Julie Bertuccelli

Director Julie Bertuccelli paints Jane Campion’s portrait with great precision, humor and admiration, telling the tale of the first-ever woman to win the Palme d’Or in 1993.

Em Verderonne, uma pequena aldeia na região do Rio Oise, é o primeiro dia de verão e Claire Darling acorda convencida de que está vivendo seu último dia. Ela decide então esvaziar sua casa e se livra tudo, sem distinção. Seus objetos amados ecoam uma vida trágica e extravagante. Esta última loucura traz de volta Mary, sua filha, a quem ela não via há 20 anos.

Em Verderonne, uma pequena aldeia na região do Rio Oise, é o primeiro dia de verão e Claire Darling acorda convencida de que está vivendo seu último dia. Ela decide então esvaziar sua casa e se livra tudo, sem distinção. Seus objetos amados ecoam uma vida trágica e extravagante. Esta última loucura traz de volta Mary, sua filha, a quem ela não via há 20 anos.

Nearly 30 years-old, Hélène still looks like a teenager. She is the author of powerful texts with corrosive humor. It is part, as she says herself, of a "badly calibrated lot, not entering anywhere". Her telepathic poetry speaks of her world and of ours. She accompanies a director who adapts her work to the theater, she talks with a mathematician ... Yet Helene can not talk or hold a pen, she has never learned to read or write. It when she turns 20 that her mother discovers that she can communicate by arranging letters on a sheet of paper. One of the many mysteries of the one that calls herself Babouillec ...

They just arrived in France. They are Irish, Serbs, Brazilians Tunisians, Chinese and Senegalese ... For a year, Julie Bertuccelli filmed talks, conflicts and joys of this group of students aged 11 to 15 years, together in the same class to learn French.

The O'Neills lived happily in their house in the Australian countryside. That was until one day fate struck blindly, taking the life of Peter, the father, leaving his grief-stricken wife Dawn alone with their four children. Among them, eight-year-old Simone denies this reality. She is persuaded that her father still lives in the giant fig tree growing near their house and speaks to her through its leaves. But the tree becomes more and more invasive and threatens the house. It must be felled. Of course, Simone won't allow it.

The O'Neills lived happily in their house in the Australian countryside. That was until one day fate struck blindly, taking the life of Peter, the father, leaving his grief-stricken wife Dawn alone with their four children. Among them, eight-year-old Simone denies this reality. She is persuaded that her father still lives in the giant fig tree growing near their house and speaks to her through its leaves. But the tree becomes more and more invasive and threatens the house. It must be felled. Of course, Simone won't allow it.

Otar Iosseliani, unclassifiable filmmaker, almost elusive, is making a new film, "Jardins d’Automne". A “Cinéma, de notre temps” series episode.

The one joy in the lives of a mother and daughter comes from the regular letters sent to them from Paris from the family's adored son, Otar. When the daughter finds out that Otar has died suddenly, she tries to conceal the truth from her mother, changing the course of their lives forever.

The one joy in the lives of a mother and daughter comes from the regular letters sent to them from Paris from the family's adored son, Otar. When the daughter finds out that Otar has died suddenly, she tries to conceal the truth from her mother, changing the course of their lives forever.

A César Award winning short film about an elderly Jewish couple playing cards in Cannes who find love at an unexpected age.