Légiste
When a fortuneteller predicted Lisa's death on August 15 in midst of fear and violence, she shrugged. Yet, this morning, as the sun rises over a deserted and heat-scorched city, the police is desperate. The killer of three women will strike again by midnight. Suddenly Lisa feels less serene. Especially since she is sure, a man has broken into the empty building. August 15th will be a very hot day….
L'hôtesse à l'aéroport
Arthur (Fabrice Luchini) e César (Patrick Bruel) são dois grandes amigos, daqueles que nutrem um forte laço desde os tempos da infância. Por uma ironia do destino e um mal-entendido, César acredita que Arthur irá morrer dentro de pouco tempo, vítima de câncer. Com o objetivo de transformar os últimos momentos do amigo em algo muito especial, ele decide ficar ao seu lado para que possam fazer juntos tudo o que o outro deseja, enquanto isso é possível. O único detalhe que César ainda não sabe que é justamente ele o paciente terminal e Arthur reluta em contar e estragar a felicidade do amigo. Dos mesmos criadores do sucesso Qual o Nome do Bebê? (2012).
Maya
Trapped by daily routine, a man experiences complete freedom by dreaming himself across the country in a psychedelic Volkswagen with the guiding words of philosopher Alan Watts.
Intimate portrait of Abel Ferrara: the result is an eccentric road movie, with the restless film maker as a charming, shabby guide around New York by night.
Sophie Beauvoir
Preston is an indecisive film school lecturer who dreams of being a great film director like the European directors whose work he teaches - Bergman, Fellini, Truffaut, Antonioni, Godard and Buñuel. One day his wife leaves him, telling him that she believes he will never be anything more than a teacher. Depressed, Preston is visited by the ghost of Ingmar Bergman who tells him to use his misery as the material for a great film just as he did in his 'Scenes from a Marriage'. Taking Bergman's advice, Preston decides to make a film, in an attempt to prove his wife wrong and in the hope of winning her back. Using the facilities of the school and the students as his crew, Preston shoots his film but soon finds that he is visited by the ghosts of series of famous, dead European directors who offer him advice on how to improve his film. Following their wise but disparate counsel his film goes wildly out of control and becomes a huge, sprawling, incoherent mess.
