Guido Notari

O filme conta a intrigante história de Sonia, a camareira de um hotel. Quando ela conhece Guido, um ex-policial, em um “speed date” (uma espécie de agência de encontros), ocorre uma atração mútua e aos poucos começam a se conhecer, bem como desvendar as próprias feridas. Estão a ponto de se apaixonarem, quando Guido morre inesperadamente em um assalto. Sonia se vê sozinha, vivendo um luto onde não consegue encontrar sentido. Enquanto o passado de Sonia é revivido, com todos os seus nós não desatados, a realidade que a circunda começa a entrar em colapso. Quem é a verdadeira Sonia? E, sobretudo, é mesmo Guido aquele que ela continua a ver, além de qualquer lógica plausível? O que fará quando lhe for oferecida uma segunda chance?

Há mais de 3 mil anos, Tróia era próspera, cuja localização a permitiu dominar o Helesponto (hoje conhecido como estreito de Dardanelos). Esta era a única rota marítima que ia e vinha do oriente, o que gerava muitas riquezas para Tróia, que se tornou um troféu de guerra tentador para as nações gregas. Os troianos se lembravam de quando os gregos, liderados por Esparta, saquearam e queimaram a cidade dos ancestrais. Em razão disto os troianos haviam preparado fortes defesas, para a possibilidade de futuros ataques. Guardada por grandes muralhas, a nova Tróia era um abrigo impenetrável para um povo feliz.

Giacomo Casanova returns to Venice, to help his brother, falsely accused of robbery.

A young student of an upper-class background who is surrounded by classmates that are of working-class backgrounds, after a novel in diary format by Enrico Bottini.

An opera singer hides an American soldier in his house in Nazi-occupied Rome.

Two half brothers, one a pilot, the other a repairman at the plane factory of their father, are in a disagreement due to the envy of the younger brother, son of the first wife of their father. Then both brothers fall in love with the same woman; this causes more conflict between the two, making worse an already tense situation.

Italian film from 1942.

The Italian troops at Giarabub defend themselves against the British.

The film is set in 1941 during the Second World War, when the city of Benghazi in Italian-ruled Libya was occupied by British forces. Italian inhabitants of Benghazi work to resist the British and discover their military plans. One man, Captain Enrico Berti, appears to be collaborating with the British but is in fact working undercover for Italian intelligence. The film ends with the city being recaptured by Italian troops and their Nazi German allies.

A young man, despite his qualification, can not find work and, after several attempts, asks a classmate, who is secretary of the President of an important Hungarian bank, to make him have a desk in his room and to do so pass for an employee.

The tale of two fish in love, threatened by an octopus and saved by an eel.

Set during the Spanish civil war, the story of a commander of a fort Alcazar in Toledo, faithful to general Franco.

An American starlet inflames two Italian peasants who forget about their respective fiance's. One of them even thinks of marrying her and begins to plan for the engagement banquet. When the girl decides to live the countryside harmony reigns again.

An ex-boxer has trained his own son and leads him on to win the middle-weight championship of Italy. But the boy falls easy prey to a woman of light morals and renounces the hard work of sport to follow her to a winter luxury resort and at a certain moment, offers to marry her but she, not wanting to give up an advantageous connection, turns him down, advising the youth to not change the nature of their relationship. Then, the boy feeling the entire baseness of his situation, returns home to his parents who welcome him back with joy and takes up again a commitment to sport.

Italian filmmaker Carmine Gallone was still in his "operetta" mode when he helmed 1938's Il Sogno di Butterfly (Dream of the Butterfly) Maria Cebotari plays opera diva Rosa Belloni, currently starring in a production of Puccini's Madama Butterfly. The plot thickens when Rosa's backstage life begins to mirror the travails of the character she is portraying. The climax comes when Harry Peters (Fosco Giachetti), the American father of Rosa's illegitimate child, returns after four years with his new wife in tow, leading inexorably to a doleful ending both on- and offstage. Critics complained about the substandard photography in Il Sogno di Butterfly, but this might have been due to poor laboratory work.