Milena Andonova

Filmes

Monkeys in Winter
Writer
Dona, Lukrecie and Tana - three women of different origins and destinies, whose stories unfold at different times. The tale of the Romany woman Dona begins in the 1960s. The only assets this beautiful and vital woman has are her three children fathered by different men. In order to secure a livelihood for them, she moves in with an older, but disabled man, who turns out to be a pervert. Ten years later, the ambitious Lukrecie is trying to avoid employment in the village. After she becomes pregnant by a prospective suitor, she meets an attractive young man who offers her a life abroad, something she had always dreamed of. Lukrecie resolves her situation in the most appalling way. Tana, the wife of a prosperous businessman, vainly longs to have a child. On the advice of a friend, she goes off to a spa, whose miraculous reputation is attributable to a skillful masseur. Her husband, however, is unmoved by the joyful news.
Monkeys in Winter
Director
Dona, Lukrecie and Tana - three women of different origins and destinies, whose stories unfold at different times. The tale of the Romany woman Dona begins in the 1960s. The only assets this beautiful and vital woman has are her three children fathered by different men. In order to secure a livelihood for them, she moves in with an older, but disabled man, who turns out to be a pervert. Ten years later, the ambitious Lukrecie is trying to avoid employment in the village. After she becomes pregnant by a prospective suitor, she meets an attractive young man who offers her a life abroad, something she had always dreamed of. Lukrecie resolves her situation in the most appalling way. Tana, the wife of a prosperous businessman, vainly longs to have a child. On the advice of a friend, she goes off to a spa, whose miraculous reputation is attributable to a skillful masseur. Her husband, however, is unmoved by the joyful news.
The White Room
Golyamata dashterya na Aleksandrov
In a white ward in a clinic a lifetime balance on the verge of death. Memories are herding together in the mind of seriously ill Aleksandrov, a scientist, who evaluates and reevaluates his own life: friendships, loves, career. Images of his youth are crowding in: of his beloved, of his children, of evenings, spent with his friends, ups and downs. And no one is able to say if all this made any difference.