Erol Günaydın

Throughout his impressive acting career, Haldun Dormen inspired and encouraged his theater students to work hard and follow their dreams.

The story covers one day of a broken family that is gathered after the mother passing.

Remake of a well-known Turkish musical comedy loved by generations, the film is about the adventures of flirtatious Hurmuz in late 1800's Istanbul. Hurmuz who lives in Taskasap, Istanbul has six husbands in a plot to solve her economic problems. She arranges to meet each of her husbands one day of the week. However, suddenly, she falls in love with the town's doctor whom she meets at her husband's barber shop. The doctor falls in love with her too... But, one night all six husbands come home at the same time, and Hurmuz and Safinaz - Hurmuz's "go-between/accomplice/friend" - find themselves in a series of very awkward yet funny situations.

Imdat is a poor, uneducated, working class window cleaner who has migrated to the big city. As he cleans the windows of the private TV channel Kanal I, the president of the channel, Berk, discovers that Imdat has an uncanny ability to sense what program will yield the best ratings and what is likely to be panned by audiences, thus Berk begins milking Imdat's unique ability to score ratings. Soon Imdat finds himself replacing the president and leading the TV channel. He goes on to produce some truly tasteless and exploitative programs that enjoy massive ratings, eventually becoming part of the dirty media games himself.

In the southeast region of Turkey, the Altun family lives in a small mountainside village plagued by a 25-year war, making their daily life a hellish struggle. As the war continues to intensify, the family is forced to migrate west to the city of Istanbul. While Haydar and Isa Altun decide to stay in Turkey with their young children, Davut Altun and his family migrate north to Norway, enlisting the help of smugglers. They eventually reach their destination and find work in a supermarket, but life as refugees proves relentless. Back in Istanbul, Haydar watches over the family as his wife undergoes an operation due to pregnancy complications. Their son makes friends with a group of transvestites, helping him to understand why he has felt different all of his life. While liberating, his newfound identity is seen as a disgrace to the rest of his family, leading him to flee from the abuse it produces.

Beyaz Melek’ filmi; bir aşkın öyküsüdür.Bu aşk öyküsü, iki insanın birbirine duyduğu aşk değil, bir grup insanın hayata ve birbirlerine duyduğu aşkın ve sevginin hikayesidir.Filmde, doğudan batıya, mekteplisinden köylüsüne, gencinden yaşlısına sevginin her türlü motifi hem duygusal hem de esprili bir dille anlatılır.

A Turkish coastal town, in 1990: The unexpected visit of his long lost brother Asaf disturbs Azmi Arifoglu. 40 years ago Asaf was a prisoner of war, and Azmi managed to let him pronounce dead to marry his fiancée Nevin. After Nevin's decision to live with Asaf, Azmi feels his honor insulted. The conflict shakes the whole family. Meanwhile 13-year-old Arif falls in love with Bahar his age. An unexpected rival shows up and he gets jealous

Based on a true event, Pardon tells the tragicomic story of three friends who end up in prison when they are mistaken as members of a terrorist organization. Ibrahim's fear of uniforms makes him runaway whenever he sees one. Because of this, police mistakes him with a terrorist and takes him and his friend Muzo into custody. Fooled by the police during the interrogation they name another friend, Aydin, in hope of saving themselves. As they all end up in prison, they remember the families and lovers they left behind.

This is the millennium version of the old black and white movies produced by Erler film.. The stories of those movies were like fairy tales to its audiences. Years passed and now we are to witness the the funny story of the rich girl Melek, her boy friend Adnan, the cab driver, their bright son Omer, the sweet Hulusi Bey, Necdet the chef, Kayhan the butler, Suzan the trouble making nanny, Coskun the rapist, Nuri the psychopath, and Onder the thief of hearts!

In this biographical drama, the Turkish writer Rifat Ilgaz (Tarik Akan) is forced to go into internal exile after World War Two, because the government suspects him of being a communist. Most of the movie follows him while he is on the lam, and during his reunion with his wife, who grows testy from the restrictions that hiding him impose on her. Eventually he turns himself in, and while in prison, suffers some torture. All the same, he endures with the flame of his spirit undiminished.

Because of the financial problems of aunt Adile, the whole neighbourhood turns an old villa into a guesthouse.

With good guidance from director Zeki Okten but an uninspired script, this story of a brother and his Turkish family influenced by old and new traditions is somewhat uneven. Bilal (Tarik Akan) is devoted to the art of wrestling, following in the footsteps of his father and grandfather, who were both champions at the sport. Aside from his interest in wrestling for its own sake, Bilal has a chance to win a provincial wrestling contest and thereby bring home a considerable cash award for his efforts -- and so his days are spent in training for the event. Meanwhile, his brother and sister-in-law and their daughter have come back home after living in Germany for 12 years and are finding the adjustment to their cultural roots a bumpy ride. As long scenes of well-oiled and slippery wrestlers in action prepare viewers for Bilal's big event, the struggle of these men is reminiscent of the struggle of Bilal's family to come to grips with a world they may not be able to accept unconditionally.

Late 19th century in Alexandria. Two traditionally rival Turkish families, "Seferoglu"s and "Tellioglu"s are competing for the "Green Valley". The winner will be determined by Daver Bey, who has a beautiful young daughter, Leyla. Both families try to arrange a marriage between a man from their family and Leyla, so that Daver Bey will be inclined to give the green valley to his "relatives". Tellioglus, who are behind in the race, desperately find a final solution: They will fake their idiotic butler, Saban, as the highest ranked Ottoman soldier in Egypt: Tosun Pasha.

Turkish Comedy

Hacer recently joined a factory where Hasan works and brings hope to her life. The two get married. Hacer is worried about the working conditions in the factory; she has a relationship with Hasan after she establishes a relationship with the union. Because of their disagreements, they are driven towards disaster.

A family migrates to Istanbul from the rural parts of Anatolia, and they bring their traditions with them. The men of the family are giving away the girls of the family in return for a hefty bride-price. Zelha, one of the girls, revolts against this attitude and tries to save her sisters.

Wacky, unrestrained, and with its own mystifying internal logic that cannot be entirely chalked up to the language barrier, this low-budget Turkish exploitation film from the 1973 is very weird, and both provide a very good time. THE DEATHLESS DEVIL introduces us to a young man (Kunt Tulgar) who discovers that he was adopted, and that his father was really a superhero named Copperhead. Like anyone who finds out such blood runs in his veins, he dons the Copperhead mask and goes into action. First on his list is the nefarious, mustached Dr. Satan, who has plans to steal technology that will let him control the world's robots and electronics. This technology belongs to a kindly professor and his pretty daughter, whose safety is now in Copperhead's hands. As he fights to bring the villain down, he finds time to enjoy the numerous Turkish beauties who disrobe for him.

Casus kiran (spy smasher) and his sidekick Sevda fights against a gang of evil spies.

After the release, Iki Gemi Yanyana (Two Ships Side by Side) stirred controversy over its treatment of lesbians, showing two women kissing each other on the lips (later, in Dul BirKadın (A Widow), director Atıf Yılmaz took up the same theme again). This scene creates a moment of interest in this otherwise conventional film.

About the robbery attempt of a journalist known for his clumsiness. Yaman, despite being clumsy, is a courageous journalist. No one takes her seriously except Gül in the newspaper she works for. Everybody makes fun of him. Gül is in love with him.