Michael Philips

Filmes

After The Credits
Production Design
We've seen it a hundred times before - boy meets girl, boy gets girl, boy loses girl, boy gets girl back, and they live happily ever after. Until the credits roll. And after that, it's a completely different story.
The View from Greenhaven
Production Design
A grumpy old man living in an idyllic coastal town who can't see he has the perfect life.
Everything Goes
Production Design
A young couple offer to buy the furniture of a middle-aged man whose wife just left him - but they end up with more than they bargained for. Hugo Weaving, Abbie Cornish and Sullivan Stapleton star in an adaptation of a Raymond Carver story.
The Night We Called It a Day
Production Design
Based on the true events surrounding Frank Sinatra's tour of Australia. When Sinatra calls a local reporter a "two-bit hooker", every union in the country black-bans the star until he issues an apology.
Dias de Ensaio
Production Design
Uma banda de garagem australiana tenta alcançar a fama enquanto seus membros lidam com assuntos interpessoais que ameaçam a unidade do grupo.
My Husband, My Killer
Production Design
Based on the true story of an Australian woman that was murdered in bed next to her husband.
The Monkey's Mask
Production Design
A lesbian private detective falls in love with a suspect in the disappearance of a young woman. The film is based on the verse novel of the same name by Australian poet Dorothy Porter.
Mãe Incomparável
Production Design
When a meddlesome mother enrolls in university with her son, old and new worlds collide with awesome consequences.
Praise
Production Design
An unfocused twentysomething moves in with a former co-worker, who is suffering from low self-esteem because of her weight, looks, and a case of eczema. Their relationship is based on unending drink, drugs, and sex.
Vacant Possession
Production Design
Following the death of her mother Tessa (Pamela Rabe), a young woman, returns after many years to the weather-beaten family home on the shores of Sydney's Botany Bay. But the old family home begins to bring old wounds more and more to life. The story unfolds through flashbacks yet as it progresses the flashbacks merge into the present as it becomes apparent that the situation Tessa has returned to is very much the result of that which passed before.
Cody: Bad Love
Production Design
Cody’s investigation of an art theft leads him to Claudia who works at an art gallery where the certificate of the stolen painting is held. His judgement may be clouded when he discovers the federal police suspect Claudia of smuggling the paintings.
Cody: A Family Affair
Production Design
Cody and Fiorelli try to catch diamond smugglers, but the gems are not where they were supposed to be. Cody embarks to infiltrate the dealers who brought the diamonds in from South Africa. He also searches for a missing teenager.
Cody: The Tipoff
Production Design
Cody's childhood friend Mack provides a tip about a burglary in progress. Mack later turns up dead and Cody investigates another friend Jimmy Catter.
Breathing Under Water
Art Direction
BREATHING UNDER WATER is the story of a woman's journey into an imaginary underworld city. The birth of her daughter into an increasingly perilous world has unsettled everything in Beatrice's (Anne Louise Lambert) life. Her growing unease prompts Beatrice to undertake a journey - an investigation into human nature, a confrontation with the fears of our time, and a search for clues that will ultimately give her an answer to the central riddle of the film: why has humankind set the stage for its own extinction? The director’s preoccupation with humankind’s tendency to self-destruct was one factor that lead to the creation of this complex film.
Um Mundo à Parte
Art Direction
A White enclave in Johannesburg, South Africa, in the 1960s. Molly Roth, 13 years old, is the daughter of leftist parents, and she must piece together what's happening around her when her father disappears one night, barely evading arrest, and, not long after, her mother is detained by the authorities. Some of Molly's White friends turn against her, and her family's friendships with Blacks take on new meaning. Relationships are fragile in the world of apartheid. How will she manage?