Susie Bright

RAW! UNCUT! VIDEO! chronicles the rise and fall of homegrown gay porn studio Palm Drive Video, and explores how a devoted couple helped battle a devastating health crisis by promoting kinky sex.

A collection of interviews recorded for the making of the 1995 documentary "The Celluloid Closet," on the subject of LGBT representation in film history.

Corky é uma ex-presidiária lésbica que arranja um emprego como encanadora em um prédio. Lá ela conhece Caesar, que trabalha fazendo lavagem de dinheiro para a Máfia, e sua namorada, Violet. As duas mulheres começam, então, um romance, e planejam roubar dois milhões de dólares que estão sob os cuidados de Caesar, antes que ele os devolva para seu chefe. Mas o plano começa a dar errado quando ele tem uma reação inesperada.

This documentary highlights the historical contexts that gay, lesbian, bisexual and transgender individuals have occupied in cinema history, and shows the evolution of the entertainment industry's role in shaping perceptions of LGBT figures. The issues addressed include secrecy – which initially defined homosexuality – as well as the demonization of the homosexual community with the advent of AIDS, and finally the shift toward acceptance and positivity in the modern era.

A German woman travels to San Francisco to find her mother, but winds up distracted by the sexually flamboyant culture of the city.

With an all-female cast, featuring Suzie Bright as John Lennon, Cecilia Dougherty's Grapefruit plays with the romanticized history of the iconic Fab Four, gently mocking John and Yoko’s banal squabbles and obsessive rituals of self-display. Based obliquely on Yoko Ono’s book, the piece works on many levels to reposition this mythic tale of the Beatles by casting '80s women in mod drag—effectively mapping the lesbian sub-culture onto heterosexual mass culture. Discounting the importance of reproducing facts and historical accuracy, Dougherty gives an incisive reading of the creation of pop culture icons: it doesn’t matter who plays John Lennon because ultimately John Lennon is not a person anymore. As a star, he is a projection of our society’s collective needs and desires.

A woman transforms her everyday existence into an irresistible private fantasy of the most bizarre, sensual and electrifying kind! Dwarfs, fat ladies, bearded ladies, muscle men - no character type too strange or too bizarre.