Teiichi Futamura

Filmes

Enoken's Yaji and Kita
Enoken's anachronistic take on the beloved (and already very funny) Edo-period novel "Shank's Mare," aka Tōkaidōchū Hizakurige, in which Yaji and Kita, two plebeian nobodies, have all sorts of strange and colorful encounters on the long road from Edo to Kyoto.
Enoken's Chakkiri Kinta Part 2: Returning Is Scary, But the Weather Will Clear If You Wait
1930s Japanese comedy.
Enoken’s Kinta the Pickpocket
A comedic tale told in four parts, this film follows the antics of the pickpocket Kinta as he is pursued by a low ranking deputy named Kurakichi. The two get into all manner of peccadilloes and encounter a range of peculiar characters as their game of cat and mouse moves across the countryside in the last days of the Tokugawa Shogunate.
Enoken's Kondo Isami
Katsura Kogoro
Enoken plays both Kondo Isami and his deadly enemy Sakamoto Ryoma in this comedic, song-filled vision of the Meiji Restoration.
Romantic and Crazy
Studio P.C.L. was specifically founded to make sound films, and this early musical balances the aesthetics of the sound film with those of the stage revue. The king of Tokyo’s revue stage, comedian Ken’ichi Enomoto (Enoken) had made his name in the capital’s theatrical district of Asakusa. The film employed not only the star, but his entire theatrical troupe, and the narrative was structured around scenes which Enoken had played successfully on stage. Billed as offering 'Japan’s number one comedy actor and Japan’s number one musical comedy,' the film self-consciously borrowed from Hollywood musical comedy; indeed, the original posters carried spoof endorsements by Eddie Cantor and the Marx Brothers! Director Kajiro Yamamoto, making his P.C.L. debut, would become a stalwart of the company and its successor, Toho. He was to have a profound influence on Japanese film history as mentor to Akira Kurosawa, who assisted him on a number of films including Horse (Uma, 1941).
A Day in the Life of Chameko
Teacher (voice)
Based on a hit song by child star Hideko Hirai from 1929, this gem -- a real historical curiosity -- provides glimpses of 1930s popular culture through introducing the typical life of a bright, energetic young girl. It contains an early product placement (for Lion Toothpaste), educational content and newsreel footage of Japan’s first woman Olympic medalist, Kinue Hitomi.