Manfredi Saavedra

Manfredi Saavedra

Perfil

Manfredi Saavedra

Filmes

Cetto c'è, senzadubbiamente
Biondo
Cetto la Qualunque, having set aside all political ambition, is now nothing more than an entrepreneur. But the news of the worsening condition of his aunt leads him to return to Italy, where something from his past will be revealed and, “doubtlessly,” all of our lives will be forever changed.
Lucania
Producer
Um drama realista mágico sobre uma jovem muda capturada no meio de um choque entre seu pai fazendeiro e aqueles que querem envenenar seus campos.
Piazza Vittorio
Producer
Vivid mosaic/portrait of Rome’s biggest public square, Piazza Vittorio, featuring talks with African musicians and restaurant workers, Chinese barkeeps and relocated eastern Europeans, homeless men and women, artists, actors, and many others.
Pazzo & Bella
Macellaio
A gangster offers Pazzo and Bella the possibility of getting a huge sum of money to kill a man. Pazzo is on a wheelchair, Bella is an alcoholic and gambling addicted. They have never done anything like this in their lives. But Bella is a dangerous woman and wants to change her life no matter the cost. Pazzo doesn't need anything but Bella in his life. He loves her. And that is a problem.
Figli di Maam
Everything Everything Nothing Nothing
Biondo
Cetto and its city council were arrested, but in prison the conspiratorial former mayor makes no earning name as the gratitude of the powerful secretary. These decide to replace some MPs mysteriously killed precisely with Cetto and two other characters: Rodolfo Favaretto and Frengo Stop
Whatsoeverly
Biondo
Corrupt and sleazy entrepreneur Cetto La Qualunque comes back to Italy and "jumps into politics" lest his law-abiding opponent, Giovanni De Santis, is elected as mayor.
Dá pra fazer
Milo
Nello, um sindicalista afastado do sindicato por suas ideias avançadas, se vê dirigindo uma cooperativa de doentes mentais, ex-pacientes dos manicômios fechados pela Lei Basaglia. Acreditando firmemente na dignidade do trabalho, ele convence os sócios a substituir as esmolas assistencialistas por um trabalho de verdade, inventando para cada um, uma atividade incrivelmente adaptada às respectivas capacidades, mas indo também de encontro às inevitáveis e humanas contradições.