Pete Tombs

Explores the folk horror phenomenon from its beginnings in a trilogy of films – Witchfinder General, Blood on Satan’s Claw and The Wicker Man – through its proliferation on British television in the 1970s and its culturally specific manifestations in American, Asian, Australian and European horror, to the genre’s revival over the last decade.

A DJ encounters a beautiful woman at a club, goes back to her home, and finds himself thrust into a nightmare odyssey of ritual magic, patriarchal death customs, and family conflict most unusual.

The lives of two sisters change dramatically, since they were hypnotized by a mystical vinyl record from the 1970s.

Colin alugou uma casa de campo imponente para as celebrações de Ano Novo de sua família. Ele é o centro das atenções até que seu irmão distante David chega inesperadamente, jogando a dinâmica familiar para longe da órbita.

Who is Jean Rollin? A man who has spent his childhood in the middle of some of the greatest intellectuals of the twentieth century. An artist who has worked with Maguerite Duras for his first film. A director's career singular and unique in French cinema, with films overtly fantastic, surreal, poetic - disconcerting. A filmmaker has always murdered by the critics but starting, finally, to enjoy some recognition in France, while many fans worship him already in Europe and the United States. Jean Rollin signs a marginal and unknown work marked by death and nostalgia, and whose main obsession is the time, that of the wandering and dreams. Jean Rollin died in December 2010 at the age of 72. This documentary is the portrait of a real artist, the last surrealist, a poet who created his very own dreamworld. A tribute for a unique director, with testimonials from his closest collaborators.

Patriarcas de uma pequena família de criminosos, Karl está cansado das filosofias e dos sermões do pai, e Bill acha que a dedicação de Karl à família é comprometida por uma namorada distante. Para piorar, há um informante não identificado entre eles que poderia mandar todos para a prisão.

In the spirit of the EC horror comics of old, the film tells the story of five teens who get lost on their way to a rock concert, are menaced by flesh eating mutations and then fall into the clutches of a family of backwoods killers. The film includes copious amounts of gore alongside a splattering of social commentary and several slices of dark humour. It’s best seen as a tribute to the cinema of Lucio Fulci and George Romero, but viewed from a distinctly Pakistani perspective.

In the spirit of the EC horror comics of old, the film tells the story of five teens who get lost on their way to a rock concert, are menaced by flesh eating mutations and then fall into the clutches of a family of backwoods killers. The film includes copious amounts of gore alongside a splattering of social commentary and several slices of dark humour. It’s best seen as a tribute to the cinema of Lucio Fulci and George Romero, but viewed from a distinctly Pakistani perspective.

A short history of Filipino exploitation cinema.

The 12th Episode from the "Eurotika" documentary series, made for the UK Channel 4 about European exploitation cinema. This one looks at the films of British director Michael Reeves, who died under mysterious circumstances at age 25. Interviews include TV star and longtime fellow Ian Ogilvy, who starred in all three of Reeves's features, award winning author Iain Sinclair and Paul Maslansky, who produced Reeves's first movie.

The 12th Episode from the "Eurotika" documentary series, made for the UK Channel 4 about European exploitation cinema. This one looks at the films of British director Michael Reeves, who died under mysterious circumstances at age 25. Interviews include TV star and longtime fellow Ian Ogilvy, who starred in all three of Reeves's features, award winning author Iain Sinclair and Paul Maslansky, who produced Reeves's first movie.

A short history of the Japanese 'Pink' movie, focusing on the output of the Nikkatsu studio.