Choreographer
Star soprano Anna Netrebko created a sensation in her first Met performances as the malevolent Lady Macbeth, the central character in Verdi’s retelling of Shakespeare’s tragedy. She is joined by Željko Lucic, who brings dramatic intensity and vocal authority to the title role of the honest general driven to murder and deceit by his ambitious wife. René Pape is Banquo, Joseph Calleja is Macduff, and Principal Conductor Fabio Luisi presides over Adrian Noble’s atmospheric production.
Choreographer
Verdi’s admiration for Shakespeare led to such masterpieces as Othello and Falstaff, and if the earlier Macbeth isn’t on their exalted level it’s still a powerfully dramatic opera that hews closely to the original’s story line. The MET’s production retains the dark aura of the opera while updating it to a vaguely post-modern context. So the witches are bag ladies in various stages of decrepitude, with children in tow. The Banquet Scene features lowered chandeliers, a plethora of chairs, and a slew of extras dressed in tuxedos and party gowns. Macbeth sports a leather coat, the soldiers are in drab brown uniforms and seem to have fingers on their triggers even when they’re supposed to be in non-threatening situations. Director Adrian Noble also has Lady Macbeth do an inordinate amount of writhing around and singing from a lying-down position, adding to the feeling that a less interventionist directorial hand might have generated more impact.
Choreographer
Em 1554, a Inglaterra estava divida entre católicos e protestantes e era governada por Mary Tudor (Kathy Burke), católica, mas devido a um tumor ela acaba falecendo. Agora sua meia-irmã Elizabeth (Cate Blanchett), protestante, assume o poder. Porém, Elizabeth herda um país falido, sem exército e com inimigos por todos os lados, até mesmo na sua própria corte, forçando-a tomar cuidado a cada passo para permanecer no poder.
Choreographer
Clarissa Dalloway looks back on her youth as she readies for a gathering at her house. The wife of a legislator and a doyenne of London's upper-crust party scene, Clarissa finds that the plight of ailing war veteran Septimus Warren Smith reminds her of a past romance with Peter Walsh. In flashbacks, young Clarissa explores her possibilities with Peter.
Choreographer
Emma Woodhouse, uma jovem bonita, inteligente e encantadora, está decidida a jamais se casar. Ela já possui toda a fortuna e independência de que precisa e sente-se perfeitamente satisfeita com sua situação, o que não a impede de se divertir planejando casamentos entre as pessoas que a cercam. Ao conhecer Harriet Smith, uma moça de status social mais baixo, Emma decide ajudá-la a encontrar um pretendente que seja um verdadeiro cavalheiro. Porém, a jovem descobre que interferir demais na vida dos outros pode por em risco a própria felicidade…
