Two migrant ranch workers, best friends, move from place to place, seeking work and the promise of the American dream. George dreams of owning land and being his own boss. Lennie, his partner, a giant and physically strong man with cognitive disability, simply dreams of playing with rabbits. Having encountered problems at their last job, George and Lennie are forced to flee to a new farm for work until Lennie’s strength gets them into trouble.
It's San Francisco in 1957, and an American masterpiece is put on trial. Howl, the film, recounts this dark moment using three interwoven threads: the tumultuous life events that led a young Allen Ginsberg to find his true voice as an artist, society's reaction (the obscenity trial), and mind-expanding animation that echoes the startling originality of the poem itself. All three coalesce in a genre-bending hybrid that brilliantly captures a pivotal moment-the birth of a counterculture.
Three generations of one family, all involved at different levels with the Puerto Rican underground movement for independence, struggle with their need for identity and their need for a peaceful life, as the dying revolutionary movement struggles with new ideas and old ideals.
Para rodar um novo filme, uma equipe hollywoodiana desembarca na cidade de New England, no nordeste dos Estados Unidos. Durante as gravações, o astro do filme (Alec Baldwin), uma celebridade destruidora de corações, flerta com uma adolescente local (Julia Stiles). Ao mesmo tempo, o roteirista Joseph Turner White (Philip Seymour Hoffman), testemunha do romance e com valores puritanos, entra em um dilema entre as pressões do diretor e o rumo de sua carreira.
Quatro garotos da periferia de Nova York são condenados a passar um ano em um centro correcional depois de um trote malsucedido. Trinta anos depois, se reencontram e têm a chance de se vingar das surras e humilhações sofridas durante a detenção.
