Marek Bargiełowski

Episode from the series entitled "Decalogue 89+" inspired by the fifth commandment ‘You shall not murder’. A taxi-driver dies in a car crash caused by a popular TV presenter. Is it the end of his dazzling career? The odds are against it as the media concern that employs him will go to any lengths to salvage their star’s image.

When the ex-racing driver's teenage daughter is brutally raped, her father seeks justice on his own.

The film is set in one day (the title Monday) in the small Silesian town (Świdnica). Manny (pin) drives a delivery van in the warehouse. His boss (Tomasz Stanko) did not pay him the money, because the liquidity due to lending to people who can not repay their debts to him. Manny calls for overdue payments from the employer, but instead of cash gives him a notebook with the names of their debtors. Desperate Manny, seeing no other way to recover the money, he decides to forcibly pull money from debtors. To help recruit David (Paul Kukiz) - his trusted friend from the army. After a short deliberation begins debt collection to your account.

Partly thriller, partly dark comedy, the tagline of this film announce that any resemblance to real-life characters and situations were completely intentional. This had the audience guessing who the main characters were supposed to represent: those biznismeni and post-socialist yuppies who after 1989 teamed up with their former enemies to exploit Poland ruthlessly.

Set in 1942, The Jewish wife she worked for before the war hires her to take her young daughter to the countryside until the war is over.

December, 1981. World-class champion Ewa Jaskólska is looking forward to a cruise around the world with her yacht. At her farewell party, several people are present that are connected to the new Solidarnośc movement. The guests are filmed by a TV journalist. The introduction of the martial law in Poland leads to problems for all people involved. Can Ewa go back to her home country after these dramatic changes in Poland?

A comical behind the scenes look at the Polish Football League where everybody involved including the clubs’ management, players, and referees are trying to get some.

Martial Law in Poland. Marek the journalist steals a truck and starts his quest.

Girls no more, four heroines emerge into womanhood with a more clear-eyed outlook on life.

Shortly after World War II an American soldier (Norman) and a Polish refugee (Emilia) fall in love. Eventually he will return to the U.S. and both expect that she will soon follow him with her mother. Emilia's mother is sick, but will recover with the right medicine. But the mother, and not Emilia, knows that there will only be one ticket...

Polish musical film with leading Polish rock bands from the '80

A woman just out of prison gets a job in a nursing home and tries, unsuccessfully, to put her life back together.

A well-known professor of medicine finding himself at the threshold of autumn of his life, takes stock of his achievements and experiences. "In the end it ends with what has been known for a long time: that conscious life without a fixed worldview is not life, but torment, horror. - wrote Anton Chekhov in one of his letters summarizing "An Uninteresting Story". The protagonist, Professor Nikolai Stepanovich, is a character characteristic of Chekhov's entire oeuvre - a Russian intellectual from the late nineteenth century, depressed by boredom and a sense of his own uselessness and the meaninglessness of his existence.

A young doctor has been assigned to a hospital in the provinces, in the lakes district of northern Poland. The area is a playground with hunting lodges for the priviledged, the local politicians cover up any leaks to the public. The doctor discovers a case of drunken driving but is silenced by blackmail in the court. He tries to fight back but has a love affair with the unfaithful wife of the town's Mayor.

The film evokes a childhood in rural Lithuania between the wars. A country boy, Tomaszek, lives on a rich estate, situated on the Polish border. He realizes that the Issa Valley he lives in is to be torn apart by internal political conflicts and unrests among the mixed population of Poles, Lithuanians, Jews and Russians. He, however, is captivated by a paradise surrounding him, the forest, and his fantasies.

In 1974 a group of students declares what they plan to be in 1980, and the series follows their lives during those six years.

Tadeusz Krzakoski (Krzysztof Kowalewski), the director of a failing state-owned company, is married with problems. His mistress, the daughter of a Communist party bigwig, says she's pregnant and Tadeusz knows he'll have to marry her to save his reputation and his job. But divorce is never simple and Bareja's screwball comedies are never boring.

Two psychiatrists attempt to save a suicidal man.

The young protagonist, Elżbieta, grew up in a small town bourgeois house. She rebels against the town's atmosphere and imagines that a love affair with a poet from a big city will liberate her. However, the love affair lasts only for a fleeting moment. It is the young engineers who arrive in the town to build a factory who are the real harbinger of changes in the town itself and the minds of its inhabitants. Based on a novel by Kornel Filipowicz.

Post-war movie

O filme começa com Eva se confessando com um padre e sendo advertida por ele sobre os pecados cometidos pelos pensamentos impuros. Em seguida vemos a família de Eva, em dificuldades financeiras, decidindo alugar um quarto. Lukasz Niepolomski, o inquilino, desperta uma paixão arrebatadora em Eva e os dois se envolvem em um romance proibido já que o rapaz era casado. Impedido de se divorciar, Lukasz passa a viver com Eva. Depois de se envolver numa briga, é desafiado a um duelo onde é ferido no pulmão. Sozinha e sem muitas perspectivas, Eva, que estava grávida, decide afogar o bebê após o parto. A partir deste momento uma sucessão de acontecimentos parecem afastá-la cada vez mais de Lukasz. Passo a passo Eva vai desconstruindo o sonho e mergulhando em um pesadelo sombrio que a levará inevitávelmente à tragédia.

Told in flashback as Mieszko lies feverish in his bed just before the Battle of Cedynia, Gniazdo recounts how the revered leader extended Poland's borders, formed an alliance with Emperor Otto I, and ultimately strengthened his country's autonomy by achieving victory during that crucial battle in the year 972.