Henri Gambart

Filmes

Les incohérences de Boireau
Director
Boireau is sleeping in his bed, floating in the air, when a fire wakes him. So he takes his gun and shoots a fish down from the sky...
Boireau au harem
Director
A pasha invites a photographer to his harem. A belly dancer performs for him, and then seduces him, getting him into trouble There are two versions of this film, one with a fully clothed dancer, and a second where she is scantily dressed.
Un rayon de soleil
Director
An old man goes out for a walk in a wheelchair, accompanied by an unreliable attendant.
Little Moritz, Reporter Photographer
Little Moritz
Maurice Schwartzman gets an assignment to take a photo of a strongman. The big fellow, however, doesn't want his picture taken, and is willing to throw Schwartzman out of a window to avoid it.
Little Moritz, Reporter Photographer
Director
Maurice Schwartzman gets an assignment to take a photo of a strongman. The big fellow, however, doesn't want his picture taken, and is willing to throw Schwartzman out of a window to avoid it.
Little Moritz aime Rosalie
Director
Maurice Schwartz and Sarah Duhamel meet at a party, and he falls instantly in love with her. She doesn't even notice him. He follows her and her escort home, and when she passes a note through her window to what she thinks is the other guy, Schwartz gets the note, and pursues the object of his affection.
Le fusil de Little Moritz
Director
Little Moritz gets a rifle that shoots little darts from hs father and immediately uses to it break windows and cause messes.
Little Moritz Runs Away With Rosalie
Director
L'apprenti architecte
Director
Jim's mother brings him to an architect's office to secure a position for him, and he is accepted. After clinging lovingly to his ma, he is induced to abandon his strangle hold, and he is taken into the drafting room. Here two clerks make merry with him, but he managed to even matters unconsciously by leaning on the heavy end of a table, upsetting it and all on it. Now his employers tell him to carry a set of plans, papers and instruments, with which he is to accompany them to a building. In the course of construction, Jim reaches to the top of a closet for some of the papers, upsets it, breaks some more furniture and finally reaches the street, struggling under a mass of paraphernalia, with which he strews his path as he goes.