Effie Anderson

Filmes

They Knew What They Wanted
Nurse (uncredited)
While courting a young woman by mail, a rich farmer sends a photograph of his foreman instead of his own, which leads to complications when she accepts his marriage proposal.
Pop Always Pays
Mary
A businessman boasts he'll give his daughter a large amount of cash for her wedding, and then frantically tries to raise the money. This 1940 comedy stars Leon Errol, Marjorie Gateson, Dennis O'Keefe, Adele Pearce and Walter Catlett.
The Fight for Life
The Receptionist
The Fight for Life was documentary filmmaker Pare Lorentz' first "dramatic" film, utilizing the talents of several top New York stage actors. A tribute to the Chicago Maternity Center and its efforts to provide the best possible care for destitute mothers, the film is based on the book of the same name by Paul de Kruif. Myron McCormick plays the largest role as a dedicated intern, while others in the cast include such theatrical heavywrights as Will Geer, Dudley Digges and Dorothy Adams. The film's many vignettes range from the tragic (a mother dying in childbirth in the opening scene) to the exultant (another mother rescued from the brink of death in a disease-ridden tenement). Filmed in Chicago, Detroit and Cleveland, Fight for Life is a worthwhile effort, though Lorentz seems more comfortable with the "actuality" scenes than with the dramatized passages.
As Mulheres
Nurse (uncredited)
Esta adaptação para a tela, roteirizada por Anita Loos e Jane Murfin e dirigida por George Cukor, foi um tremendo sucesso no seu lançamento. Estrelada por Norma Shearer, Joan Crawford e Rosalind Russell. O filme deu continuidade à tradição das peças só com personagens de mulheres tagarelas. Dos glamorosos apartamentos da alta sociedade de Manhattan, até Reno onde todos se divorciam, o filme mostra um enfoque ácido de suas vidas e dos esforços dos maridos para fazerem suas esposas ricas e poderosas. Durante toda o filme não aparece um único homem se quer, embora sejam muito citados, e o tema central seja os relacionamentos das mulheres com eles.
They Shall Have Music
Woman on Steps (uncredited)
The future is bleak for a troubled boy from a broken home in the slums. He runs away when his step father breaks his violin, ending up sleeping in the basement of a music school for poor children.