Bob Neuwirth
Nascimento : 1939-06-20, Akron, Ohio, USA
Morte : 2022-05-18
História
Robert John "Bob" Neuwirth was an American folk singer, songwriter, record producer, and visual artist. He was noted for being the road manager and associate of Bob Dylan, as well as the co-writer of Janis Joplin's hit song "Mercedes Benz".
Self (archive footage)
65 Revisited é um documentário americano de 2007 dirigido por D. A. Pennebaker. Foi feito a partir de filmagens que o diretor fez para seu filme de 1967, Don't Look Back. Ambos os filmes mostram Bob Dylan e sua comitiva durante sua turnê de 1965 no Reino Unido. O filme mais recente inclui trechos de seu antecessor e adiciona várias apresentações de músicas completas.
Cinematography
On May 24, 2000, the historic Ryman Auditorium was booked to offer Nashvillians an evening of sublime beauty. Label executives and soundtrack producers so loved the music of O Brother, Where Art Thou? that they brought it to life as a benefit concert for the Country Music Hall of Fame. Filmmakers Joel and Ethan Coen loved it so much that they hired famed documentary filmmaker D.A. Pennebaker to record the show for posterity. The concert that unfolded that night was one of the greatest musical moments in the annals of Music City. Performers: John Hartford, Alison Krauss, Emmylou Harris, Gillian Welch, Chris Thomas King, The Cox Family, Fairfield Four, Union Station, Colin Linden, The Nashville Bluegrass Band, The Peasall Sisters, Ralph Stanley, David Rawlings, The Whites.
Producer
On May 24, 2000, the historic Ryman Auditorium was booked to offer Nashvillians an evening of sublime beauty. Label executives and soundtrack producers so loved the music of O Brother, Where Art Thou? that they brought it to life as a benefit concert for the Country Music Hall of Fame. Filmmakers Joel and Ethan Coen loved it so much that they hired famed documentary filmmaker D.A. Pennebaker to record the show for posterity. The concert that unfolded that night was one of the greatest musical moments in the annals of Music City. Performers: John Hartford, Alison Krauss, Emmylou Harris, Gillian Welch, Chris Thomas King, The Cox Family, Fairfield Four, Union Station, Colin Linden, The Nashville Bluegrass Band, The Peasall Sisters, Ralph Stanley, David Rawlings, The Whites.
Big Phil
The grunge girl band "No Exits" is just about to get a record deal. At this time Jimmy is appearing again, the former boy-friend of the band guitarist Shelly. She had left him because his friend had raped her. But he doesn't know that - up to now. Shelly has fallen in love with the band singer Suzy in the meantime. But she still loves Jimmy, too. So she moves to him again, what Suzy doesn't like that all. Especially because she is becoming a feminist.
Porter
Two Welsh women win a trip to Hollywood.
Self
Interviews with celebrities such as Joan Baez, Jackson Browne, Dennis Hopper and Willie Nelson examine the remarkable career of actor-performer Kris Kristofferson, who successfully bridged the gap between Hollywood and Nashville. From his mastery of the "New Nashville" sound on his 1972 album "Jesus Was a Capricorn" to his role in the 1974 film Alice Doesn't Live Here Anymore, Kristofferson has shown an agility that's hard to match.
Stage Director
It's no exaggeration to say this might be the most intense and groundbreaking 45-minute performance in the history of rock. Jimi Hendrix's debut American set at 1967's Monterey Pop Festival is generally considered one of the most radical and legendary live shows ever. Virtually unknown to American audiences at the time, even though he was already an established entity in the UK, Hendrix and his two-piece Experience explode on stage, ripping through blues classics "Rock Me Baby" and Howlin' Wolf's "Killing Floor," interpreting and electrifying Bob Dylan's "Like a Rolling Stone," debuting songs from his yet-to-be-released first album and closing with the now historic sacrificing/burning of his guitar during an unhinged version of "Wild Thing" that even its writer Chip Taylor would never have imagined. Hendrix uses feedback and distortion to enhance the songs in whisper-to-scream intensity, blazing territory that had not been previously explored with as much soul-frazzled power.
The Masked Tortilla
Filmed in the autumn of 1975 prior to and during Bob Dylan's Rolling Thunder Revue tour – featuring appearances and performances by Ronee Blakley, T-Bone Burnett, Jack Elliott, Allen Ginsberg, Arlo Guthrie, Ronnie Hawkins, Roger McGuinn, Joni Mitchell, Mick Ronson, Arlen Roth, Sam Shepard, and Harry Dean Stanton – the film incorporates three distinct film genres: concert footage, documentary interviews, and dramatic fictional vignettes reflective of Dylan's song lyrics and life.
Self
From the fall of 1975 to the summer of 1976, Bob Dylan took a happy gaggle of musicians out on a two-leg tour dubbed the Rolling Thunder Review.
Self
Eat the Document is a documentary of Bob Dylan's 1966 tour of the United Kingdom with the Hawks. It was shot under Dylan's direction by D. A. Pennebaker, whose groundbreaking documentary Dont Look Back chronicled Dylan's 1965 British tour. The film was originally commissioned for the ABC television series Stage '66. Though shooting had completed for the film, Dylan's July 1966 motorcycle accident delayed the editing process. Once well enough to work again, Dylan edited the film himself. ABC rejected the film as incomprehensible for a mainstream audience.
Self
A Caminho do Leste é considerado um dos documentários musicais mais revolucionários de todos os tempos. Aqui, o diretor D. A. Pennebaker acompanha Bob Dylan durante sua turnê pela Inglaterra em 1965 e capta momentos da intimidade do artista que nunca mais voltaríamos a ver.
