Goffredo Rocchetti

Desde que seu marido a acusou de frígida na noite de núpcias, Antonia DeAngelis tem sido uma inválida. Quando ele desaparece, ela acredita que ele está morto. Então ela sai de sua cama, assume os negócios e começa a viajar para ver os clientes. Ela descobre as paixões de seu marido, seus escritos políticos, suas amantes, e sua indiferença para com os camponeses das terras de sua família. Ela melhora a sua sorte, começa um caso com um jovem médico estrangeiro, e publica os textos de seu marido. Todo esse tempo, por causa de uma acusação de assassinato ele está se escondendo em uma casa do outro lado da praça. Espantado, ele a vê se tornar sexual e socialmente em alguém igual a ele. Depois que a polícia deixe cair a acusação de assassinato, ele vai desaparecer, acabar com sua vida, ou se juntar a ela em novos termos?

Tullio Hermil is a chauvinist aristocrat who flaunts his mistress to his wife, but when he believes she has been unfaithful he becomes enamored of her again.

In the decadent Roaring Twenties, a beautiful woman engages in affairs with two men, playing them against each other.

Três italianos, Gianni (Vittorio Gassman), Nicola (Stefano Satta Flores) e Antonio (Nino Manfredi) se tornam muito amigos durante o ano de 1944 enquanto combatem os nazistas. Cheio de ilusões, eles se estabelecem depois da guerra. Os três amigos idealistas precisam lidar com a inevitável desilusões da vida no pós-guerra da Itália.

The Marquise Eugenia di Maqueda, an orphan raised by the nuns, marries Raimondo Corrao, but on their wedding night she finds out that he is her brother. The piece of news is in a letter written from Paris by their father, a womaniser who lives and hides from them in the French headtown. The pair decide, to avoid the scandal, to live as brother and sister. He will later leave for the war in Lybia, she will find solace and sexual satisfaction in the arms of the family chauffeur.

Sandro dreams about a woman older than himself. He works as a lifeguard at the beach and at the same time he's caring for a large number of sexually unsatisfied women who are coming for the weekend without their husbands.

Teresa gets her first taste of crime -- and its consequences -- when, during World War II, she is nabbed for robbing an apartment. But being poor and perpetually starving, the pretty petty thief doesn't give up her quest for ill-gotten gains and soon turns to pick-pocketing. Despite her questionable thieving skills, the bumbling crook tries scheme after scheme, pilfering from strangers and dodging the law as she searches for a way to fund an adequate meal.

Este filme retrata a conturbada histórica de vida de Ludwig, rei da Baviera, desde sua coroação em 1864 até sua morte em 1886 como um herói romântico. Fã de Richard Wagner, traído por ele, apaixonado por sua prima Elisabeth da Áustria, abandonada por ela, ele experimentou uma sucessão de derrotas pessoais. E, além disso, foi atormentado por sua homossexualidade e pouco a pouco foi aceitando a loucura.

An aging American millionairess journeys to Rome each year with her chauffeur George to play the card game scopone with destitute Peppino and his wife Antonia.

Nino Manfredi is a police captain, giving an onlooker's point-of-view towards the decadent society folk. Party itself features a down & out baron, who dances with the party's glamorous hostess Virna Lisi so that he can steal her valuable earrings. When they're missing, she's angry enough to call in the cops (Manfredi shows up) and have the baron taken away.

Início do século XX. Gustav von Aschenbach (Dirk Bogarde) é um compositor austríaco que vai para Veneza buscando repouso, após um período de estresse artístico e pessoal. Porém ele não encontra a paz desejada, pois logo desenvolve uma paixão por um jovem, Tadzio (Björn Andrésen), que está em férias com sua família. Tadzio incorpora o ideal de beleza que von Aschenbach sempre imaginou e pensa em ir embora antes de cometer um ato impensado, mas sua bagagem foi para outra cidade, obrigando-o a permanecer ali. Além disto a cólera asiática começa a chegar em Veneza.

Em seu único papel no cinema, a diva María Callas vive a feiticeira Medéia, que mata o próprio irmão para fugir com o amado, Jasão, que roubara o velo de ouro. Anos mais tarde, Jasão a abandona, para se casar com a jovem e bela filha do Rei Creonte. Indignada, Medéia planeja uma terrível vingança contra Jasão.

Em Milão a vida de uma rica família burguesa é totalmente modificada por um misterioso visitante, que seduz a empregada, o filho, a mãe, a filha e finalmente o pai. Além disto, tem um contato intelectual com todos eles, convencendo-os da futilidade da existência, e após cumprir seu objetivo parte em poucos dias. Após sua ida ninguém da família consegue continuar vivendo da mesma forma.

Seis curtas em que são apresentadas histórias interessantes, com críticas aos costumes da sociedade em diferentes aspectos. Abrangem, a literatura infantil, a cabeleira masculina, o trânsito, as visitas de soberanos às antigas colônias, a falsidade e o ciúme.

Édipo Rei começa em 1920 na Itália, relatando um nascimento, fruto de um caso entre uma burguesa e um oficial militar. O filme se desenvolve retratando o mito de Édipo sobre parricídio e incesto. O epílogo mostra Édipo tocando sua flauta na agitação urbana da Bolonha dos anos 60.

Cinco histórias diferentes que tem como tema a mulher na sociedade.

Four unrelated short comedies by four different directors. "Queen Sabina"chronicles the sexual misadventures of a teenage girl on the road home. "Queen Armenia" centers on a self-serving opportunistic gypsy babysitter who uses her employer's kids for her own gain. The third episode, "Queen Elena" centers on a husband who learns a lesson about the perils of infidelity after he succumbs to the wiles of the seductive wife next door. The last vignette, "Queen Marta" centers on a wealthy woman who, when drunk, uses her butler as an outlet for her lust.

In Italy in the 60's it is difficult to get a divorce. Carlo gets a visit from his Swedish wife, but he is already remarried. Every time he meets a new woman, he vanishes away from the last wife.

Quatro curtas-metragens de quatro diretores diferentes lidando com princípios da vida moderna.

Story of Roberta, a beautiful young woman from a wealthy industrialist family and her relationship with Franco, a rough car mechanic and stranger whom she meets on the beach of Forte dei Marmi.

Parigi O Cara is probably the most camp in the history of Italian cinema, certainly a favourite with the GLBT community who quote its lines by heart. Unique as it's the only film where Franca Valeri (now 90) is the unquestioned star, in the role of Delia, a snobbish, stingy prostitute who is moving to Paris looking for greener and more lucrative pastures. An anti-neorealist, amoral, almost abstract comedy, which anticipates Almodóvar, a ferocious, though gentle, non-moralistic portrayal of the 60's boom and its broken dreams. The dialogue between Delia and her brother (played by Fiorenzo Fiorentini), when he does (or does not) tell her he is a homosexual, is memorable, a primordial coming-out, a masterpiece of allusions. But what makes it one of the first examples of a film with a "gay point of view" is the approach: perceptive, non-conformist, caustically witty. A film ahead of its times, still unbeaten.

Tommaso Puzzilli is a boy who grew up in the suburb of Pietralata outside Rome. Not having a job, Tommaso and his friends are committing crimes to make money.

An old prince lives in his ancient palace in Rome together with the ghosts of his ancestors. For years he has proudly rejected huge offers by a real estate group seeking to buy the palace and build a department store in its place, but when he suddenly dies his nephew signs the deal. The palace seems lost, but the ghosts forge a plan to save it from destruction.

Um clássico do cinema italiano dirigido pelo talentoso Antonio Pietrangeli (O Magnífico Traído) e estrelado pelos astros Marcello Mastroianni (A Doce Vida), Simone Signoret (As Diabólicas) e Emmanuelle Riva (Hiroshima, mon Amour). Roma, 1958. Uma nova lei determina o fechamento dos bordéis da cidade e as prostitutas Adua, Lolita, Milly e Marilina precisam tomar um novo rumo na vida. Juntas, elas decidem abrir uma trattoria na periferia. Será que elas conseguirão deixar o passado para trás? Com roteiro co-escrito por Ettore Scola e sob a influência do Neo-Realismo, Pietrangeli realizou uma pequena obra-prima repleta de ternura e humanismo.

Baron Zazà, always broke due his dissolute lifestyle, decides to con a hefty sum of money out of his wealthy but greedy brother.

The Posalaquaglia cousins are two small scammers and make a living of expedients: Dante receives as recognition for Tommaso a bill of one hundred thousand lire from the famous financier Bruscatelli, who ends up in prison immediately afterwards.

The Gestapo forces con man Victorio Bardone to impersonate a dead partisan general in order to extract information from his fellow inmates.

After a series of misunderstandings and other unfortunate incidents, the honeymoon of two young couples ends sooner than planned. Back at their starting point, the ensuing conflict leads to one of the couples separating. Salvatore, who moves away, is hit in the street by a car and loses his memory: he has lost his memories of his friends and family - until he meets his wife Marisa, in which he falls in love again ...

Turi, a young Sicilian, makes ends meet by doing some occasional work and singing in taverns in a popular district of Rome.

Two men embarks upon a space race. Their efforts are hampered by aliens who clone the heroes to keep them from exploring further.

It is Summer. It is the right time for love, especially in a most romantic place as Golfo del Tigullio. Different stories: Dorina looking for a rich lover; Clara who takes a fancy to the young Walter while her daughter Lina tries to save her; Aristarco who gave up his career to follow Ada's, but who likes Jacqueline; Renata who is offered by her husband to Ferrari to get money; Marcello who, extraditing Micheline to France, misses the train and falls in love with her.

Duclos's son, a worldly gangster, is compromised in a case of which he is innocent. The proof of this innocence is in the hands of a "competitor", the Marquis de Chemantel de Beauvoiron, a misguided aristocrat. He asked for $ 10 million to cede the document. Duclos will then imagine Chemantel contracting $ 10 million in life insurance for his son. As he discovered in Rome a tramp, a look-alike of the marquis, he will bring this man to Paris and arrange for him to die accidentally.

A psychiatric-clinic medical director runs some tests on two patients, the Ragionier Antonio Vignanelli and Cavalier Peppino Caprioli, so they must retrieve some memories of family life in order to understand their mental illness.

Lorella must marry Dr. Matteini, but when she goes to Naples to meet him, she meets Michele, who sings in restaurants. The fateful spark is ignited, and although Michele is poor, Lorella decides to marry him against his mother's wishes.

Cencio, a roman pilferer, periodically is in prison. He meets Cesira that soon become his partner in crime. With Cesira's help Cencio try the big hit to a jewelery. But the lucky break is over.

Elsa Martinelli plays a resident of a seaside village who falls in love with rootless stranger Antonio Ciffariello. The stranger soon learns that he'll have to fight over Elsa's affections with hotheaded villager Luis Pena. Meanwhile, a fisherman who illegally uses dynamite nearly causes tragedy to the entire community.

A mechanic falls in love with a girl who aspires to become a diva.

The Mighty Crusaders (Italian: La Gerusalemme liberata) is a 1957 film about the First Crusade, based on the 16th-century Italian poem Jerusalem Delivered by Torquato Tasso. This film was directed by Carlo Ludovico Bragaglia.

For the 17-year-old Mariza, there is no other house than the train station in Civitavecchia. Here, an orphaned girl lives early after the death of her father, a railwayman; here she earns additionally at the station buffet, selling ice cream to passengers of passing trains. Beautiful and brisk, she was accustomed to the admiration of others and perfectly mastered the art of coquetry, but Marise’s heart remains calm until the young sailor Angelo, who is in a hurry on her first voyage, leaves the train on the platform on a sunny Sunday morning.

Two young hunters of wolves are involved in a conflict. Besides the dangerous wild wolves, beautiful Teresa is the center of attention.

A photographer named Corrado snaps a picture of Antonietta. When it shows up on the front page of a magazine, she wants to take him to court over it.

Scandal in Sorrento or Pane, amore e ... é um filme de comédia italiana dirigido por Dino Risi. Este é o terceiro filme da trilogia, formado por Bread, Love and Dreams em 1953, Bread, Love and Ciúme em 1954.

Um político corrupto tenta conquistar uma bela mulher, mas seu marido escapa da prisão.

Airy comedy of a man a woman and the lengths they'll go to for a really great apartment! Located in the center of Rome with amazing views both want it and strike the compromise of marrying each other platonically to get it. The woman still hopes for true love and the man agrees to step aside should that special someone come along but he is secretly smitten with her and surreptitiously makes her various suitors look like fools. All goes well until he comes up against Rosanno Brazzi and finds him a tough challenge to overcome.

O Signo de Vênus é um filme de comédia italiana de 1955, dirigido por Dino Risi e estrelado por Sophia Loren. Foi inscrito no Festival de Cinema de Cannes de 1955.

When peasant girl Nives is deserted by smuggler Gino Lodi, she betrays him to the police. Police officer Enzo Cinti, who loves Nives, traces her to the Po River cane-fields, where she is working as a cutter to support herself and an infant son, and warns her that Gino has escaped from prison and is seeking revenge. She rejects his offer to protect her. Gino finds Nives, mourning the drowning death of their son. He surrenders himself to the police and then walks at Nives' side in the funeral procession.

When young and attractive Lina Stroppiani, a thief like the rest of her family, tries to steal the taxi of Paolo, together with two accomplices, she can't possibly know that this will have far reaching consequences.

Esta obra cinematográfica é baseada no histórico documento narrativo “A Odisséia”, escrito por Homero. Aqui Ulysses (Kirk Douglas) realiza, após 10 anos de guerra na batalha por Tróia, a uma jornada por terra e mar para tentar voltar para casa, em Ítaca, e para sua esposa Penélope (Silvana Mangano), depois de ter perdido da frota de navios durante uma tempestade. Em sua Odisséia, ele percorre mares e caminhos desconhecidos, enfrentando batalhas contra o gigantesco ciclope Polifemo, soldados, encarando a fúria e as mentiras dos deuses na figura de Poseidon, e derramando seu sangue e suor para tentar permanecer vivo, mesmo já tendo perdido todos os seus companheiros. Até que finalmente, após 20 anos de luta, em sua terra natal, ele enfrente o último e mais perigoso desafio…

The story of a woman who marries the brother of a guardian who was killed by her brother.

A high school girl, enamored by her young teacher, follows him and discovers that his home life holds many secrets.

A cook from Sardinia who had emigrated to Milan goes back to his native island thinking he has inherited some money with his uncles death. He finds out he has to avenge his death instead.

Anna is a 1951 Italian drama film directed by Alberto Lattuada and starring the same trio as Bitter Rice: Silvana Mangano as Anna, the sinner who becomes a nun; Raf Vallone as Andrea, the rich man who loves her; and Vittorio Gassman as Vittorio, the wicked waiter who sets Anna on a dangerous path. Silvana Mangano's real sister, Patrizia Mangano, acts as Anna's sister on the film. Sophia Loren has got a small uncredited role as a nightclub assistant. Future film directors Franco Brusati and Dino Risi cowrote the script. [Wikipedia]

Two two-bit singers become thieves to make ends meet. One day during a theft in the house of a music impresario they hear Marco an electrician gifted with a beautiful voice and give him some money to help for his debut as a singer.

A ruthless businessman wants to bring a penniless nobleman financially on his knees because he wants to marry the man's daughter. It is the family chauffeur who puts things right.

A doctor saves a woman who was planning to commit suicide and takes her with him during his night shift.

Two fellow soldiers fight for the love of the same girl, are constantly picked on by the older soldiers about to be discharged and are involved in the staging of a show in the military barracks.

A taxi driver, with singing ambitions, finds an abandoned baby in his cab and begins to look for his mother. He doesn't find her but succeeds in finding two people who want to adopt the child.

Unlike most Italian films of the 1940s, Augusto Genina's Cielo Sulla Palude opened in Venice rather than Rome. The film's American title was Heaven Over the Marshes, and indeed most of the story is set in the disease-ridden Pontine Marshes on the outskirts of Rome. This was the home of Maria Goretti, a pious young girl who was murdered by her would-be seducer. For reasons elucidated in the course of the film, Maria's short time on earth made her worthy of Sainthood, which was actually bestowed upon her shortly after the release of this film. Maria Goretti is well-played by Ines Orsini. Cielo Sulla Palude served as the comeback feature for director Augusto Genina, whose previous pro-fascist films had caused him to be blacklisted after WW II.