methods are non conventional. January 1945 arrested by Russians at Budapest Siege. Man who saved lives never returns home.

Raoul Wallenberg born 1912 Stockholm is send to Budapest 1944 July. His job is to save Jewish from Holocaust, his methods are non conventional. January 1945 arrested by Russians at Budapest Siege. Man who saved lives never returns home.

Ewelina Janiszewska Smolianka Stolnikowna Smolenska & Willhelm 2ed The Hunter, Malga Kubiak great grandmother 1862-1886.

Ewelina Janiszewska Smolianka Stolnikowna Smolenska & Willhelm 2ed The Hunter, Malga Kubiak great grandmother 1862-1886.

Ewelina Janiszewska Smolianka Stolnikowna Smolenska & Willhelm 2ed The Hunter, Malga Kubiak great grandmother 1862-1886.

The story revolves around a group of teenage boys. When one of them suddenly gets a chance to make a pact with the devil things shift quickly in their lives.

Andy Warhol's sex, life and death and work. Andy Warhol's Films are not pornography, they are an experiment.

Andy Warhol's sex, life and death and work. Andy Warhol's Films are not pornography, they are an experiment.

Depicts Carl Andersens uncommon art and life. Born in Vienna, the capital of Austria in 1958, he participated in the development of Viennas subculture through his bar called "Fun Factory". It was a unique place to have some cheap drinks, see strange movies and join concerts in the cellar. He also influenced the Viennese film community by bringing art house and underground movies, like "Liquid Sky" (1982), or "The Texas Chainsaw Massacre" (1973) in uncut versions to the theaters. As he was a film maniac he started to direct movies by himself. His first two movies "I was a Teenage Zabbadoing" (1988) and "Mondo Weirdo - a Trip to Paranoia Paradise"(1990) became underground classics. In the late 80's Andersen went to Berlin. There he directed and produced more than 10 No-Budget movies. Diffic ult relationships and the process of filmmaking itself were his main themes. He got lost in alcoholism and committed suicide in August 2012.

This film shows the last days of Pasolini’s life that he spent in Stockholm. He was invited to visit the Institute of Culture and give an interview in the Swedish Film Institute. Together with his boyfriend Ninetto they stayed in Diplomat Hotel. Where he was murdered at 1.30 a.m. on 2nd November; 1975.

This film shows the last days of Pasolini’s life that he spent in Stockholm. He was invited to visit the Institute of Culture and give an interview in the Swedish Film Institute. Together with his boyfriend Ninetto they stayed in Diplomat Hotel. Where he was murdered at 1.30 a.m. on 2nd November; 1975.

Every lover is an apple but not every apple is a lover. FGLND on Federico Garcia Lorca (1898 - 1936) courage & passion filled life, work and death.

Masks on Yukio Mishima are spectacles of crossing the lines. Mishima crossed the line with the life he led and death he had chosen. Text of Mishima are beats of beauty and signs of love. Director looks into eye of reality. We the viewers have no interest in atomic bombs, dead people, forced love. What is left to us? Military drill, suicide or possibly love? Masks take you farther, Kubiak takes no compromise, Masks are bloody long expressive; give the questions and no straight answers. She lets you look at it and finally rips of the mask after the mask. You might get your vulnerability back.

Masks on Yukio Mishima are spectacles of crossing the lines. Mishima crossed the line with the life he led and death he had chosen. Text of Mishima are beats of beauty and signs of love. Director looks into eye of reality. We the viewers have no interest in atomic bombs, dead people, forced love. What is left to us? Military drill, suicide or possibly love? Masks take you farther, Kubiak takes no compromise, Masks are bloody long expressive; give the questions and no straight answers. She lets you look at it and finally rips of the mask after the mask. You might get your vulnerability back.

Masks on Yukio Mishima are spectacles of crossing the lines. Mishima crossed the line with the life he led and death he had chosen. Text of Mishima are beats of beauty and signs of love. Director looks into eye of reality. We the viewers have no interest in atomic bombs, dead people, forced love. What is left to us? Military drill, suicide or possibly love? Masks take you farther, Kubiak takes no compromise, Masks are bloody long expressive; give the questions and no straight answers. She lets you look at it and finally rips of the mask after the mask. You might get your vulnerability back.

Black crime comedy dogma in game-girl. Film directors couple struggle to make a film, the man is a neurotic alcoholic, the woman is a bisexual nymphomaniac. Raid drivers loose the car. Thieves are in action, everybody tests coke, etc. The End is romantic deadly decadent.

Black crime comedy dogma in game-girl. Film directors couple struggle to make a film, the man is a neurotic alcoholic, the woman is a bisexual nymphomaniac. Raid drivers loose the car. Thieves are in action, everybody tests coke, etc. The End is romantic deadly decadent.

Black crime comedy dogma in game-girl. Film directors couple struggle to make a film, the man is a neurotic alcoholic, the woman is a bisexual nymphomaniac. Raid drivers loose the car. Thieves are in action, everybody tests coke, etc. The End is romantic deadly decadent.

18 vignettes about the final moments of various Swedes before the end of the world.

18 vignettes about the final moments of various Swedes before the end of the world.

Malga Kubiak stars in her exploration of sex and self. One woman's love to her own body interlaced with maggots; mixes x-rated porn. Voyeuristically titillating this avant-garde study of horrors of sex.

Malga Kubiak stars in her exploration of sex and self. One woman's love to her own body interlaced with maggots; mixes x-rated porn. Voyeuristically titillating this avant-garde study of horrors of sex.

Malga Kubiak stars in her exploration of sex and self. One woman's love to her own body interlaced with maggots; mixes x-rated porn. Voyeuristically titillating this avant-garde study of horrors of sex.

- Hey Angel, I am a beautiful man who does not believe in anything. We are at the end of XX century and nothing happens.

- Hey Angel, I am a beautiful man who does not believe in anything. We are at the end of XX century and nothing happens.

- Hey Angel, I am a beautiful man who does not believe in anything. We are at the end of XX century and nothing happens.

I am so endlessly alone. Whats my illusions, whats my odds, and illusions have to be killed, I don't have more time to destroy. Is my loneliness real and is my longing about what? Then who are this people?

I am so endlessly alone. Whats my illusions, whats my odds, and illusions have to be killed, I don't have more time to destroy. Is my loneliness real and is my longing about what? Then who are this people?

A family travels through Egypt in 6 months.

A family travels through Egypt in 6 months.