Kawayan de Guia

Filmes

BalikBayan #1: Memories of Overdevelopment Redux VI
As the ultimate enfant terrible of Philippine cinema, avant-gardist Kidlat Tahimik refuses to settle on anything, whether it’s the telling of a colonial past, or any version of this film, which he’s been making and revising for nearly four decades. BalikBayan, which means “returnee” in Filipino, is partly about the homecoming of the historical figure Enrique of Malacca, a Malay who Tahimik first played and brought to the screen in 1979. As the slave of the 16th-century Portuguese explorer Ferdinand Magellan he circumnavigated the Earth, before returning home as a free man. Old footage of Enrique, played by the young Tahimik, is mixed with the fictional story of a mysterious old man, played by the present-day Tahimik, and documentary footage of a contemporary artist community in Baguio, in northern Philippines. In this version, Redux VI, Tahimik continues his quest to reconsider the Philippines’ colonial legacy. Shot on 16mm (1979–1980s) and video (1990s–2017).
Balikbayan #1: Memories of Overdevelopment Redux III
Magellan, the famous navigator, met his untimely death in the Philippines before he could circumnavigate the globe. Ironically, it was his slave and translator Enrique who most likely was the first to achieve the historic feat.
The Twelve
"The Twelve" is a pre-apocalyptic vision reminiscent in theme to Hal Hartley's 2000 As Seen By film "The Book Of Life". This feature-length genre-bending digital work features scenes of "The Apostles" drinking the night away while waiting for the Second Coming of Christ, interpolated with musical vignettes that evoke but take further the shattered narrative of "Breaking The Waves". "The Twelve" is a deceptive postmodern work that explored themes of faith, redemption, and contemporary values, and balances satire, science fiction, and social critique.
Japanese Summers of a Filipino Fundoshi
Kawayan de Guia
Kidlat Tahimik, a director and performer, sought to recreate relations between the body and filmed image seen through "Asian eyes." This groundbreaking project took the form of a documentary which Mr. Tahimik directed and in which he performed himself in order to show his own thinking about the different views of the body held by the "East" and the "West."