David Gallego

Filmes

War Pony
Director of Photography
The interlocking stories of two Lakota boys growing up on Pine Ridge Reservation. At 23, Bill just wants to make something of himself. Meanwhile, 12-year-old Matho can’t wait to become a man. Bound by their shared search for belonging, each of the boys grapple with identity, family, and loss, as they navigate their unique paths to manhood.
Jornada Para o Inferno
Director of Photography
Na década de 1870, um jovem que abandonou Harvard busca seu destino no Oeste, vinculando seu destino a uma equipe de caçadores de búfalos liderada por um homem chamado Miller. Juntos, eles embarcam em uma jornada angustiante arriscando a vida e a sanidade.
Os Reis do Mundo
Cinematography
Cinco amigos deixam as ruas de Medellín e embarcam em uma jornada perigosa pela Colômbia para recuperar um terreno deixado pela avó de um deles.
The Last Son
Director of Photography
Um fora da lei tenta acabar com sua linha familiar maligna.
Wildland
Director of Photography
Following a car accident, which kills her mother, 17-year-old Ida moves in with her estranged aunt and her aunt’s grown sons. The home is filled with physical tenderness and love, but outside of the home, the family leads a violent and criminal life.
Sticks and Stones
Director of Photography
Simon moves from Copenhagen to Vesterby, where he meets Bjarke - the city's alpha male and heir to the local speaker empire. The two outsiders begin to challenge each other in cross-border actions, and the friendship grows. But when fraud forces the loudspeaker factory to go bankrupt, the city disintegrates, and Bjarke's family is blamed. Anger arouses the beast in Bjarke, and Simon must now choose whether to try to save his friend or withdraw from the course that Bjarke has set - towards his and Vesterby's downfall.
Pássaros de Verão
Director of Photography
No início da produção em massa de marijuana na Colômbia, um período que coincide com as origens do narcotráfico naquele país, uma família de indígenas se vê envolvida em uma guerra pelo controle de um negócio perigoso que acaba por destruir as suas vidas e a sua cultura.
Sal
Director of Photography
Sal is an odyssey whose hero has no home to return to. His is a search for transcendence in a landscape that pits him against a harsh, impervious human reality. Heraldo is a man with no identity who comes to the desert asking about his father. In this dystopian land, the last refuge of desperados who have no place in the world, he finds himself asking if maybe he is one of them when a strange couple, Don Salo and his wife, take him in.
Eu Não Sou uma Bruxa
Director of Photography
Depois de um incidente banal em sua vila, a menina de 8 anos Shula (Maggie Mulubwa) é acusada de bruxaria. Depois de um rápido julgamento, a garota se torna culpada e é levada em custódia pelo Estado, sendo exilada para um campo de bruxas no meio do deserto. No local, ela passa por uma cerimônia de iniciação em que aprende as regras da sua nova vida como bruxa. Como as outras residentes, ela é amarrada em uma grande árvore, sendo ameaçada de ser amaldiçoada e de se transformar em uma cabra caso corte a fita.
The Sacrifice
Director of Photography
Marcos, a withdrawn park ranger, sees the fragile balance achieved in his isolation collapse with the arrival of a couple of biologists investigating strange bird deaths. Unfortunately, the desire and envy for normality represented by the couple awaken the monster he has been trying to control. His face, his legs, and his arms don’t belong to him and as the desperation becomes incontrollable, he can only see one way out: mutilation.
O Abraço da Serpente
Director of Photography
Karamakate, outrora um poderoso xamã da Amazônia, é o último sobrevivente de seu povo, e agora vive em isolamento voluntário nas profundezas da selva. Os anos de solidão absoluta o tornam vazio, privado de emoções e memórias. Sua vida sofre uma reviravolta quando chega ao seu esconderijo remoto Evan, um etnobotânico americano em busca da Yakruna, uma poderosa planta capaz de ensinar a sonhar.
Violência
Director of Photography
A man in chains, a young man who dreams of being part of something, to become a militant for an armed group who must wield a cruelty in which he may not believe in. The characters, each voluntary or involuntary part of a mechanism that overcomes them, reveal their greatness or misery in the “minimum” tasks that they perform to survive. From that sometimes morbid poetry of the everyday and the irrefutable truth of the details, we see a country whose social body is sick and injured.
Rebel Ridge
Director of Photography
An ex-marine takes on a group of dirty cops.