Diego Bonacina

O primeiro longa-metragem de Raúl Ruiz foi considerado perdido por décadas, até que seus rolos mudos incompletos foram encontrados em um cinema de Santiago. O trabalho do autor chileno foi continuado por sua viúva e editora de longa data, Valeria Sarmiento, também uma cineasta subversiva e brilhante. Tal como o tango, o filme avança para a frente e para trás, com rostos de 1967 e vozes de 2019 se unindo para moldar a história de um homem assombrado pelo fantasma nômade de sua esposa. Documentário e ficção combinam-se de forma bela, engraçada e gloriosamente desconcertante para formar a apoteose de um cinema eternamente sorrindo para a morte.

The history of the Teatro Abierto, which was initiated on July 28, 1981 as a cultural reaction against the last Argentine civic-military dictatorship, and organized by a group of artists and workers from the theater world

To continue pretending to be a position they no longer have, a run-down upper-class family moves into the home of a wealthy aunt.

Pablo (Arturo Puig) receives the news that his father, who abandoned him and his family a long time ago and was thought dead, wants to see him so he can pass all his fortune to him. Pablo goes to see his father in Brazil, expecting to inherit a large sum of money, but instead, he receives from his father a treasure map, with the promise that the map will make him rich. After the father dies, Pablo decides to go to an adventure and seek the treasure, aided by the men his father choose as companionship, and by one woman faith choose for him.

The story of an assassination attempt made to destabilize the Argentine government and prevent the 1970 presidential inauguration of Marxist Salvador Allende. Curiously, for this purpose, the Argentine military plotters decided to create an international incident rather than a domestic one. The key to their scheme was the assassination of the Chilean army commander-in-chief, General Schneider.

A report on the life of coal miners in the Lota region, in southern Chile, it shows their work activities, their homes, and how the rest of the family picks up coal in the seashore. This documentary is part of a series José Román made with CUT (Central Workers Union), whose negatives got lost during the raids on CUT offices after the coup d’état.

A report on the life of coal miners in the Lota region, in southern Chile, it shows their work activities, their homes, and how the rest of the family picks up coal in the seashore. This documentary is part of a series José Román made with CUT (Central Workers Union), whose negatives got lost during the raids on CUT offices after the coup d’état.

A story inspired by real events that took place in the port of Valparaiso. Four poor children have been abandoned because their father, who is out of work, steals cattle to feed them and the police have arrested him. The story takes up the children's point of view and is structured in four episodes that describe their inevitable descent into the world of marginality and crime. Faced with life in a brutal way, from their problematic social situation, they head towards a marginality that is difficult to avoid.

"Tres tristes tigres" é um filme chileno de 1968, o primeiro longa-metragem de Raúl Ruiz. É um drama inspirado na obra de teatro homônima de Alejandro Sieveking. Com o Golpe Militar de setembro de 1973, o filme perdeu-se no Chile. Mas, graças a uma cópia guardada no Uruguai, pôde ser exibido no Festival Internacional de Cine de Viña del Mar de 1993. Três protagonistas (Tito, Amanda e Lucho) circulam pelos bares tentando ocultar suas misérias.

A documentary short on the treatment of tuberculosis patients in Santa Fe, Argentina.