This comedy of errors revolves around a hapless 30-year-old named Arturo. His penchant for indiscretions is as impossible to overlook as the finesse with which the film glides from March 2020 to the preceding decade and back again.
Juana
A heat wave strikes Buenos Aires and Juana has to stay while everyone is on vacation; for her everything seems repetitive and dull, and a pop song about the sea follows her everywhere.
O filme conta a história de Claudia, que aparece em um bar para conhecer Luis, um médico que a contatou através de um aplicativo de namoro. Claudia não pode imaginar o que o destino tem reservado para ela. Um sequestro que termina com uma morte inevitável e imprevisível.
Rosa
It’s 1955. Rosa a skillful seamstress becomes the only witness of a murder. In a time of political tension in Argentina, the crime’s investigation will trigger the final resolution of the conflict and sealed Rosa’s destiny for good. A typical crime film with the exception that the detective is a housewife.
Julia
Julia, wife of a wealthy lord living near the Iguazu Falls, has nightmares for several days. The lord builds a fence to ward off the indigenous people, the Guarani tribe, but Julia is still anxious about her son Manuel’s safety. One day Manuel suddenly disappears, and when searching for him, Julia runs into her maid, Kerana, who was believed to have died one year before, under the falls.
Guillermina
Laura
Arturo (Guillermo Francella) é um negociante de arte sem escrúpulos. Ele é amigo há muitos anos de Renzo (Luis Brandoni), um pintor com poucas habilidades sociais. Dispostos a arriscar tudo, os dois desenvolvem um plano mirabolante para se dar bem no mundo da arte.
Niña Perro
In the midst of an inclement summer, Tavo works as a pool in a country town in the Buenos Aires suburbs, forming a silent part of a landscape and a community that keeps him at bay for class reasons.
Paulina
Three rooms, three different moments of a relationship.
An unconventional portrayal of several young women witnessed in immersive yet indeterminate states: within their bodies, among their friends and lovers, and ultimately in a culture of economic and spiritual recession. Obliquely inspired by Bela Bartok’s sole opera, Bluebeard’s Castle.
Six friends return to the big farmhouse in the middle of a subtropical landscape where their best friend Miguel spent his last days. While the sound of his recordings fills the house and gardens, they pack the things he left behind. Brzezicki's directorial début is a haunting sensorial journey through memories, images and sounds.
Two sisters come to an old family house on the outskirts of the city. They want to avoid his father, who is in the country after a long time.
Fleeing homophobic attacks, Nino moves to a rural house amidst a forest haunted by Almamula, a monster that takes those who commit carnal sins. In a world of whispers, unspoken desires and prayers, Nino’s curiosity and impulses rise to the surface.
