Li Baotian

On the socialist road, the development of China's highways is closely linked to the fate of the people. "Dalu Chaotian" takes the construction of Sichuan highway as the incision, and takes the construction of Chengya Expressway, Yaxi Expressway and Yakang Expressway as the theme. It tells the development of the times by telling the fate and emotional stories of the three generations of road and bridge workers accompanying the reform and opening up.

Wang Xiao Mo is a rich family master born with a golden spoon. He was sent abroad for further study of art design at a young age. After returning from school, Wang Xiao Mo entered the company and hoped to find a piece in his post. Your own world. However, what Wang Xiao Mo did not think was that he was assigned to the side of the old model worker, whose main job was to take care of his diet. The long-term workmanship is quirky and demanding. There is no less difficulty in Wang Xiao Mo on weekdays. However, in the process of getting along, Wang Xiao Mo discovered that the long-lost and indifferent appearance hides a heart-warming heart. The long-term workers also have a feeling of trust in Wang Xiao Mo, who is not patient and kind. Wang Xiao Mo has a strong curiosity about the past of the long-term work. In the meantime, the love story between the long-time worker and the technician Xue Ya Lan gradually surfaced. (Source: Douban)

In order to keep a promise he made to his wife, an old man sets off to her native village with a bird in a cage. Along the road, together with his granddaughter, he discovers new values, particularly those related to the heart.

The film follows three characters on a tour of the remote Yunman province of China where they travel with a horse to deal with legal disputes in mountain villages. Government policy is forcing the retirement of "Auntie" Yang (Yang Yaning) and she will have to separate after years of professional partnership from Feng (Li Baotian). They are accompanied by her replacement, recent law school graduate Ah-Luo (Lu Yulai).

China, the 1990s. A young bookseller is in love with a woman. The woman is now with another guy, a rich man. The rich man sends his people to beat the bookseller. In the fight, the laptop computer from a man looking at the scene gets broken. Who will pay for the computer? The bookseller wants revenge. Will it be useful? The bookseller and the laptop owner are from different ages and classes. They are two different points of view, two different Chinas. How will they fight for justice?

Shanghai, China, 1930. When young Shuisheng arrives from the countryside, his uncle Liushu puts him at the service of Bijou, the mistress of Laoda, supreme boss of the Tang Triad, constantly threatened by his enemies, both those he knows and those lurking in the shadows.

When a woman is forced to work as a teacher in rural mainland China, she sees a clear goal. If she can become a certified, government employee, then she can teach her students and make a better life for herself at the same time. She carries a heavy responsibility, however. For most of her students, the education that they receive in her classroom is the only preparation they will have for the entrance exams to college-the only avenue out of poor, rural life. Can she balance her needs and the needs of so many young, hopeful people?

Song-lian perde o pai e as dificuldades financeiras a obrigam a abandonar os estudos e a se tornar concubina de um homem rico. Ao mudar-se para sua mansão ela descobre que o senhor já possui outras três esposas, e que escolhe todos os dias uma delas para passar a noite, colocando lanternas vermelhas na porta de seu quarto. Aos poucos Song-lian vai começar a entender as intrigas e sabotagens, o jogo que acontece entre as mulheres que competem pela atenção do marido.

Na China rural dos anos 1920, jovem camponesa é forçada a casar-se com velho dono de fábrica e inicia um romance com o sobrinho do marido, levando a um trágico desfecho.

The fictional life and career of a famous actress in Chinese opera, a woman who goes against tradition by specializing in playing male roles, especially that of Zhang Kui, a benevolent ghost who appears in several Chinese operas. Although the actress's career brings wealth and fame, it is attained only through considerable struggle against an anti-female system and an unhappy personal life.