Aarathi

Aarathi

Nascimento : , Aragal, Arkalgud, Hassan, Karnataka, India

História

Aarathi (Kannada: ಆರತಿ ; born 1954)[1] is an Indian actress turned director who works predominantly in Kannada language films. She is best known for her acting prowess in many author backed female centric roles during the 1970s and 1980s. After her self-declared retirement from films in the late 1980s, she returned as director with Mithayi Mane (2005) which met with critical appreciation and also won the Karnataka State Film Award for Best Children's Film. As a lead actress in more than 125 feature films, Aarathi was considered to be among the top league of actresses of her time, having won the Filmfare awards and the Karnataka State Film Award for Best Actress four times each. She was also nominated as the Member of Legislative Council at the Vidhana parishad making her only the second actress after B. Jayamma.

Perfil

Aarathi

Filmes

Tulasi Dalam
Sharada
Tulasi Dalam (Telugu: తులసిదళం, English : Basil Leaf) is a Telugu thriller novel written by Yandamuri Veerendranath. It was published in Andhra Bhoomi weekly in 1980 as a serial and got tremendous popularity. It was republished many times as a paperback and sold approximately 50,000 copies. It was one of the initial novels of Yandamuri that became popular and he was appreciated widely for his narrating style. It was partially inspired by the 1971 bestselling novel The Exorcist. Tulasi Dalam was first adapted into a 1985 Kannada movie titled Thulasidala and later in Telugu as Tulasidalam (1989),in Hindi as Phoonk (2008) and its remake in Telugu as Raksha (2008).In 1986, a story based on this novel called Kashmora was filmed for which Yendamuri Verendranath has worked as writer.
Parajitha
Ranganayaki
The movie explores the nuance of Oedipus Complex. The heroine, a popular theatre artist, falls in love with a rich, young man. They eventually get married and beget a child. But the heroine is bored of married life and wants to dabble in acting. The husband refuses and leaves the town with his child. The heroine gets a lucky break in cinema and becomes a household name. Years later, as fate had it, a young man falls in love with the heroine and she reciprocates his love, but as a mother. She always gives him affection and loves like a mother. She encounters her ex-husband and pleads him to show her son just for once. But as fate has it doesn t happen, and she goes in deep depression and commits suicide, too late for the young lover who realizes that he had fallen in love with his own mother.
Maathu Tappada Maga
Kumar falls for Latha but is unable to marry her as his father opposes their relationship. After Kumar marries another woman, Chandru, an evil man, enters Latha's life, and Kumar tries to save her.
Katha Sangama
An anthology of short stories centred on a poor university teacher's dilemma, an old woman's life story and a man who is about to marry a woman who is visually impaired.
Bahaddur Gandu
Bahaddur Gandu is a 1976 Indian Kannada film, directed by A V Sheshgiri Rao and produced by Srikanth Nahatha and Srikanth Patel. The film Stars Dr Rajkumar, Jayanthi, Aarathi and Shantha in lead roles. The music of the film was composed by M Ranga Rao.
Premada Kanike
Sita
A tutor hired by a wealthy family witnesses a murder, while travelling by a train. She faces a dilemma when she realizes that the murderer is the patriarch of the family she has been hired by.
Raja Nanna Raja
Ganga / Geetha
Geetha is in quest of finding a suitor. Just when she believes that she has found her perfect match, a stalker tries to convince her that he was her lover in their previous birth.
Daari Tappida Maga
Two estranged brothers, who could not be more different from one another, choose different paths in life and are eventually reunited by an unexpected twist of fate.
Gumasthavin Magal
A woman is engaged to the son of a rich man, but a landlord, who is already married, has his mind set on her. He manipulates the woman's father, who works for him, into letting him marry her.
Upasane
Sharada
Shraddha is a music enthusiast. She is determined to pursue a career in classical music but faces several obstacles.
Mooruvare Vajragalu
Rukmini
This story is based on the epic of Mahabharatha.
Bangarada Manushya
Sharavathi
Rajeeva comes to the village to visit his sister only to find that she's in financial trouble and has lost her husband. He decides to stay and help her out.
Sipayi Ramu
Champa
It is a 1972 Indian Kannada language film directed by Y. R. Swamy, based on the novel Barale Innu Yamune? by Nuggehalli Pankaja. The 2012 Hindi movie Paan Singh Tomar, based on the life of an Indian soldier turned dacoit Paan Singh Tomar had a similar storyline. This was also the first Kannada colour movie which was based on a novel.
Naagarahaavu
Alamelu
Although Ramachari falls madly in love with Alamelu, her parents forbid their marriage and force her to marry another man. But Ramachari can't stand idly by when he discovers his sweetheart's husband has become her pimp. Quietly aiding Ramachari on his quest to save Alamelu is Chamayya, a childless woman who loves him as much as if he were her own son.
Kasturi Nivasa
Lakshmi
The story of an extremely generous and righteous man, Ravi Varma, who succumbs to his intention of being generous no matter what happens. The movie is based on a story, Kasturi Nivasam written by G. Balasubramanium. The film stresses the principle that "life is to give—not to take". The role of Ravi Varma, the protagonist played by Rajkumar is a character who upholds the values of life even it means his destruction; a person who is keen on retaining his character's purity and those morals he has cherished. Ravi Varma led a lonely yet righteous life. He did not break his principles even as it lead to his downfall.
Gejje Pooje
Lalita
A young girl is brought up in poverty but understands the value of education, and with the support of her mother struggles to reject a life of prostitution.
Bhagyavantha
Seetha
Krishna, a child, faces various obstacles as he is considered unlucky by his family who avoids him. However, he finds comfort in his paternal uncle, who cares for him.
Bangarada Panjara
Mallamma
Janaki leaves her son, Beera, with Kenchi and Jungappa. Years later, Janaki returns to take her son along with her, but Kenchi refuses to let Beera go.