Kiminobu Satô

Filmes

The Village
Art Direction
This appears to be a labor of love. Its about a village which is given the opportunity to put on a musical. They would have to pay the overhead and, being that they are farmers and always busy and not rich, question the wisdom and feasibility of such an idea. A spokesperson for the acting troupe Ms. Kono lays out the whole thing and they must decide. You get little slices of rural life in Japan far, at least in sentiment, from Tokyo. The best thing about this film is that it has heart. The acting is good, but it is really about the simple storyline of outing on a show. Films rarely get made with such simplistic plots these days. Enjoy this little slice of what city people call “the simple life”.
Tora-san, the Intellectual
Art Direction
Tora-san is inspired to pursue an education after a visit to the grave of a woman he met years ago. When he returns to Shibamata with the intent to study, he falls for Toraya's new tenant instead.
Tora-san Meets the Songstress Again
Art Direction
Tora-san visits Hokkaido and is reunited with Lily. Now divorced, she plans to resume her singing career and renews her unusual relationship with Tora-san.
Tora-san's Lullaby
Art Direction
After Hiroshi is injured in a workplace accident, Torajiro gives Sakura the money he has saved and leaves to work as a traveling salesman once again. During his travels, Torajiro meets a father who shares a drink with him. In the morning, Torajiro is shocked to learn that the man has left his baby behind and a note asking Tora to take care of the child.
Tora-san's Lovesick
Art Direction
After Torajiro's latest attempt to find a bride goes awry, he starts traveling again and runs into Utako (last seen in Tora-san's Dear Old Home), now a widow.
Tora-san Loves an Artist
Art Direction
Tora-San returns to Shibamata just before his family leaves on a trip for Kyushu. Later, he encounters an old school chum and begins to have feeling for his artist sister.
Tora-san's Forget Me Not
Art Direction
On the road again, Torajiro meets a kindred spirit in Lily, a lounge singer.
Tora-san's Dream-Come-True
Art Direction
When Tora-san returns to visit his family, he is surprised to find an arrogant professor occupying his room. The professor and Tora-san become rivals for the affection of Chiyo.
Home from the Sea
Art Direction
On a beautiful island in Seto Inner Sea, Seichi and Minko make their living by transporting rocks to construction sites by boat. They cherish the deepest affection for this piece of land they call home, and the simple life they lead. But rapid industrial growth makes it all but impossible to continue their chosen living style, and they are forced to leave their beloved hometown in search of a brighter future. But their hometown lingers on their hearts, and they dream of a time when they may once again return.
Tora-san's Dear Old Home
Art Direction
While Sakura and Hiroshi struggle to save funds to build a house, Torajiro befriends three young women on vacation during his travels.
Tora-san's Love Call
Art Direction
Taking a message from Hiroshi's father to heart, Torajiro attempts to give up his wandering ways.
Price of Life
Art Direction
Comedy of a phony doctor.
Tora-san, the Good Samaritan
Art Direction
After a quarrel with his mother, Torajiro sets off to find a bride.
Tora-san's Shattered Romance
Art Direction
Torajiro becomes homesick during his travels after watching a television report about his hometown and meeting a young woman that reminds him of his sister Sakura. Meanwhile, a new tenant moves into Toraya restaurant.
High-School Outcasts
Art Direction
Tsutomu (Kensaku Morita), an orphan who once stabbed a man, is released from a reformatory and goes to Tottori, on the Japan Sea coast, to enter a high school. On the beach, he meets a young fisherman, Yusuke (Norihiko Yamamoto) also a student of the same school. They become friends and Tsutomu is offered free board at Yusuke's home.
Where Spring Comes Late
Art Direction
The story is set in 1970 during the time of the first EXPO in Japan. The film’s main figure is a miner who suddenly becomes unemployed because the mine he worked in was shut down. He decides to resettle with his whole family to Hokkaido in northern Japan and start a new life as a farmer.
Tora-san's Runaway
Art Direction
After an encounter with a dying yakuza's son and at his sister Sakura's urging, Torajiro attempts to change his vagrant lifestyle and become an honest worker with a steady job.
Tora-san, His Tender Love
Art Direction
Traveling salesman Kuruma Torajirō falls in love with an inn manager as New Year's approaches.
Tora-san's Cherished Mother
Production Design
Kuruma Torajiro is discovered looking around Kyoto for someone special to him.
Blackmail Is My Life
Art Direction
Though he has come from a rough background on the streets, Muraki (Horoki Matsukata) quickly rises through the ranks by means of his well-honed blackmailing instincts. Desperate to keep rolling with his freewheeling lifestyle, Muraki sees his luck begin to crumble when he sets his sights on the business partners of a powerful gang boss.
Affair in the Snow
Art Direction
In an isolated mountain resort, a woman gets involved in a love triangle between herself, her volatile lover and her ex-boyfriend, for whom she had platonic feelings.
Impasse
Art Direction
Shingo and Ritsuko have a baby: Takashi. They happen to be a happy couple, but soon Ritsuko wants to know who is the true father of Takashi, born by artificial insemination.
Greatest Challenge of All
Art Direction
After an argument with his father a son leaves his home and comes back only, as an adult, many years later just to cause them problem after problem.
Warm Current
Art Direction
Gamblers' Luck
Art Direction
A group of ne'er-do-wells live happily in the slums of what is now Tokyo and have a number of adventures: they get drunk and go whoring, revenge themselves on cruel landlords, animate the corpse of a money-lender in order to frighten people. Then they assist at the marriage of a lovely girl and almost kill themselves gambling to provide her with a dowry.
The Shape of Night
Art Direction
Yoshie Nogami, a factory worker by day, moonlights as a hostess at a bar. One of the regulars, Eiji Kitami, invites her out on a date. Still only 19, she goes along out of curiosity and ends up spending the night at a hotel where she gives herself to him. They begin a passionate love affair and move in together, after which Yoshie begins skipping work at the factory and rarely returns to her family home. Before long, Eiji’s demeanor changes and he begins to constantly ask her for money. Despite claiming to be a businessman, he is actually a local thug, and his inability to pay his dues to his gang leads him to force Yoshie into prostitution.
Our Happiness Alone
Art Direction
Mototsugu is the younger son of Akira Sakawa, a director of an advertising agency whose mother, Nobuko, is ill with cancer of the liver. His elder brother, Ichiro, works at the Bank of Japan whose wife, Masuko, is from a very high-class family. Mototsugu becomes disgusted with such strait-laced living and leaves home to marry Yoshiko, a blind masseuse, and they live in a small apartment near a pinball parlor where he works.
Double Wedding
Art Direction
Shichinin no keiji
Art Direction
Miyoko Sekiguchi, who works at a second-rate trading company, and car mechanic Koji Fukumoto are in love. The morning after Koji and Miyoko went out for a drive, the strangled corpse of a call girl is discovered in Toyamagahara. Chief Akagi, Detective Sergeant Sawada, and the other detectives begin to suspect Koji during their investigation. Koji insists he's innocent, but has no evidence to prove it. Even when detectives come to Miyoko's home and workplace and her coworkers begin to look down on her, Miyoko continues to trust and love Koji...
A Roaring Trade
Art Direction
Women of Tokyo
Art Direction
Blood Is Dry
Art Direction
An employee in an assurance company threatens to commit suicide when management announces a massive layoff, the company uses this threat to its own advantage by turning the incident into an advertising campaign. With the success of the campaign, however, he is no longer a desperate man pointing a gun to his head, but a potential leader who wishes to take advantage of his failed suicide.
Youth in Fury
Art Direction
A reckless student contemplates terrorism in a prescient film that confirmed Shinoda as a fearless member of Shochiku’s iconoclastic New Wave. At the height of student protests, Shimojo (Shinichiro Mikami) takes his aggressions to another level, beset by seemingly insoluble feelings of alienation.