Willy Zielke

Countless people around the world know the pictures from Leni Riefenstahl's films, even if they have not seen them in their entirety. The work of the German director has burned itself into the collective memory. Even decades after the end of the Nazi era, she showed no remorse and presented herself as an apolitical, naive follower of the Nazi criminal regime. Her artistic service for the cinema was always recognized. But book author Nina Gladitz shows after decades of research that Hitler's favorite filmmaker was not only a follower, but also a perpetrator during the Third Reich, who instrumentalized other filmmakers such as the brilliant cinematographer Willy Zielke in order to gain fame for herself.

Filming of the performance show the Deutsche Wehrmacht (German Army) made during the Reichsparteitag of the NSDAP in Nurnberg 1935. Showing the readiness and the will of the newly build army. The third documentary directed by Leni Riefenstahl.

Um registro grandioso do sexto Congresso do Partido Nazista, que aconteceu em Nuremberg no ano de 1934. No início Hitler chega de avião, e é ovacionado por multidões, que saúdam o Führer totalmente hipnotizadas. Tudo é mostrado de forma gigantesca, as paradas, os desfiles militares e os jovens que louvam a suástica parecendo em total estado de catarse.

Klaassen receives a phone call, and he is happy with his transfer to head the railway line's controlling team. He accepts well his change of job, but when he meets his co-workers, uncultured and rough people, he starts having second thoughts. However, he takes it easy, recognizes that they're highly trained works, and teaches them a number of (flashback) stories of pioneers of the present steam train: the early invention by Denis Papin (1679); the three legendary land-surveyors of Caton Hill; the 1769 experiment by Nicolas-Joseph De Cugnot; the 1813 machine test of William Hedley; the 1829 developments by Robert Stephenson; and finally the grand opening of the first German steam railway line of Nürnberg-Fürth - stories in which man's will to conquer the machine was sometimes met with disaster.

Klaassen receives a phone call, and he is happy with his transfer to head the railway line's controlling team. He accepts well his change of job, but when he meets his co-workers, uncultured and rough people, he starts having second thoughts. However, he takes it easy, recognizes that they're highly trained works, and teaches them a number of (flashback) stories of pioneers of the present steam train: the early invention by Denis Papin (1679); the three legendary land-surveyors of Caton Hill; the 1769 experiment by Nicolas-Joseph De Cugnot; the 1813 machine test of William Hedley; the 1829 developments by Robert Stephenson; and finally the grand opening of the first German steam railway line of Nürnberg-Fürth - stories in which man's will to conquer the machine was sometimes met with disaster.

Willy Zielke was a brilliant photographer and filmmaker from Łodź who suffered greatly at the hands of the Nazis: His German feature films of the 1930s, Arbeitslos and Das Stahltier, were banned; Leni Riefenstahl made use of him to conceive, direct, and shoot the prologue for Olympia, but gave him no credit; and later, in a mentally incapacitated state, he was confined to an insane asylum where he was forcibly sterilized, only to be released after five years in 1942 so that Riefenstahl could make use of him once again on the final shooting of Tiefland. Zielke’s 1933 film Arbeitslos, commissioned by a Maffei railway company unemployment shelter, presented a despairing portrait of a nation in near-total collapse.