Hitoshi Takaya

Filmes

Outrage Coda
Lighting Design
Cinco anos depois de sobreviver a guerra entre as famílias Sanno e Hanabishi, o ex-chefe de yakuza, Otomo, agora trabalha na Coréia do Sul. Um pequeno incidente provoca tensões e faz ressurgir um conflito que logo fica fora de controle e inflama uma violenta luta de poder. Otomo, então, retorna ao Japão para resolver as coisas de uma vez por todas. Terceira parte da trilogia.
Blossoms Bloom
Lighting Technician
Work life for Shunsuke Osaki has been success after success, but at some point his family began to slip by the wayside. As his elderly father begins to show signs of dementia, Shunsuke takes the family on a trip in a desperate attempt to pull them together before it is too late. Director Mitsutoshi Tanaka's adaptation of Masashi Sada's short story of the same name received the awards for Best Director, Best Actress and Best Music at the 1st Asia International Film Festival in Taipei.
One Fine Day
Lighting Design
An older gentleman deals with an incompetent projectionist.
Morrer ou Viver
Lighting Camera
O policial Jojima está passando por uma pressão muito grande: seu casamento está acabando, sua filha precisa de 20 milhões de Ienes para fazer uma operação e alguém está matando todos os grandes mafiosos de cidade para controlar o mercado do tráfico de cocaína.
Os Rapazes Regressam
Assistant Camera
Shinji and Masaru spend most of their school days harassing fellow classmates and playing pranks. They drop out and Shinji becomes a small-time boxer, while Masaru joins up with a local yakuza gang. However, the world is a tough place.
Os Rapazes Regressam
Gaffer
Shinji and Masaru spend most of their school days harassing fellow classmates and playing pranks. They drop out and Shinji becomes a small-time boxer, while Masaru joins up with a local yakuza gang. However, the world is a tough place.
Estás-te a Safar?
Gaffer
While pursuing his dream of having car sex, a goofy middle-aged man makes all the wrong moves and ends up enrolling in a number of crazy escapades.
Ponto de Ebulição
Gaffer
Masaki, a baseball player and gas-station attendant, gets into trouble with the local Yakuza and goes to Okinawa to get a gun to defend himself. There he meets Uehara, a tough gangster, who is in serious debt to the yakuza and planning revenge.
Let's Go to the Hospital
Lighting Technician
When a hard-driving copywriter (Hiroyuki Sanada) discovers his comely wife (Keiko Saito) is involved in a scintillating game of strip rock-paper-scissors with some guy clad only in a pair of boxer shorts and Mickey Mouse ears, he is less than happy. When the stranger tries to make a run for it, a fight ensues between the two men, and they accidentally tumble down several flights of a concrete stairwell. One hurried ambulance ride later, the copywriter finds himself in a private teaching hospital equipped with the latest gleaming gizmos. Meanwhile, a young internist (Hiroko Yakushimaru) girds herself for her first emergency room case -- the battered copywriter. After giving a curt bow and a nervous "Good Evening," she accidentally jams a syringe into his bloody wound. Soon the absurdity of their situation, along with their medical misery, binds the two men and their blundering nurse together.