Francesco Carril

Upon settling in the countryside village of La Escapa, Nat accepts a disturbing sexual proposal by neighbour Andreas, paving the way for a self-consuming passion.

After living in London for several years, Ramona and her boyfriend Nico, return to Madrid where she hopes to re-start her acting career. The evening before her first audition she meets Bruno, an older man. The following day, at the audition, she discovers that Bruno is the director of the film.

Two couples in their thirties, heated discussions on the essentials of life unfolding between Madrid and the neighbouring countryside.

A city man receives a call from the woman he loved and embarks on a clandestine journey to reunite with her in an outlaw community settled on the top of a mountain. Two successive guides take him to his destination: the reunion with a story that he has not been able to forget.

Young Eva makes her decision to stay in Madrid for the month of August an act of faith. She needs to feel things differently and think of summer as a time of opportunity. On days of festivities and verbenas, while events and encounters take place, Eva will discover that she still has time, that an opportunity can still be given.

Emma, who writes stories for children, wakes up in her thirties without a partner or stable work. In the midst of the chaos in which her life has become, her best friend Lola announces that she has become pregnant and asks her to be the godmother of her first baby

You will love me again. I will stay by your side. We will start a family together… Just fifteen minutes in a woman's life who struggles for saving her love relationship.

Manuela and Olmo meet in a future as they had promised fifteen years earlier as teenagers, when they lived their first love. Based on this romantic situation, La Reconquista is in fact a film on a quest for time; or about the awareness of time: of time lost and time recovered; about what we remember about ourselves and what we don't remember; about the words, gestures and feelings to which we remain faithful, because they define and compel us today, yesterday and tomorrow.

Vito, Luis and Francesco are three Spanish friends around thirty who travel by van to Paris for no apparent reason, just looking for a reunion with their respective ancient, idyllic and yet ephemeral love affairs, perhaps with the only mission of surprising themselves and continue to still feel alive.

What some filmmakers do when they are not making movies: they waste time; they eat and get drunk; they take a walk after watching a movie; they fall in love; they are alone or with friends, building future memories for a future movie.